S T A R W A R S EPISODE VI REVENGE OF THE JEDI BY LAWRENCE KASDAN AND GEORGE LUCAS FROM THE NOVEL BY GEORGE LUCAS SECOND DRAFT - DECEMBER 19, 1982 --------------------------------------------------------------------------------------- SPACE The boundless heavens serve as a back-drop for the MAIN TITLE, followed by a ROLL-UP, which crawls into infinity. Episode VI: REVENGE OF THE JEDI... Luke Skywalker has returned to his home planet of Tatooine in an attempt to rescue his friend Han Solo from the clutches of the vile gangster Jabba the Hutt. Little does Luke know that the GALACTIC EMPIRE has secretly begun construction on a new armored space station even more powerful than the first dreaded Death Star. When completed, this ultimate weapon will spell certain doom for the small band of Rebels struggling to restore freedom to the galaxy... PAN DOWN to reveal a monstrous half-completed Death Star, its massive superstructure curling away from the completed section like the arms of a giant octopus. Beyond, in benevolent contrast, floats the small, green moon of ENDOR. An Imperial Star Destroyer moves overhead toward the massive armored space station, followed by two zipping TIE fighters. A small Imperial shuttle rockets from the main bay of the ship and hustles toward the Death Star. 2 INT IMPERIAL SHUTTLE - COCKPIT 2 The shuttle captain makes contact with the Death Star. SHUTTLE CAPTAIN Command station, this is ST 321. Code Clearance Blue. We're starting our approach. Deactivate the security shield. DEATH STAR CONTROLLER (filtered VO) The security deflector shield wyll be deactivated when we have confirmation of your code transmission. Stand by... You are clear to proceed. SHUTTLE CAPTAIN We're starting our approach. 3 INT DEATH STAR - CONTROL ROOM 3 Operators move about among the control panels. A SHIELD OPERATOR hits switches beside a large screen, on which is a display of the Death Star, the moon Endor, and a bright web delineating the invisible deflector sxield. A c OFFICER Inform the commander that Lord Vader's shuttle has arrived. OPERATOR Yes, sir. Imperial shuttle lands in the massive docking bay. A squad of Imperial stormtroopers moves into formation before the craft. 4 INT DEATH STAR - MAIN DOCKING BAY 4 The DEATH STAR COMMANDER, MOFF JERJERROD, a tall, confident technocrat, strides through the assembled troops to the base of the shuttle ramp. The troops snap to attention; many are uneasy about the new arrival. But the Death Star commander stands arrogantly tall. The exit hatch of the shuttle opens with a WHOOSH, revealing only darkness. Then, heavy FOOTSTEPS AND MECHANICAL BREATHING. From this black v looks over the assemblage as he walks down the ramp. JERJERROD Lord Vader, this is an unexpected pleasure. We're honored by your presence. VADER You may dispense with the pleasantries, Commander. I'm here to put you back on schedule. The commander turns ashen and begins to shake. JERJERROD I assure you, Lord Vader, my men are working as fas| as they can. VADER Perhaps I can find new ways to motivate them. JERJERROD I tell you, this station will be operational as planned. VADER The Emperor does not share your optimistic appraisal of the situation. JERJERROD But he asks the impossible. I need more men. VADER Then perhaps you can tell him when he arrives. JERJERROD (aghast) The Emperor's coming here? VADER That is correct, Commander. And he is most displeased with your apparent lack of progress. JERJERROD We shall double our efforts. VADER I hope so, Commander, for your sake. The Emperor is not as forgiving as I am. 5 EXT ROAD TO JABBA'S PALACE - TATOOINE 5 A lonely, windswept road meanders through the desolate Tatooine terrain. We HEAR a familiar BEEPING and a distinctive reply before catching sight of ARTOO-DETOO and SEE-THREEPIO, making their way along the road toward the ominous palace of Jabba the Hutt. THREEPIO Of course I'm worried. And you should be, too. Lando Calrissian and poor Chewbacca never returned from this awful place. Artoo whistles timidly. THREEPIO Don't be so sure. If I told you half the things I've heard about this Jabba the Hutt, You'd probably short-circuit. The two droids fearfully approach the massive gate to the palace. THREEPIO Artoo, are you sure this is the right place? I better knock, I suppose. 6 EXT JABBA'S PALACE - GATE Threepio looks around for some kind of signaling device, then timidly knocks on the iron door. THREEPIO (instantly) There doesn't seem to be anyone there. Let's go back anl tell Master Luke. A small hatch in the middle of the door opens and a spidery mechanical arm, with a large electronic eyeball on the end, pops out and inspects the two droids. STRANGE VOICE Tee chuta hhat yudd! THREEPIO Goodness gracious me! Threepio points to Artoo, then to himself. THREEPIO Artoo Detoowha bo Seethreepiowha ey toota odd mischka Jabba d} Hutt. The eye looks from one robot to the other, there is a laugh then the eye zips back into the door. The hatch slams shut. Artoo beeps his concern. THREEPIO I don't think they're going to let us in, Artoo. We'd better go. Artoo beeps his reluctance as Threepio turns to leave. Suddenly the massive door starts to rise with a horrific metallic SCREECH. The robots turn back and face an endless black cavity. The droids look at one another, afraid to enter. Artoo starts forward into the gloom. Threepio rushes after his stubby companion. The door lowers noisily behind them. THREEPIO Artoo, wait. Oh, dear! Artoo. Artoo, I really don't think we should rush into all this. Artoo continues down the corridor, with Threepio following. THREEPIO Oh, Artoo! Artoo, wait for me! 7 INT JABBA'S PALACE - HALLWAY 7 The door slams shut with a loud crash that echoes throughout the dark passageway. The frightened robots are met by two giant, green GAMORREAN GUARDS, who fall in behind them. Threepio g|ances quickly back at the two lumbering brutes, then back to Artoo. One guard grunts an order. Artoo beeps nervously. THREEPIO Just you deliver Master Luke's message and get us out of here. Oh my! Oh! Oh, no. Walking toward them o}t of the darkness i humanlike alien with long tentacles protruding from his skull. BIB Die Wanna Wanga! THREEPIO Oh, m}! Die Wanna Wauaga. We -- we bring a message to your master, Jabba the Hutt. Artoo lets out a series of quick beeps. THREEPIO (cont) ... and a gift. (thinks a moment, then to Artoo) Gift, what gift? Bib shakes his head negatively. BIB Nee Jabba no badda. Me chaade su goodie. Bib holds out his hand toward Artoo and the tiny droid backs up a bit, letting out a protesting array of squeaks. Threepio turns to the strange-looking alien. THREEPIO He says that our instructions are to give it only to Jabba himself. Bib thinks about this for a moment. THREEPIO I'm terribly sorry. I'm afraid he's ever so stubborn about these sort of things. Bib gestures for the droids to follow. BIB Nudd Chaa. The droids follow the tall, tentacled alien into the darkness, trailed by the two guards. THREEPIO Artoo, I have a bad feeling about this. 8 INT JABBA'S THRONE ROOM 8 The throne room is filled with the vilest, most grotesque CREATURES ever conceived in the universe. Artoo and Threepio seem very s}all as they pause in the doorway to the dimly lit chamber. Light shafts partially illuminate the drunken courtiers as Bib Fortuna crosses the room to the platform upon which rests the leader of this nauseating crowd: JABBA THE HUTT. The monarch of the galactic underworld is a repulsive blob of bloated fat with a maniacal grin. Chained t alien female dancer named OOLA. At the foot of the dais sits a~ obnoxious birdlike creature, SALACIOUS CRUMB. Bib whispers s horribly, at the two terrified droids before him. Threepio bows politely. THREEPIO Good morning. JABBA B The robots jump forward to stand before the repulsive, loose- skinned villain. THREEPIO The message, Artoo, the message. Artoo whistles, and a beam of light projects from his domed head, creating a HOLOGRAM of LUKE on the floor. The image grows to over ten feet tall, and the young Jedi towers over the space gangsters. LUKE Greetings, Exalted One. Allow me to introduce myself. I am Luke Skywalker, Jedi Knight and friend to Captain Solo. I know that you are powerful, mighty Jabba, and that your anger with Solo must be equally powerful. I seek an audience with Your Greatness to bargain for Solo's life. (Jabba's crowd lauohs) With your wisdom, I'm sure that we can work out an arrangemen| which will be mutually beneficial and enable us to avoid any unpleasant confrontation. As a token of my goodwill, I present to you a gift: these two droids. Threepio is startled by this announcement. THREEPIO What did he say? LUKE (cont) ... Both are hardworking and will serve you well. THREEPIO This can't be! Artoo, you're playing the wrong message. Luke's hologram disappears. Jabba laughs while Bib speaks to him in Huttese. JABBA (in Huttese subtitled) There will be no bargain. THREEPIO We're doomed. JABBA (in Huttese subtitled) I will not give up my favorite decoration. I like Captain Solo where he is. Jabba laughs hideously and looks toward an alcove beside the throne. Hanging high, flat against the wall, exactly as we saw him last, is a carbonized HAN SOLO. THREEPIO Artoo, look! Captain Solo. And he's still frozen in carbonite. 9 INT DUNGEON CORRIDOR 9 One of Jabba's Gamorrean guards marches Artoo and Threepio down a dank, shadowy passageway lined with holding cells. The cries of unspeakable creatures bounce off the cold stone walls. Occasionally a repulsive arm or tentacle grabs through the bars at the hapless droids> Artoo beeps pitifully. THREEPIO What could possibly have come over Master Luke. Is it something I did?He never expressed any unhappiness with my work. Oh! Oh! Hold it! Ohh! A large tentacle wraps around Threepio's neck. He manages t break free, and they move on to a door at the end of the corridor. 