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With all its social formation people of pastoral life move in eternity unlocated. They stand there not as copies of movement but images. Before and hereafter Ramiz Aydin's paintings sense of musical rhythm is realized dominantly. This realization is never eccentric but appears as a complete canvas painting with pastel tones of color involving the figures with surroundings of the objects. These compositions of the artist could be depicted as paintings of pastoral life and the city art with the analysis of society and perceptive musical descriptions of city people revealing the individual and social directions of the artist's ideas.
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