![]() INTRODUCTION mailto:[email protected] For an enthusiastic artist, inexhaustible energy, creativity, erudition, and a large amount of emergent works are his important requirements. But in the real context, the opposing factors of time limitation, physical exhaustion, routine jobs, trifle in life, and recreational entertainment are supposed to be well balanced and arranged with above-mentioned requirements. It has long been my habit in creative experiences to produce piece after piece as recording each stage of life, by applying the refined procedures of catching the all reachable creative conditions. Such fondness for creation enhances personal delight and tranquillity so that I feel substantial fulfillment in mind no matter what results will come about. I make use of every recollection, representation, imagination, criticism, compliment, and recounting, which are all transformed into self-contentment through the whole creative process. However, It is the loneliness pervasive over and through the creative process, which is unavoidable, for a creator can not predict the predestined time of completion of his work. I have been attracted by the American contemporary watercolor style since 1988, engaged in the exploration of collage as an art expression, focusing on the accessibility of naturally forming space division. After nearly five years of experimentation, my thoughts interwoven between cubism and futurist ideas, were eager to pursue resolution. I found that reordering the procedures of techniques of the traditional watercolor by adopting the process of washes solved my perplexity for a while. This kind of block division, caused by the washes of card board, can temporarily stand for my personal image, which is continuously wondering around the hypothetical space. It is just like thoughts which incessantly circulated in specific time and space. Self-expectation and persisting in the exploitation of joy will be my personal future targets of endeavor. In the never-ending tour of creation, I have fortunately gained inspiration from former teachers and advanced artists and support from my family. I am deeply indebted to teachers and friends who have taken care of me, and I hope all advanced artists or like-minded comrades will give me their criticism and reflection. ¡@ Misure Nein in 1999.3 |
||
| Chinese version | ||
¡@