10 INT BOILER ROOM 10 The door slides open, revealing a room filled with steam and noisy machinery. The guard motions them into the boiler room, where they are met by a tall, thin humanlike robot named EV-9D9 (EVE-NINEDENINE). Behind the robot can be seen a torture rack pulling the legs off a screaming baby work droid. A second power droid is upside down. As smoking branding irons are pressed into his feet, the stubby robot lets out an agonized electronic scream. Artoo and Threepio cringe as the guard grunts to EV-9D9. NINEDENINE Ah, good. New acquisitions. You are a protocol droid, are you not? THREEPIO I am See-Threepio, human-cy... NINEDENINE Yes or no will do. THREEPIO Oh. Well, yes. NINEDENINE How many languages do you speak? THREEPIO I am fluent in over six million forms of communication, and can readily... NINEDENINE Splendid! We have been without a~ interpreter since our master got angry with our last protocol droid and disintegrated him. THREEPIO Disintegrated? NINEDENINE (to a Gamorrean guard) Guard! This protocol droid might be useful. Fit him with a restraining b back to His Excellency's main audience chamber. The guard shoves Threepio toward the door. THREEPIO (disappearing) Artoo, don't leave me! Ohhh! Artoo lets out a plaintive cry as the door closes. Then he beeps angrily. NINEDENINE You're a feisty little one, but you'll soon learn some respect. I have need for you on the master's Sail Barge. And I think you'll fit in nicely. The poor work droid in the background lets out another tortured electronic scream. 11 INT JABBA'S THRONE ROOM 11 The court of Jabba the Hutt is in the midst of a drunken, raucous party. Sloppy, smelly monsters cheer and make rude noises as Oola and a fat female dancer perform in front of Jabba'{ throne. Jabba leers at the dancers and with a lustful gleam in his eye beckons Oola to come and sit with him. She stops dancing and backs away, shaking her head. Jabba gets angry and points to a spot next to him. JABBA Da Eitha! The lovely alien shakes her head again and screams. OOLA Na Chuba negatorie Na! Na! Natoota... Jabba is furious and pulls her toward him, tugging on the chain. JABBA Boscka! He pushes a button and, before the dancer can flee, a trap door in the floor springs open and swallows her up. As the door snaps shut, a muffled growl is followed by a hideous scream. Jabba and his monstrous friends laugh hysterically and several revelers hurry over to watch her fate through a grate. Threepio cringes and glances wistfully at the carbonite form of Han S An unnatural quiet sweeps the boisterous gathering. On the far side of the room, the crush of debauchers moves aside to allow the approach of two guards followed by BOUSHH, an oddly cloaked bounty hunter, leading his captive, Han Solo's copilot, CHEWBACCA THE WOOKIEE. Bib takes his place next to his disgusting master, and whispers into his ear, pointing at Chewbacca and the bounty hunter. Jabba listen{ intently, then the bounty hunter bows before the gangster and speaks a greeting in a strange, electronically processed tongue (Ubese). BOUSHH (in Ubese subtitled) I have come for the bounty on this Wookiee. THREEPIO Oh, no! Chewbacca! JABBA (in Huttese subtitled) At last we have the mighty Chewbacca. Jabba lets out a loud, long, blood-curdling laugh and turns to Threepio, waving him closer. The reluctant droid obeys. THREEPIO Oh, uh, yes, uh, I am here, Your Worshipfulness. Uh... yes! Jabba continues speaking, as Threepio nervously translates. Boushh listens, studying the dangerous creatures around the room. He notices BOBA FETT standing near the door. THREEPIO Oh. The illustrious Jabba bids you welcome and will gladly pay you the reward o~ twenty- five thousand. BOUSHH (in Ubese subtitled) I want fifty thousand. No less. Jabba immediately flies into a rage, knocking the golden droid off the raised throne into a clattering heap on the floor. Boushh adjusts his weapon as Jabba raves in Huttese and Threepio struggles back onto the throne. The disheveled droid tries to compose himself. THREEPIO Uh, oh... but what, what did I say? (to Boushh) Uh, the mighty Jabba asks why he must pay fifty thousand. The bounty hunter holds up a small silver ball in his hand. Threepio looks at it, then looks at Jabba, then back to the bounty hunter. The droid is very nervous and Jabba is getting very impatient. THREEPIO Because he's holding a thermal detonator. The guards instantly back away, as do most of the other monsters in the room. Jabba stares at the silver ball, which begins t glow in the bounty hunter's hand. The room has fallen into a tense hush. Jabba stares at the bounty hunter malevolently until a sly grin creeps across his vast mouth and he begins to laugh. JABBA (in Huttese subtitled) This bounty hunter is my kind of scum. Fearless and inventive. Jabba continues. THREEPIO Jabba offers the sum of thirty-five. And I suggest you take it. Bib and the other monsters study the bounty hunter and wait for his reaction. Boushh releases a switch on the thermal detonator and it goes dead. BOUSHH Zeebuss. THREEPIO He agrees! The raucous crowd o~ monsters erupts in a symphony of cheers and applause as the party returns to its full noisy pitch. Chewbacca growls. As he is led away we spot LANDO CALRISSIAN, disguised as a skiff guard in a partial face mask. The band starts up and dancing girls take the center o~ the floor, to the hoots of the loudly appreciative creatures. Boushh leans against a column with gunfighter cool and surveys the scene, his gaze stopping only when it connects with a glare from across the room. Boba Fett is watching him. Boushh shifts slightly, cradling his weapon lovingly. Boba Fett shifts with equally ominous arrogance. 12 INT DUNGEON CORRIDOR AND CELL 12 Gamorrean guards lead Chewie down the same hallway we saw before. When a tentacle reaches o}t at the Wookiee, Chewie's ferocious ROAR echoes against the walls and the tentacle snaps back into its cell in terror. It takes all the guards t roughly into a cell, slamming the door behind him. Chewie lets out a pathetic howl and bangs on the iron door. 13 EXT JABBA'S PALACE 13 The palace is sitting in the light of the double sunset. On the road in front, a large toadlike creature flicks its tongue out for a desert roden| and burps in satisfaction. 14 INT JABBA'S THRONE ROOM - NIGHT 14 Sylence. The room is deserted, only the awful debris of the alien celebration giving mute witness to the activity here before. Several drunk creatures lie unconscious around the room, snoring loudly. A shadowy figure moves stealthily among the columns at the perimeter of the room and is revealed to be Boushh, the bounty hunter. He picks his way carefully through the snoring, drunken monsters. Han Solo, the frozen space pirate, hangs spotlighted on the wall, his coffin-like case suspended by a force field. The bounty hunter deactivates the force field by flipping a control switch to one side of the coffin. The heavy case slowly lowers to the floor of the alcove. Boushh steps up to the case, studying Han, then turns t controls on the side of the coffin. He activates a series of switches and, after one last, hesitant look at Han, slides the decarbo~ization lever. The case begins to emit a sound as the hard shell covering the contours of Han's face begins to melt away. The bounty hunter watches as Han's body is freed of its metallic coat and his forearms and hands, previously raised in reflexive protest, drop slackly to his side. His face muscles relax from their mask of horror. He appears quite dead. Boushh's ugly helmet leans close to Han's face listening for the breath of life. Nothing. He waits. Han's eyes pop open with a start and he begins coughing. The bounty hunter steadies the staggering newborn. BOUSHH Just relax for a moment. You're free of the carbonite. Han touches his face with his hand and moans. BOUSHH Shhh. You have hibernation sickness. HAN I can't see. BOUSHH You eyesight will return in time. HAN Where am I? BOUSHH Jabba's palace. HAN Who are you? The bounty hunter reaches up and lifts the helmet from his head, revealing the beautiful face of PRINCESS LEIA. LEIA Someone who loves you. HAN Leia! LEIA I gotta get you out of here. As Leia helps her weakened lover to stand up, the relative quiet is pierced by an obscene HUTTESE CACKLE from the other side of the alcove. HAN What's that? I know that laugh. The curtain on the far side of the alcove opens, revealing Jabba the Hutt, surrounded by Bib and other aliens. He laughs again, and his gross cronies join in a cacophony of alien glee. HAN Hey, Jabba. Look, Jabba, I was just on my way to pay you back, but I got a little sidetracked. It's not my fault. Jabba laughs. JABBA (in Huttese subtitled) It's too late for that, Solo. You may have been a good smuggler, but now you're Bantha fodder. HAN Look... JABBA (cont Huttese subtitled) Take him away! The guards grab Han and start to lead him away. HAN Jabba... I'll pay you triple! You're throwing away a fortune here. Don't be a fool! Han is dragged off, as Lando quickly moves forward and attempts to lead Leia away. JABBA (in Huttese subtitled) Bring her to me. Jabba chuckles as Lando and a second guard drag the beautiful young princess toward him. Threepio peeks from behind a monster and quickly turns away in disgust. LEIA We have powerful friends. You're gonna regret this... JABBA (in Huttese subtitled) I'm sure. Inexorably her lovely face moves to within a few inches of Jabba's ugly blob of a head, and Leia turns away in disgust. LEIA Ugh! THREEPIO Ohhh, I can't bear to watch. 15 INT DUNGEON CELL 15 The heavy metal door of the dungeon whines and slowly creaks open. A guard throws the blinded star captain into the dark cell and the door slams shut behind him, leaving only a thin s|iver of light from a crack in the door. Han is trying to collect himself when suddenly a growl is heard from the far side of the cell. He jumps back against the cell door and listens. HAN Chewie? Chewie, is that you? The shadowy figure lets out a crazy yell and races toward Han, lifting him off the ground with a big hug that carries them into the light, revealing Chewie. HAN Ah! Chew--Chewie! The giant Wookiee barks with glee. HAN Wait. I can't see, pal. What's goin' on? Chewie barks a~ excited blue streak. HAN Luke? Luke's crazy. He can't even take care of himself, much less rescue anybody. Chewie barks a reply. HAN A...Jedi Knight? I--I'm out of it for a little while, everybody gets delusions of grandeur. Chewie growls insistently. He holds Han to his chest and pets his head. HAN I'm all right, pal. I'm all right. 16 INT MAIN GATE AND HALL - JABBA'S PALACE 16 Noisily, the main gate lifts to flood the blackness with blinding LIGHT and reveal the silhouetted figure of LUKE SKYWALKER> He is clad in a robe similar to Ben's and wears neither pistol nor laser sword. Luke strides purposefully into the hallway. Two giant guards move to block Luke's path. Luke halts. Luke raises his hand and points at the puzzled guards< who immediately lower their spears and fall back. The young Jedi lowers his hand and moves on down the hallway. Bib Fortuna appears out of the gloom. He speaks to Luke as they approach each other, but Luke doesn't stop and Bib must reverse his direction and hurry alongside the young Jedi in order to carry on the conversation. Several other guards fall in behind them in the darkness. LUKE I must speak with Jabba. Bib answers in Huttese, shaking his head i~ denial. Luke stops and stares at Bib; he raises his hand slightly. LUKE You will take me to Jabba now! Bib turns in hypnotic response to Luke's command, and Luke follows him into the gloom. LUKE You serve your master well. Bib responds. LUKE And you will be rewarded. 17 INT JABBA'S THRONE ROOM 17 Jabba is asleep on his throne, with Leia lying in front of him. Salacious sits by Jabba's tail, watching it wriggle. Leia is now dressed in the skimpy costume of a dancing girl; a chain runs from a manacle/necklace at her throat to her new master, Jabba the Hutt. Threepio stands behind Jabba as Bib comes up to the gangster slug. THREEPIO At last! Master Luke's come to rescue me. BIB Master. Jabba awakens with a start and Bib continues, in Huttese. BIB ...Luke Skywalker, Jedi Knight. JABBA (in Huttese subtitled) I told you not t LUKE I must be allowed to speak. BIB (in Huttese subtitled) He must be allowed to speak. Jabba, furious, clobbers Bib and shoves him away. JABBA (in Huttese subtitled) You weak-minded fool! He's using an old Jedi mind trick. Luke stares hard at Jabba. LUKE You will bring Captain Solo and the Wookiee to me. JABBA (in Huttese subtitled) Your mind powers wyll not work on me, boy. LUKE Nevertheless, I'm taking Captain Solo and his friends. You can either profit by this... or be destroyed! It's your choice. But I warn you n Jabba's laugh is mean and loud. Threepio attempts to warn Luke about the pit. THREEPIO Master Luke, you're standing on... JABBA (in Huttese subtitled) There will be no bargain, young Jedi. I shall enjoy watching you die. Luke reaches out, and a pistol jumps out of a guard's holster and flies into Luke's hand. The bewildered guard grabs for it as Jabba raises his hand. JABBA Bascka! The floor suddenly drops away, sending Luke and the hapless guard into the pit. The pistol goes off, blas|ing a hole in the ceiling. Jabba laughs and his courtiers join in. Leia starts forward but is restrained by a human guard-- Lando, recognizable behind his mask. She looks at him and he shakes his head "no." 18 INT RANCOR PIT 18 Luke and the guard have dropped twenty-five feet from a chute into the dungeonlike cage. Luke gets to his feet as the guard yells hysterically for help. A crowd gathers up around the edge of the pit as the door i~ the side of the pit starts to RUMBLE open. The guard screams in panic. Luke looks calmly around for a means of escape. THREEPIO Oh, no! The Rancor! At the side of the pit, an iron door rumbles upward and a giant, fanged RANCOR emerges. The guard runs to the side of the pit and tries futilely to scramble to the top. The hideous beast closes in on him. The Rancor moves past Luke, and as the guard continues to scramble, the Rancoz picks him up and pops him into its slavering jaws. A few screams, and the guard is swallowed with a gulp. The audience cheers and laughs at the guard's fate. The monster turns and starts for Luke. The young Jedi dashes away just ahead of the monster's swipe at him, and picks up the long arm bone of an earlier victim. The monster grabs Luke and brings him up to his salivating mouth. At the last moment, Luke wedges the b monster bellows in rage and flails about, hitting the syde of the pit, causing an avalanche. The monster crushes the bone in its jaws and sees Luke, who squeezes into a crevice in the pit wall. Luke looks past the monster to the holding cave beyond. On the far side of the holding cave is a utility door--if only he can get to it. The Rancor spots Luke and reaches into the crevice for him. Luke grabs a large rock and raises it, s}ashing it down on the Rancor's finger. 19 HOLDING TUNNEL - RANCOR PIT 19 The Rancor lets out a loud howl as Luke makes a run for the holding cave. He reaches the door and pushes a button to open it. When he succeeds, he sees a heavy barred gate between him and safety. Beyond the gate two guards look up from their dinner. Luke turns to see the monster heading for him, and pulls with all his might on the gate. The guards move t poking at the young Jedi with spears, laughing. Luke crouches (against the wall) as the monster starts to reach for him. Suddenly he notices a main door control panel halfway up the wall. As the Rancor moves in for the kill, Luke picks up a skull from the cave floor and hurls it at the panel. The giant overhead door comes crashing down on the beast's head, squashing it like a sledgehammer on an egg. A startled gasp is heard from the stunned court. There's consternation at this turn of events. Heads look to Jabba, who is actually turning red with anger. Leia cannot suppress her joy. Jabba utters harsh commands to his guards and they hurry off. JABBA (in Huttese subtitled) Bring me Solo and the Wookiee. They will all suffer for this outrage. 21 INT RANCOR PIT 21 The Rancor KEEPERS have c their dead beast. One of them break glares menacingly at Luke, who is unworried. Several guards rush into the holding tunnel and take Luke away. 22 INT THRONE ROOM 22 The crowd of creepy courtiers parts as Han and Chewie are brought into the throne room, and other guards drag Luke up the steps. LUKE Han! HAN Luke! LUKE Are you all right? HAN Fine. Together again, huh? LUKE Wouldn't miss it. HAN How are we doing? LUKE The same as always. HAN That bad, huh? Where's Leia? Luke looks to Leia. LEIA I'm here. Threepio is standing behind the grotesque gangster as he strokes Leia like a pet cat. Several of the guards, including Lando, bring Luke from the other side of the room. Boba i behind Jabba. Threepio steps forward and translates for the captives. THREEPIO Oh, dear. His High Exaltedness, the great Jabba the Hutt, has decreed that you are to be terminated immediately. HAN Good, I hate long waits. THREEPIO You will therefore be taken to the Dune Sea and cast into the pit of Carkoon, the nesting place of the all-powerful Sarlacc. HAN (to Luke) Doesn't sound so bad. THREEPIO In his belly, you will find a new definition of pain and suffering, as you are slowly digested over a thousand years. HAN On second thought, let's pass on that, huh? Chewie barks his agreement. LUKE You should have bargained, Jabba. That's the last mistake you'll ever make. Jabba cackles evilly at this. As the guards drag the prisoners from the throne room, a loud cheer rises from the crowd. Leia and Chewie exchange concerned looks, bu| Luke Skywalker, Jedi warrior, cannot suppress a smile. 23 EXT TATOOINE SEA - SKIFF 23 Jabba's huge SAIL BARGE moves above the desert surface accompanied b} two smaller SKIFFS. One of the skiffs glides close, revealing Luke, Han, and Chewie -= all in bonds -- surrounded by guards, one of whom is Lando in disguise. HAN I think my eyes are getting better. Instead of a big dark blur, I see a big light blur. LUKE There's nothing to see. I used to live here, you know. HAN You're gonna die here, you know. Convenient. LUKE Just stick close to Chewie and Lando. I've taken care of everything. HAN Oh... great! 24 INT BARGE OBSERVATION DECK 24 Jabba the Hutt rides like a sultan in the massive antigravity ship. His entire retinue is with him, drinking, eating, and having a good time. Leia is watching her friends in the skiff when the chai~ attached to her neck is pulled tight and Jabba tugs the scantily clad princess to him. JABBA (in Huttese subtitled) Soon you will learn to appreciate me. Threepio wanders among the Sail Barge aliens, bumping into a smaller droid serving drinks, spilling them all over the place. The stubby droid lets out an angry series of beeps and whistles. THREEPIO Oh, I'm terribly sor... Artoo! What are you doing here? Artoo beeps a quick reply. THREEPIO Well, I can see you're serving drinks, but this place is dangerous. They're going to execute Master Luke and, if we're not careful, us too! Artoo whistles a singsong response. THREEPIO Hmm. I wish I had your confidence. 25 EXT SARLACC PIT 25 The convoy moves up over a huge sand pit. The Sail Barge stops t one side of the depression, as does the escort skiff. But the prisoner's skiff moves out directly over the center and hovers. At the bottom of the deep cone of sand is a repulsive, mucous- lined hole, surrounded by thousands of needle-sharp teeth. This is the SARLACC. A plank is extended from the edge of the prisoner's skiff. Guards release Luke's bonds and shove him out onto the plan 26 EXT SAIL BARGE OBSERVATION DECK 26 Jabba and Leia are now by the rail, watching. Threepio leans forward and the slobbering villain mumbles something to him. As Threepio steps up to a comlink, Jabba raises his arm and the motley array of intergalactic pirates fall silent. Threepio's voice is amplified across loudspeakers. THREEPIO Victims of the almighty Sarlacc: His Excellency hopes that you will die honorably. But should an} of you wish to beg for mercy, the great Jabba the Hutt will now listen to your pleas> 27 EXT SKIFF 27 Han steps forward arrogantly and begins to speak. HAN Threepio, you tell that slimy piece of... worm-ridden filth he'll get no such pleasure from us. Right? Chewie growls his agreement. LUKE Jabba! This i die. Lando moves unobtrusively along the skiff as Luke shoots a quick look of conspiracy to him. 28 INT SAIL BARGE OBSERVATION DECK 28 The assembled monsters rock with mocking laughter as Artoo zips unnoticed up the ramp to the upper deck. Jabba's laughter subsides as he speaks into the comlink. JABBA (in Huttese subtitled) Move him into position. Jabba makes a thumbs-down gesture. Leia looks worried. 29 EXT BARGE - UPPER DECK 29 Artoo appears from below and zips over to the rail facing the pit. Below, in the skiff, Luke is prodded by a guard to the edge of the plank over the gaping Sarlacc. Luke looks up a| Artoo, then gives a jaunty salute: the signal the little droid has been waiting for. A flap opens in Artoo's domed head. JABBA (in Huttese subtitled) Put him in. 30 EXT SKIFF - PLANK 30 Luke is prodded and jumps off the plank to the cheers of the bloodthirsty spectators. But, before anyone can even perceive what is happening, he spins around and grabs the end of the plank by his fingertips. The plank bends wildly from his weight and catapults him skyward. In midair he does a complete flip and drops down on the end of the plank in the same spot he just vacated, but facing the skiff. He casually extends an open palm and -- his lightsaber, which Artoo has sent arcing toward him, drops into his hand. With samurai speed, Luke ignites it and attacks the guard who prodded him off the plank, sending the hapless monster screaming overboard. The other guards swarm toward Luke. He wades into them, lightsaber flashing. Lando struggles with a~other guard at the back of the skiff. 31 EXT SARLACC PIT 31 A bewildered guard lands in the soft, sandy slope of the pit, and begins sliding. He claws desperately as a Sarlacc tentacle grabs him and pulls him screaming into the viscous mouth. 32 INT SAIL BARGE 32 Jabba watches this and explodes in rage. He barks commands, and the guards around him rush off to do his bidding. The scuzzy creatures watching the action from the window are in an uproar. 33 EXT SKIFF 33 Luke knocks another guard off the skiff and into the waiting mouth of the Sar|acc. He starts to untie Chewie's bonds. LUKE Easy, Chewie. At that moment, the deck gunmen on the barge unleash a series of blasts from a big cannon on the upper deck. Lando is tossed from the deck of the rocking skiff. He manages to grab a rope, and dangles desperately above the Sarlacc pit. LANDO Whoa! Whoa! Help! 34 EXT UPPER DECK - SAIL BARGE 34 With two swift strides, the dangerous Boba Fett ignites his rocket pack, leaps into the air, and flies from the barge down to the skiff. 35 EXT SKIFF 35 Boba lands on the skiff and s|arts to aim his laser gun at Luke, who has freed Han and Chewie from their bonds. But before Boba can fire, the young Jedi spins on him, lightsaber sweeping, and hacks the bounty hunter's gun in half. Immediately, the skiff takes another direct hit from the barge's deck gun. Shards of skiff deck fly. Chewie and Han are thrown against the rail. HAN Chewie, you okay? Where is he? The Wookiee is wounded and he howls in pain. HAN I'm okay, pal. For a moment, Luke is distracted, and in that moment, Boba fires a cable out o~ his armored sleeve. Instantly, Luke is wrapped in a strong cable, his arms pinned against his side, his sword arm free only from the wrist down. Luke bends his wrist s points straight up to reach the wire lasso and cuts through. Luke shrugs away the cable and stands free. Another blast from the Barge's deck gun hits near Boba and he is knocked unconscious to the deck, next to where Lando is hanging. LANDO Han! Chewie? HAN Lando! Luke is a little shaken but remains standing as a fusillade brackets him. The second skiff, loaded with guards firing their weapons, moves in on Luke fast. Luke leaps toward the incoming second skiff. The young Jedi leaps into the middle of the second skiff and begins decimating the guards from their midst. Chewie, wounded, tries t Han, g}iding him toward a spear which has been dropped by one of the guards. Han searches the deck as Chewie barks directions; finally he grabs hold of the spear. Boba Fett, badly shaken, rises from the deck. He looks over at the other skiff, where Luke is whipping a mass of guards. Boba raises his arm, and aims his lethal appendage. Chewie barks desperately at Han. HAN Boba Fett?! Boba Fett?! Where? The space pirate turns around blindly, and the long spear in his hand whacks squarely in the middle of Boba's rocket pack. The impact of the swing causes the rocket pack to ignite. Boba blasts off, flying over the second skiff like a missile, smashing against the syde of the huge Sail Barge and sliding away into the pit. He screams as his armored body makes its last flight past Lando and directly into the mucous mouth of the Sarlacc. The Sarlacc burps. Chewie growls a weak congratulations to Han. 36 INT SAIL BARGE 36 Leia turns from the spectacle outside, leaps onto Jabba's throne, and throws the chain that enslaves her over his head around his bulbous neck. Then she dives off the other side of the throne, pulling the chain violently in her grasp. Jabba's flaccid neck contracts beneath the tightening chain. His huge eyes bulge from their sockets and his scum-coated tongue flops out. The Exalted Hutt's huge tail spasms through its death throes and then s|ams down into final stillness. Leia struggles to free herself of her bondage. 37 EXT SKIFF 37 Luke continues to destroy the aliens on the guards' skiff, as Han extends his spear downward to Lando, who is still dangling precariously from a rope on the prisoner's skiff. HAN Lando, grab it! LANDO Lower it! HAN I'm trying! A major hit from the barge deck gun knocks the s{iff on its side. Han and almost everything else on board slides overboard. The rope breaks, and Lando falls to the side of the Sarlacc pit. Luckily, Han's foot catches on the skiff railing and he dangles above Lando and the pit. The wounded Wookiee holds onto the skiff for dear life as another hit from the deck gun rocks the skiff violently. HAN Whoa! Whoa! Grab me, Chewie! I'm slipping. Chewie grabs hold of Han's feet, holding him upside down, as Han extends the spear toward Lando, who is clutching to the side of the pit. HAN Grab it! L--Lando. Grab! Luke finishes off the last guard on the second skiff. He sees the deck gun blasting away at his helpless companions. Luke leaps from the skiff, across a chasm of air, to the sheer metallic side of the Sail Barge. Barely able t painful climb uxthe hull, when suddenly an ax smashes through a windo wrist holding the ax and yanks the helpless guard through the broken window and into the deadly pit. The injured Chewie is reaching over the rail for the dangling Han, who is in turn blindly reaching down toward the desperate Lando. The Baron has stopped his slippage down the sandy slope on the Sarlacc pit by lying very still. Every time he tries to reach for Han, the loose sand moves him closer to his final reward. HAN Grab it! Almost... You almost got it! Another blast hits the front of the tilted skiff, causing Lando to let go of the spear. LANDO Hold it! Whoa! Agai~ Han extends the spear toward Lando. HANalutes. LANDO Good luck. HAN You, too. Han goes up the ramp. Lando watches him go and then slowly turns away. 55 INT IMPERIAL SHUTTLE - COCKPIT 55 Luke is working on a back control panel aw Han comes in and takes the pilot's seat. Chewie, in the seat next to him, is trying t figure out all the Imperial controls. HAN You got her warmed? LUKE Yeah, she's comin' up. Chewie growls a complaint. HANsoners see her. HAN and LUKE Leia! As she moves toward them, the Ewoks block her way with raised spears. LEIA Oh! THREEPIO Your Royal Highness. Artoo and Chewie chime in with their welcome. Leia looks at the assembled Ewoks and sighs. LEIA Bu| these are my friends. Threepio, tell them they must be set free. Threepio talks to Chirpa and Logray, who listen and shake their heads negatively. The Medicine Man gestures toward the prisoners and barks some orders. Several Ewoks jump up and pile more wood on the barbecue with vigor. Leia trades frantic looks with Luke and Han. HAN Somehow, I got the feeling that didn't help us very much. LUKE Threepio, tell them if they don't do as you wish, you'll become angry and use your magic. THREEPIO But Master Luke, what magic? couldn't possibly -- LUKE Just tel| them. Threepio speaks to the Ewoks. The Ewoks are disturbed. Logray steps forward and challenges Threepio. Luke closes his eyes and begins to concentrate. THREEPIO You see, Master Luke; they didn't believe me. Just... Now the litter/throne, with Threepio sitting upon it, rises from the ground. At first Threepio doesn't notice and keeps talking. THREEPIO ... as I said they wouldn't. Wha-wha-what's happening! Oh! Oh, dear! Oh! The Ewoks fall back in terror from the floating throne. Now Threepio begins to spin as though he were on a revolving stool, with Threepio calling out in total panic at his situation. THREEPIO Put me down! He-e-elp! Master Luke! Artoo! Somebody, somebody, help! Master Luke, Artoo! Artoo, quickly! Do something, somebody! Oh! Ohhh! Chief Chirpa yells orders to the cowering Ewoks. They rush up and release the bound prisoners. Luke and Han enfold Leia in a group embrace. Luke notices the spinning Threepio, with Artoo beeping up at him, and slowly lowers the golden droid and the throne to the ground. Logray orders the little droid cut down. Artoo crashes to the ground. When the Ewoks set him upright, the little droid is fighting mad. Artoo beeps a blue streak at the nearest Ewok, and begins pursuing him, finally getting close enough to zap him with an electric charge. The Ewok jumps two feet in the air and runs away, screaming. A small group of Ewoks surround the giant Wookiee, scratching their heads and marveling at his height. THREEPIO Oh, oh, oh, oh! Thank goodness. LUKE Thanks, Threepio. THREEPIO (still shaken) I...I never knew I had it in me. 75 INT CHIEF'S HUT - COUNCIL OF ELDERS 75 A glowing fire dances in the center of the spartan, low-ceilinged room, creating a kaleidoscope of shadows on the walls. Along one side, a group of ten Ewok elders flank Chief Chirpa, who sits o~ his throne. The Rebels sit along the walls of the hut, with Threepio between the two groups and Wicket and Teebo off to one side. Threepio is in the midst of a long, animated speech in the Ewok's squeaky native tongue. The Ewoks listen carefully and occasionally murmur comments to each other. Threepio points several times at the Rebel group and pantomimes a short history of the Galactic Civil War, mimicking the explosion and rocket sounds, imitating Imperial walkers. Throughout the long account, certain familiar names are distinguishable in English: Princess Leia, Artoo, Darth Vader, Death Star, Jedi, Obi-Wan Kenobi. Artoo begins beeping excitedly at Threepio. THREEPIO Yes, Artoo. I was just coming to that. Threepio continues with: Millennium Falcon, Cloud City, Vader, Han Solo, carbonite, Sarlacc, bringing the history up to the present time. At the end of it, the Chief, Logray, and the elders confer, then nod in agreement. The Chief stands and makes a pronouncement. The drums begin to sound, and all the Ewoks stand with a great cheer and screeches. HAN What's going on? LEIA I don't know. Luke has been sharing the joy with smiling visage, but now s others do not notice. THREEPIO Wonderful! We are now a part of the tribe. Several of the little teddy bears run up and hug the Rebels. HAN Just what I always wanted. Chewbacca is being enthusiastically embraced by an Ewok, while Wicket clings to Han's leg. HAN (chuckles) Well, short help is better than no help at all, Chewie. (to Wicket) Thank you. Okay. THREEPIO He says the scouts are going to show us the quickest way to the shield generator. Chewie barks. Luke has drifted to the bac wanders outside into the moonlight. Leia notices and follows. HAN Good. How far is it? Ask him. We need some fresh supplies, too. And try and get our weapons back. Han pulls Threepio back as he keeps trying to translate. HAN (cont) And hurry up, will ya? I haven't got all day. 76 EXT EWOK VILLAGE - NIGHT 76 The walkway is deserted now. The windows of the little huts glow and flicker from the fires inside. The sounds of the forest fill the soft night air. Luke has wandered away from the Chief's hut and stands staring up at the Death Star. Leia finds him like that. LUKE Luke, what's wrong? Luke turns and looks at her a long moment. LUKE Leia... do you remembez your mother? Your real mother? LEIA Just a little bit. She died when I was very young. LUKE What do you remember? LEIA Just...images, really. Feelings. LUKE Tell me. LEIA (a little surprised at his insistence) She was very beautiful. Kind, but...sad. (looks up) Why are you asking me all this? He looks away. LUKE I have no memory of my mother. I never knew her. LEIA Luke, tell me. What's troubling you? LUKE Vader is here...now, on this moon. LEIA (alarmed) How do you know? LUKE I felt his presence. He's come for me. He can feel when I'm near. That's why I have to go. (facing her) As long as I stay, I'm endangering the group and our myssion here. (beat) I have to face him. Leia is distraught, confused. LEIA Why? Luke moves close and his manner is gentle. And very calm. LUKE He's my father. LEIA Your father? LUKE There's more. It won't be easy for you to hear it, but you m}st. If I don't make it back, you're the only hope for the Alliance. Leia is very disturbed by this. She moves away, as if to deny it. LEIA Luke, don't talk that way. You have a power I--I don't understand and could never have. LUKE You're wrong, Leia. You have that power too. In time you'll learn to use it as I have. The Force is strong in my family. My father has it...I have it...and...my sister has it. Leia stares into his eyes. What she sees there frightens her. But she doesn't draw away. She begins to understand. LUKE Yes. It's you Leia. LEIA I know. Somehow...I've always known. LUKE Then you know why I have to face him. LEIA N your presence, then leave this place. I wish I could go with you. LUKE No, you don't. You've always been strong. LEIA But, why must you confront him? LUKE Because...there is good in him. I've felt it. He won't turn me over to the Emperor. I can save him. I can turn him back to the good side. I have to try. They hold each other close and look at each other, brother and sister. Leia holds back her tears aw Luke slowly lets her go and moves away. He disappears onto the walkway that leads out of the village. Leia, bathed i~ moonlight, watches him go as Han comes out of the Chief's hut and comes over to her. Leia is crying, her body trembling. He realizes only now that she is crying. HAN Hey, what's goin' on? Leia attempts to s|ifle her sobs and wypes her eyes. LEIA Nothing. I - just want to be alone for a little while. HAN (angry) Nothing? Come on, tel| me. What's goin' on? She looks up at him, struggling to control herself. LEIA I...I can't tel| you. HAN (loses his temper) Did you tell Luke? Is that who you could tell? LEIA I... HAN Ahhh... He starts to walk away, exasperated, then stops and walks back to her. HAN I'm sorry. LEIA Hold me. Han gathers her tightly in his protective embrace. 77 EXT FOREST - IMPERIAL LANDING PLATFORM 77 An Imperial shuttle float{ down from the Death Star and lands gracefully on the huge platform. Now, an Imperial walker approaches the platform from the darkness of the forest. The whole outpost - platform, walkers, military - looks particularly offensive in the midst of this verdant beauty. 78 EXT IMPERIAL LANDING PLATFORM - LOWER DECK 78 Darth Vader walks down the ramp of the shuttle onto the platform, into an elevator, and appears o~ a ramp on a lower level. He walks toward another ramp exit and is met by two troopers and a commander with Luke, in binders, at their center. The young Jedi gazes at Vader with complete calm. COMMANDER This is a Rebel that surrendered to us. Although he denies it, I believe there may be more of them, and I request permission to conduct a further search of the area. The commander extends his hand, revealing Luke's lightsaber. COMMANDER He was armed only with this. Vader looks at Luke, turns away and faces the commander, taking the lightsaber from the c VADER Good work, Commander. Leave us. Conduct your search and bring his companions to me. COMMANDER Yes, my Lord. The officer and troops withdraw. Vader and Luke are left standing alone in the oddly tranquil beauty of the place. The sounds of the forest filter in upon them. VADER The Emperor has been expecting you. LUKE I know, father. VADER So, you have accepted the truth. LURE I've accepted the truth that you were once Anakin Skywalker, my father. VADER (turning to face him) That name no longer has any meaning for me. LUKE It is the name of your true self. You've only forgotten. I know there is good in you. The Emperor hasn't driven it from you fully. That i you won't bring me to your Emperor now. Vader looks down from Luke to the lightsaber in his own black- gloved hand. He seems to ponder Luke's words. VADER (indicating lightsaber) I see you have constructed a new lightsaber. Vader ignites the lightsaber and holds it to examine its humming, brilliant blade. VADER Your skills are complete. Indeed, you are powerful, as the Emperor has foreseen. They stand for a moment, the Vader extinguishes the lightsaber. LUKE Come with me. VADER Obi-Wan once thought as you do. Luke steps close to Vader, then stops. Vader is still. VADER You don't know the power of the dark side. I must obey my master. LUKE I will not turn...and you'll be forced to kill me. VADER If that is your destiny. LUKE Search your feelings, father. You can't do this. I feel the conflict within you. Let go of your hate. VADER It is too late for me, son. The Emperor will show you the true nature of the Force. He is your master now. Vader signals to some distant stormtroopers. He and Luke stand staring at one another for a long moment. LUKE Then my father is truly dead. 79 EXT ENDOR - RIDGE OVERLOOKING SHIELD GENERATOR 79 Han, Leia, Chewbacca, the droids, Wicket, and another Ewok scout, PAPLOO, hide on a ridge overlooking the massive Imperial shield generator. At the base of the generator is an Imperial landing platform. Leia studies the installation. LEIA The main entrance to the c the far side of that landing platform. This isn't gonna be easy. HAN Hey, don't w lot of places more heavily guarded than this. Wicket and Paploo are chattering away in Ewok language. They speak to Threepio. LEIA What's he saying? THREEPIO He says there's a secret entrance on the other side of the ridge. 80 EXT SPACE - REBEL FLEET 80 The vast fleet hangs i~ space near a blue planet. A giant Rebel Star Cruiser is up at the front, but now the Millennium Flacon roars up to a spot ahead of it, tiny in c 81 INT MILLENNIUM FALCON - COCKPIT 81 Lando is in the pilot seat. His alien copilot, NIEN NUNB, takes some getting used to in the familiar environs of the Falcon's cockpit. Lando speaks into his comlink. LANDO Admiral, we're in position. All fighters accounted for. ACKBAR (VO) Proceed with the countdown. All groups assume attack coordinates. Lando turns to his weird copilot. LANDO Don't worry, my friends are down there. They'll have that shield down on time...(to himself) or this'll be the shortest offensive of all time. The copilot flips some switches and grunts an alien comment. ACKBAR (VO) All craft, prepare t my mark. LANDO All right. Stand by. He pulls a lever, and the stars outside begin to streak. 82 EXT SPACE - REBEL FLEET 82 We are treated to an awesome sight: first the Millennium Falcon, then Ackbar's Star Cruiser, then, in large segments, the huge fleet ROARS INTO HYPERSPACE. And disappears. 83 EXT ENDOR - RIDGE OVERLOOKING CONTROL BUNKER 83 Han, Leia, Chewie, the droids, and their two Ewok guides, Wicket and Paploo, have reunited with the Rebel strike squad. The entire group is spread through the thick undergrowth. Below them is the BUNKER that leads into the generator. Four Imperial scouts, their speeder bikes parked nearby, keep watch over the bunker entrance. Chewie growls an observation, and Paploo chatters away to Han in Ewok language. HAN Back door, huh? Good idea. Wicket and Paploo continue their Ewok conversation. HAN (cont) It's only a few guards. This shouldn't be too much trouble. LEIA Well, it only takes one to sound the alarm. HAN (with sulf-confident grin) Then we'll do it real quiet-like. Threepio explains what is going on to Wicket and Paploo. The Ewoks chatter a moment between themselves. Then Paploo jumps up and scampers into the underbrush. Threepio asks Wicket where Paploo went and is given a short reply. THREEPIO Oh! Oh, my. Uh, Princess Leia! LEIA Quiet. THREEPIO I'm afraid our furry companion has gone and done something rather rash. LEIA Oh, no. 84 EXT BUNKER - ENTRANCE 84 Paploo has slipped out of the undergrowth near where the Imperial scouts are lounging. He silently swings his furry ball of a body onto one of the scout's speeder bikes and begins flipping switches at random. Suddenly, the bike's engine fires up with a tremendous ROAR. Paploo grins and continues flipping switches. The scouts leap up in surprise. 85 EXT RIDGE 85 Han, Leia and co}pany watch in distress. Chewie barks. HAN (sighs) There goes our surprise attack. 86 EXT BUNKER 86 The Imperial scouts race toward Paploo just as his speeder zooms into motion. Paploo hangs on by his paw forest. SCOUT Look! Over there! Stop him! Three of the Imperial scouts jump on their rocket bikes and speed away in pursuit. The fourth watches them go from his post at the door. 87 EXT RIDGE 87 Han, Leia, and Chewie exchange delighted looks. HAN Not bad for a little furball. There's only o~e left. You stay here. We'll take care of this. Han and the Wookiee nod at each other and slip dow~toward the bunker. Threepio moves to stand next to Wicket and Artoo. THREEPIO I have decided that we shall stay here. 88 EXT FOREST 88 Paploo sails through the trees, more lucky than in control. It's scary, but he loves it. Wxen the Imperial scouts pull within sight behind hio and begin firing laser bolts, he decides he's had enough. As he rounds a tree, out of their sight, Paploo grabs a vine and swings up into the trees. A moment later, the scouts tear under him in pursuit of the still-flying, unoccupied bike. 89 EXT BUNKER 89 Han sneaks up behind the remaining Imperial scout, taps him on the shoulder and lets the scout chase him behind the bunker into the arms of the waiting Rebel strike team. Han returns to the front, and taps out a pattern on the bunker door's control panel. Everyone stands out o~sight, police-style, as the door opens. Han and Leia peek inside. No sign of life. The group enters the bunker sylently, leaving one lookout behind. 90 INT DEATH STAR - EMPEROR'S THRONE ROOM 90 The elevator opens. Vader and Luke enter the room alone. They walk across the dark space to stand before the throne, father and son side by side beneath the gaze of the Emperor. Vader bows to his Master. EMPEROR Welcome, young Skywalker. I have been expecting you. Luke peers at the hooded figure defiantly. The Emperor then looks down at Luke's binders. EMPEROR You no longer need those. The Emperor m binders fall away, clattering to the floor. Luke looks down at his own hands, free now to reach out and grab the Emperor's neck. He does nothing. EMPEROR Guards, leave us. The red-cloaked guards turn and disappear behind the elevator. EMPEROR (to Luke) I'm looking forward to completing your training. In time you will call me Master. LUKE You're gravely mistaken. You won't convert me as you did my father. The Emperor gets down from his throne and walks up very close to Luke. The Emperor looks into his eyes and, for the first time, Luke can perceive the evil visage within the hood. EMPEROR Oh, no, my young Jedi. You will find that it is you who are mistaken...about a great many things. VADER His lightsaber. Vader extends a gloved hand toward the Emperor, revealing Luke's lightsaber. The Emperor takes it. EMPEROR Ah, yes, a Jedi's weapon. Much like your father's. By now you must know your father can never be turned from the dark side. S will it be with you. LUKE You're wrong. Soon I'll be dead...and you with me. The Emperor laughs. EMPEROR Perhaps you refer to the imminent attack of your Rebel fleet. Luke looks up sharply. EMPEROR Yes...I assure you we are quite safe from your friends here. Vader looks at Luke. LUKE Your overconfidence is your weakness. EMPEROR Your faith in your friends is yours. VADER It is pointless to resist, my son. The Emperor turns to face Luke. EMPEROR (angry) Everything that has transpired has done so according to my design. (indicates Endor) Your friends up there on the Sanctuary Moon... Luke reacts. The Emperor notes it. EMPEROR (cont) ...are walking into a trap. As is your Rebel fleet! It was I who allowed the Alliance to know the location of the shield generator. It is quite safm from your pitiful little band. An entire legion of my best troops awaits them. Luke's look darts from the Emperor to Vader and, finally, to the sword in the Emperor's hand. EMPEROR Oh...I'm afraid the deflector shield will be quite operational when your friends arrive. 91 INT BUNKER - MAIN CONTROL ROOM 91 Han, Leia, Chewie, and the Rebel strike team storm through a door and enter the main control room, taking all on the personnel prisoner. HAN All right! Up! Move! Come on! Quickly! Quickly, Chewie. The Rebel troops herd the generator controllers away from their panels. Leia glances at one on the screens on the control panel. LEIA Han! Hurry! The fleet will be here any moment. HAN Charges! Come on, come on! Outside, Threepio watches nervously in the bushes as several more controllers and stormtroopers run into the bunker, leaving guards at the door. THREEPIO (to Wicket) Oh, my! They'll be captured! Wicket chatters in Ewok language, and then takes off full steam into the forest. THREEPIO Wa-wait! Wait, come back! Artoo, stay with me. Inside the bunker, Han looks up from setting charges as an Imperial commander enters. COMMANDER Freeze! You Rebel scum. Han and Leia spin, t them and their cohorts. A poised force of Imperial troops surround them. Even more pour into the room, roughly disarming the Rebel contingent. Han, Leia, and Chewie exchange looks. They're helpless. 92 EXT SPACE - ENDOR, DEATH STAR, REBEL FLEET 92 The Death Star and its Sanctuary Moon hang distant in space as the Rebel fleet comes out of hyperspace with a~ awesome roar. The Millennium Falcon and several Rebel fighters are at the front as the space armada bears down on its target. 93 INT MILLENNIUM FALCON - COCKPIT 93 Lando flips switches, checks his screen, and speaks into the radio. LANDO All wings report in. WEDGE Red Leader standing by. GRAY LEADER Gray Leader standing by. GREEN LEADER Green Leader standing by. WEDGE Lock S-foils i~ attack positions. 94 INT REBEL STAR CRUISER - BRIDGE 94 From the bridge of the Rebel Headquarters Frigate, Admiral Ackbar watches the fighters massing outside his viewscreen. ACKBAR May the Force be with us. 95 INT MILLENNIUM FALCON - COCKPIT 95 Lando looks worriedly at his alien copilot, Nien Nunb, who points to the control panel and talks to Lando. LANDO We've got to be able to get some kind of a reading on that shield, up or down. Well, how could they be jamming us if they don't know if we're coming. Lando shoots a concerned look out at the approaching Death Star as the implications of what he's just said sink in. He hits a switch on his comlink. LANDO Break off the attack! The shield is still up. RED LEADER (VO) I get no reading. Are you sure? LANDO Pull up! All craft pull up! The Falcon turns hard to the left. Out the window the stars and the Death Star move off right. 96 EXT SPACE - DEATH STAR SHIELD 96 The Falcon and the fighters of Red Squad veer off desperately to avoid the unseen wall. 97 INT REBEL STAR CRUISER - BRIDGE 97 Alarms are screaming and lights flashing as the huge ship changes course abruptly. Other ships in the fleet shoot by outside as the armada tries to halt its forward momentum. ACKBAR Take evasive action! Green Group, stick close to holding sector MV-7. A Mon Calamari controller turns away from his screen and calls out to Ackbar, quite excited. The Admiral rushes over to the controller. CONTROLLER Admiral, w}have enemy ships i~ sector 47. O~ the screen can be seen the moon, Death Star, and the massive Imperial fleet. Ackbar moves to the comlink. ACKBAR It's a trap! LANDO (over comlink) Fighters coming in. There is much excitement on the bridge as the attack begins. The Millennium Falcon and several squads of Rebel fighters head into an armada of TIE fighters. The sky explodes as a fierce dogfight ensues in and around the giant Rebel cruisers. REBEL PILOT There's too many of them! LANDO Accelerate to attack speed! Draw their fire away from the cruisers. WEDGE Copy, Gold Leader. The battle continues around the giant cruisers. 98 INT DEATH STAR - EMPEROR'S THRONE ROOM 98 Through the round window behind the Emperor's throne can be seen the distant flashes of the space battle in progress. EMPEROR Come, boy. See for yourself. The Emperor is sitting in his throne, with Vader standing at his side. Luke moves to look through a small section of the window. EMPEROR From here you will witness the final destruction of the Alliance, and the end of your insignificant Rebellion. Luke is in torment. He glance{ at his lightsaber sitting on the armrest of the throne. The Emperor watches him and smiles, touches the lightsaber. EMPEROR You want this, don't you? The hate is swelling in you now. Take your Jedi weapon. Use it. I am u~armed. Strike me down with it. Give in to your anger. With each passing moment, you make yourself more my servant. Vader watches Luke in his agony. LUKE No! EMPEROR It is unav like your father, are now mine! 99 EXT FOREST - GENERATOR BUNKER 99 Han, Leia, Chewie, and the rest of the strike team are led out of the bunker by their captors. The surrounding area, deserted before, is now crowded with two-legged Imperial walkers and hundreds of Imperial troops. The situation looks hopeless. STORMTROOPER All right, move it! I said move it! Go on! From the undergrowth beyond the clearing comes a wild series of beeps and whistles. And -- THREEPIO Hello! I say, over there! Were you looking for me? BUNKER COMMANDER Bring those two down here! STORMTROOPER Let's go! Artoo and Threepio are standing near one of the big trees. As six Imperial stormtroopers rush over to take them captive, the two droids duck out of sight behind the tree. THREEPIO Well, they're on their way. Artoo, are you sure this was a good idea? STORMTROOPER Freeze! Don't move! THREEPIO We surrender. The stormtroopers come around the tree and find the two droids waiting quietly to be taken. As the Imperial troops move to do that, however, a band of Ewoks drops down from above and overpowers them. THREEPIO Ohhh! Stand back, Artoo. In a nearby tree, a~ Ewok raises a horn to his lips and sounds the EWOK ATTACK CALL. All hell breaks loose as hundreds of Ewoks throw their fuzzy bodies into the fray against the assembled stormtroopers and their awesome two-legged walkers. Biker scouts dart about blasting Ewoks, only to be crushed by a volley of rocks tossed by Ewoks from the trees above. In the confusion of the battle, Han and Leia break away and dive for the cover of the bunker door as explosions erupt around them. Han goes to the bunker door control panel. LEIA The code's changed. W} need Artoo! HAN Here's the terminal. LEIA (into comlink) Artoo, where are you? We need you at the bunker right away. Artoo and Threepio are hiding behind a log as the battle rages around them. Suddenly the stubby little astrodroid lets out a series of whistles and shoots off across the battlefield. Threepio, panicked, runs after him. THREEPIO Going? What do you mean, you're going. But-- but going where, Artoo? No, what! Artoo! Oh, this is no time for heroics. Come back! Biker scouts race around and over the two droids, blasting away at the little Ewoks as the furries scurry for cover. A group o~ Ewoks have moved a primitive catapult into position. They fire off a large boulder that hits one of the walkers. The walker turns and heads for the catapult, blasting away with both guns. The Ewoks abandon their weapons and flee in all directions. Just as the walker moves in to stomp the catapult, Ewoks drop vines restraining two huge logs that swing down and smash the walker's head flat. A line of Ewoks hang desperately to a vine that is hooked to a walker's foot. As the walker m dragged behind. Two speeder bikes chase Ewoks through the underbrush. As the scouts round a tree, they are knocked off their bikes by a vine tied between two trees> 100 EXT SPACE 100 The Falcon and o|her Rebel fighters are engaged in a ferocious combat with Imperial TIE fighters, the battle raging around the cruisers of the Rebel armada. 101 INT MILLENNIUM FALCON - COCKPIT 101 Lando is in radio communication with the pilots of the other Rebel squads. LANDO Watch yourself, Wedge! Three from above! WEDGE Red Three, Red Two, pull in! RED TWO Got it! RED THREE Three of them coming in, twenty degrees! WEDGE Cut to the left! I'll take the leader! They're heading for the medical frigate. Lando steers the Falcon through a complete flip, as his crew fires at the TIEs from the belly guns. NAVIGATOR Pressure's steady. The copilot Nien Nunb chatters an observation. LANDO Only the fighters are attacking. I wonder what those Star Destroyers are waiting for. 102 EXT SPACE - IMPERIAL FLEET 102 The giant Imperial Star Destroyer waits silently some distance from the battle. The Emperor's huge Super S|ar Destroyer rests in the middle of the fleet. 103 INT SUPER STAR DESTROYER - BRIDGE 103 Admiral Piett and two fleet commanders watch the battle a| the huge window of the Super Star Destroyer bridge. COMMANDER We're in attack position now, sir. PIETT Hold here. COMMANDER We're not g PIETT I have my orders from the Emperor himself. He has something special planned for them. We only need to keep them from escaping. 104 INT EMPEROR'S TOWER - THRONE ROOM 104 The Emperor, Vader, and a horrified Luke watch the aerial battle fireworks out the window and on the viewscreens. Another Rebel ship explodes against the protective shield. EMPEROR As you can see, my young apprentice, your friends have failed. Now witness the firepower of this fully armed and operational battle station. (into comlink) Fire at will, Commander. Luke, in shock, looks out across the surface of the Death Star to the Rebel fleet beyond. 105 INT DEATH STAR - CONTROL ROOM 105 Controllers pull back on several switches. Commander Jerjerrod stands over them. JERJERROD Fire! 106 INT DEATH STAR - BLAST CHAMBER 106 A button is pressed, which switches on a panel of lights. A hooded Imperial soldier reaches overhead and pulls a lever. A huge beam of light emanates from a long shaft. Two stormtroopers stand to one side at a control panel. 107 EXT DEATH STAR 107 The giant laser dish on the completed half of the Death Star begins to glow; Then a powerful beams shoots out toward the aerial battle. 108 EXT SPACE - AIR BATTLE 108 The air is thick with giant ships. In among them, Rebel X-wings dogfight with Imperial TIE fighters. Now an enormous Rebel cruiser is hit by the Death Star beam and is blown to dust. The Millennium Falcon roars over CAMERA, followed closely by several TIE fighters. 109 INT MILLENNIUM FALCON - COCKPIT 109 The ship is buffeted by the tremendous explosion of the Rebel cruiser. Lando and his copilot are stunned by the sight of the Death Star firepower. LANDO That blast came from the Death Star! That thing's operational! (into comlink) Home One, this is Gold Leader. 110 INT REBEL STAR CRUISER - BRIDGE 110 Ackbar s|ands amid the confusion on the wide bridge and speaks into the comlink. ACKBAR We saw it. Al| craft prepare to retreat. LANDO You won't get another chance at this, Admiral. ACKBAR We have n cruiser{ can't repel firepower of that magnitude. LANDO Han will have that shield down. We've got to give him more time. 111 EXT FOREST - GENERATOR BUNKER 111 Artoo and Threepio make it to the door, as Han and Leia provide cover fire. THREEPIO We're coming! HAN Come on! Come on! THREEPIO Oh, Artoo, hurry! The little droid moves to the terminal and plugs in his computer arm. A large explosion hits near Artoo, knocking him head over heels, finally landing on his feet. The stubby astrodroid's head is spinning and smoldering. Suddenly there is a loud SPROOING and Han and Leia turn around to see Artoo with all his compartment doors open, and all of his appendages sticking out; water and smoke spurt out of the nozzles in his body. Han rushes to the terminal, as Threepio rushes t THREEPIO My goodness! Artoo, why did you have to be so brave? HAN Well, I suppose I could hotwire this txing. LEIA I'll cover you. Ewoks in handmade, primitive hanggliders drop rocks o~to the stormtroopers, dive-bombing their deadly adversaries. One is hit in the wing with laser fire and crashes. A walker lumbers forward, shooting laser blasts at frantic Ewoks running in all directions. Two Ewoks are struck down by laser blasts. One tries to awaken his friend, then realizes that he is dead. 112 EXT SPACE - DEATH STAR 112 The Rebel fleet continues to be picked off, from one side by the Death Star's deadly beam, from the other by the rampaging Imperial Star Destroyers. 113 INT MILLENNIUM FALCON - COCKPIT 113 Lando steers the Falcon wildly through an obstacle course of floating giants. He's been yelling into the comlink. LANDO (desperately) Yes! I said closer! Move as close as you can and engage those Star Destroyers at point- blank range. ACKBAR At that close range, we won't last long against those Star Destroyers. LANDO We'll las| longer then we will against that Death Star...and we might just take a few of them with us. The Rebel cruisers move very close to the Imperial Star Destroyers and begin to blast away at point-blank range. Tiny fighters race across the giant surfaces, against a backdrop of laser fire. The control tower of a Star Destroyer is under attack. REBEL PILOT She's gonna blow! Y-WING PILOT I'm hit! The damaged Y-wing plummets toward the Star Destroyer, and crashes into the control tower, exploding. 114 INT EMPEROR'S TOWER - THRONE ROOM 114 Out of the window and on the view screens, the Rebel fleet is being decimated in blinding explosions of light and debris. But in here there is no sound of battle. The Emperor turns to Luke. EMPEROR Your fleet has lost. And your friends on the Endor moon will not survive. There is no escape, my young apprentice. The Alliance will die...as will your friends> Luke's eyes are full of rage. Vader watches him. EMPEROR Good. I can feel your anger. I am defenseless. Take your weapon! Strike me dow~with all your hatred, and your journey towards the dark side will be complete. Luke can resist no longer. The lightsaber flies into his hand. He ignites it in an instant and swings at the Emperor. Vader's lightsaber flashes into view, blocking Luke's blow before it can reach the Emperor. The two blades spark at contact. Luke turns to fight his father. 115 EXT FOREST 115 The battlg rages on. Stormtroopers fire on Ewoks with sophisticated weapons while their furry little adversaries sneak up behind the Imperial troopers and bash them over the head with large clubs. A walker marches through the undergrowth blasting Ewoks as it goes. An Ewok warrior gives the signal, and a pile of logs is cut loose. The logs tumble under the walker's feet, causing it to slip and slide until it finally topples over with a great crash. A scout bike races past and is lassoed with a heavy vine. The other end of the vine is tied to a tree, and the bike swings around in ever-tightening circles until it runs out of rope and crashes into the trees with a huge explosion. Chewie swings on a vine to the roof of one of the walkers. Two Ewoks cling to him. They land with a thud on the top of the lurching machine, then hang on for dear life. One of the Ewoks peeks through the window. WALKER PILOT #1 Look! PILOT #2 Get him off of there! The walker pilot opens the hatch to see what's going on. He is yanked out and tossed overboard before he can scream. The two Ewoks jump into the cockpit and knock the second pilot unconscious. The Ewoks are thrown violently as the mighty machine careens out of control. O}tside, Chewie is almost knocked overboard; he sticks his head into the hatch with a series of angry barks. The Ewoks are too busy and frightened to listen to the Wookiee's complaint. Chewie slips inside the walker. Chewbacca's walker moves through the forest, firing laser blasts at unsuspecting stormtroopers, and destroying other Imperial walkers. The Ewoks shout and cheer as the giant machine helps turn the tide of the battle in their favor. 116 EXT FOREST - GENERATOR BUNKER 116 Han works furiously at the control panel; wires spark as he attempts to hotwire the door. He motions to Leia, who is blasting away at some stormtroopers. HAN I think I got it. I got it! The three wires spark as the connection is made. With a LOUD WHOOSH, a second blast door crashes down in front of the first. Han frowns and turns back to the wires again. Leia exchanges shots with stormtroopers in the bushes, then suddenly cries out in pain, her shoulder hit by a laser blast. THREEPIO Oh, Princess Leia, are you all right? HAN Let's see. LEIA It's not bad. STORMTROOPER (OS) Freeze! They freeze. THREEPIO Oh, dear. STORMTROOPER Don't move! Leia holds her laser gun ready, behind Han, out of view of the two stormtroopers moving toward them. Han and Leia's eyes lock; the moment seems suspended in time. HAN I love you. Another shared look between them, as she smiles up at Han. LEIA I know. STORMTROOPER Hands up! Stand up! Han stands up slowly and turns, revealing the gun in Leia's hand. She disposes of the stormtroopers in a flash. As Han turns back toward Leia, he looks up to see a giant walker approach and stand before him, its deadly weapons aimed right at him. HAN (to Leia) Stay back. The hatch on top of the walker opens and Chewie sticks his head out and barks triumphantly. HAN Chewie! Get down here! She's wounded! No, wait.... I got an idea. 117 INT EMPEROR'S TOWER - THRONE ROOM 117 Luke and Vader are engaged in a man-to-man duel of lightsabers even more vicious then the battle on Bespin. But the young Jedi has grown stronger in the interim, and now the advantage shifts to him. Vader is forced back, losing his balance, and is knocked down the s|airs. Luke stands at the top of the stairs, ready t attack. EMPEROR (laughing) Good. Use your aggressive feelings, boy! Let the hate flow through you. Luke looks momentarily toward the Emperor, then back to Vader, and realizes he i his lightsaber, and relaxes, driving the hate from his being. VADER Obi-Wan has taught you well. LUKE I will not fight you, father. Vader walks back up the stairs to Luke. VADER You are unwise to lower your defenses. Vader attacks, forcing Luke on the defensive. The young Jedi leaps in a~ amazing reverse flip up to the safety of the catwalk overhead. Vader stands below him. LUKE Your thoughts betray you, father. I feel the good in you...the conflict. VADER There is no conflict. LUKE You couldn't bring yourself to kill me before, and I don't believe you'll destroy me now. VADER You underestimate the power of the dark side. If you will not fight, then you will meet your destiny. Vader throws the laser sword and it cuts through the supports holding the catwalk, then returns to Vader's hand. Luke tumbles to the ground in a shower of sparks and rolls out of sight under the Emperor's platform. Vader moves to find him. EMPEROR (laughs) Good. Good. 118 EXT SPACE - AIR BATTLE 118 The two armadas, like their sea-bound ancestors, blast away at each other in i~dividual point-blank confrontations. A Star Destroyer explodes. The Rebel victor limps away, its back half alive with a series of minor explosions. The Rebel cruiser manages to move in next to a second Star Destroyer before it explodes completely, taking the Imperial Star Destroyer with it. The Falcon and several fighters attack one of the larger Imperial ships. LANDO Watch out. Squad at .06. REBEL PILOT I'm o~ it, Gold Leader. WEDGE Good shot, Red Two. LANDO Now...come on, Han, old buddy. Don't let me down. 119 INT BUNKER - CONTROL ROOM 119 Controllers watch the main viewscreen on which a vague figure of an Imperial walker pilot can be seen. There is a great deal of static and interference. HAN/PILOT (VO) It's over, Commander. The Rebels have been routed. They're fleeing into the woods. We need reinforcements to continue the pursuit. The controllers cheer. CONTROL ROOM COMMANDER Send three squads to help. Open the back door. SECOND COMMANDER Yes, sir. 120 EXT FOREST - GENERATOR BUNKER 120 As the door to the bunker opens and the Imperial troops rush o}t, they're surprised to find themselves surrounded by Rebels, their weapons pointed at them. Ewoks holding bows and arrows appear on the roof of the bunker. The Imperial troops throw down their guns as Han and Chewie rush inside the bunker with explosive charges. 121 INT BUNKER - CONTROL ROOM 121 Han, Chewie, and several troops rush into the control room and plant explosive charges on the co~trol panels and rush out. HAN Throw me another charge. 122 INT EMPEROR'S TOWER - THRONE ROOM 122 Vader stalks the low-ceilinged area on the level below the throne, searching for Luke i~ the semi-darkness, his lightsaber held ready. VADER You cannot hide forever, Luke. LUKE I will not fight you. VADER Give yourself t only way you can save your friends. Yes, your thoughts betray you. Your feelings for them are strong. Especially for... Vader stops and senses something. Luke shuts his eyes tightly, in anguish. VADER Sister! So...you have a twin sister. Your feelings have now betrayed her, too. Obi-Wan was wise to hide her from me. Now his failure is c side, then perhaps she will. LUKE Never-r-r! Luke ignites his lightsaber and screams in anger, rushing at his father with a frenzy we have not seen before. Sparks fly as Luke and Vader fight in the cramped area. Luke's hatred forces Vader to retreat out of the low area and across a bridge overlooking a vast elevator shaft. Each stroke of Luke's sword drives his father further toward defeat. The Dark Lord is knocked to his knees, and as he raises his sword to block another onslaught, Luke slashes Vader's right hand off at the wrist, causing metal and electronic parts to fly from the mechanical stump. Vader's sword clatters uselessly away, over the edge of the platform and into the bottomless shaft below. Luke moves over Vader and holds the blade of his sword to the Dark Lord's throat. The Emperor watches with uncontrollable, pleased agitation. EMPEROR Good! Your hate has made you powerful. Now, fulfill your destiny and take your father's place at my side! Luke looks at his father's mechanical hand, then to his own mechanical, black-gloved hand, and realizes how much he is becoming like his father. He makes the decision for which he has spent a lifetime in preparation. Luke steps back and hurls his lightsaber away. LUKE Never! I'll never turn to the dark side. You've failed, Your Highness. I am a Jedi, like my father before me. The Emperor's glee turns to rage. EMPEROR So be it...Jedi. 123 EXT FOREST - GENERATOR BUNKER 123 Han and several of the fighters run out of the bunker and race across the clearing. HAN Move! Move! A shock wave knocks them flat as the bunker explodes, followed by a spectacular display as the huge shield-generator radar dish explodes along with the bunker. 124 INT REBEL STAR CRUISER - BRIDGE 124 Ackbar, sitting in his control chair, speaks into the radio. ACKBAR The shield is down! Commence attack on the Death Star's main reactor. LANDO We're on our way. Red Group, Gold Group, all fighters follow me. (laughs) Told you they'd do it! The Falcon, followed by several s}aller Rebel fighters, heads toward the unfinished superstructure of the Death Star. 125 INT EMPEROR'S TOWER - THRONE ROOM 125 Luke stands still, as the Emperor reaches the bottom of the stairs. The Emperor's laughter has turned to anger. He raises his arms toward Luke. EMPEROR If you will not be turned, you will be destroyed. Blinding bolts of energy, evil lightning, shoot from the Emperor's hands at Luke. Even in his surprise, the young Jedi tries to use the Force to deflect them. At first he is half successful, but after a moment the bolts of energy are coming with such speed and power the young Jedi shrinks before them, his k~ees buckling. The wounded Vader struggles to his feet, and moves t EMPEROR Young fool...only now, at the end, do you understand. Luke is almost unconscious beneath the continuing assault of the Emperor's lightning. He clutches a canister to keep from falling into the bottomless shaft as the bolts tear through him. EMPEROR Your feeble skills are no match for the power of the dark side. You havm paid the price for your lack of vision. Luke writhes on the floor in unbearable pain, reaching weakly up toward where Vader stands watching. LUKE (groans) Father, please. Help me. Again Vader stands, watching Luke. He looks at his master, the Emperor, then back to Luke on the floor. EMPEROR Now, young Skywalker...you will die. Although it would not have seemed possible, the outpouring of bolts from the Emperor's fingers actually increases in intensity, the sound screaming through the room. Luke's body writhes in pain. Vader grabs the Emperor from behind, fighting for control of the robed figure despite the Dark Lord's weakened body and gravely weakened arm. The Empero~struggles in his embrace, his bolt- shooting hands now lifted high, away from Luke. Now the white lightning arcs bac{ to strike at Vader. He stumbles with his load as the sparks rain off his helmet and flow down over his black cape. He holds his evil master high over his head and walks to the edge of the abyss at the central core of the throne room. With one final burst of his once awesome strength, Darth Vader hurls the Emperor's body int The Emperor's body spins helplessly into the v falls into the abyss. Finally, when the body is far down the shaft, it explodes, creating a rush of air through the room. Vader's cape is whipped by the wind and he staggers, and collapses toward the bottomless hole. Luke crawls to his father's side and pulls him away from the edge of the abyss to safety. Both the young Jedi and the giant warrior are too weak to move. 126 EXT/INT - SPACE BATTLE - FIGHTER AND DEATH STAR 126 Rebel fighters follow the Falcon across the surface of the Death Star to the unfinished portion, where they dive into the super- structure of the giant battle station, followed by many TIE fighters. WEDGE I'm going in. LANDO Here goes nothing. Three X-wings lead the chase through the ever-narrowing shaft, followed by the Falcon and four other fighters, plus TIE fighters who continually fire at the Rebels. Lights reflect off the pilot's faces as they race through the dark shaft. LANDO Now lock onto the strongest power source. It should be the power generator. WEDGE Form up. And stay alert. We could run out of space real fast. The fighters and the Falcon race through the tunnel, still pursued by the TIE fighters. One of the X-wings is hit from behind and explodes. LANDO Split up and head back to the surface. See if you can get a few of those TIE fighters to follow you. PILOT Copy, Gold Leader. The Rebel ships peel off pursued by three of the TIE's, while Lando and Wedge continue through the main tunnel. It narrows, and the Falcon scrapes the side dangerously. Two o|her TIE fighters continue to blast away at them. LANDO That was too close. Nien Nunb agrees. The battle between the Rebel and Imperial fleet rages on. Several cruisers fire at the giant Super S|ar Destroyer. 127 INT REBEL STAR CRUISER - BRIDGE 127 ACKBAR We've got to give those fighters more time. Concentrate all fire on that Super S|ar Destroyer. X-wings pilots head across the surface of the huge battleship. 128 INT VADER'S STAR DESTROYER - BRIDGE 128 Admiral Piett and a commander stand at the window, looking out to the battle. They look concerned. CONTROLLER Sir, we've lost our bridge deflector shield. PIETT Intensify the forward batteries. I don't want anything to get through. The commander is looking out of the windo fighter is out of control and heading directly toward the bridge. PIETT Intensify forward firepower! COMMANDER It's too late! The Rebel pilot screams as his ship hits the Star Destroyer, causing a huge explosion. The giant battle ship loses control, crashes into the Death Star, and explodes. 129 INT REBEL STAR CRUISER - BRIDGE 129 There is excitement on the bridge as the battle rages on all sides. They cheer as the giant Star Destroyer blows up. 130 INT DEATH STAR - MAIN DOCKING BAY 130 Chaos. For the first time, the Death Star is rocked by explosions as the Rebel fleet, no longer backed against a wall, zooms over, unloading a heavy barrage. Imperial troops run in all directions, confused and desperate to escape. In the midst of this uproar, Luke is trying to carry the enormous deadweight of his father's weakening body toward an Imperial shuttle. Finally, Luke collapses from the strain. The explosions grow louder as Vader draws him closer. VADER (a whisper) Luke, help me take this mask off. LURE But you'll die. VADER Nothing can stop that now. Just for once... let me look on you with my own eyes. Slowly, hesitantly, Luke removes the mask from his father's face. There beneath the scars is an elderly man. His eyes do n But the dying man smiles at the sight before him. ANAKIN (very weak) Now...go, my s LUKE No. You're coming with me. I can't leave you here. I've got to save you. ANAKIN You already have, Luke. You were right about me. Tell your sister...you were right. LUKE Father... I won't leave you. Darth Vader, Anakin Skywalker...Luke's father, dies. A huge explosion rocks the docking bay. Slowly, Luke rises and, half carrying, half dragging the body of his father, stumbles toward a shuttle. 131 EXT DEATH STAR 131 The Millennium Falcon leads a swerving bomb run through the immense superstructure of the half-built Death Star. The Rebel Star Cruisers outside continually bombard the huge station. And each direct hit is answered by resonating, chain-reaction explosions within the station itself. 132 INT MILLENNIUM FALCON - COCKPIT AND GUN PORTS 132 Lando's crew fires away at the pursuing TIE fighters as the dashing Baron of Bespin and his alien copilot home i~ on the main reactor shaft. It is awesome. A lone X-wing is just in front of the Falcon. WEDGE There it is! LANDO All right, Wedge. Go for the power regulator on the north tower. WEDGE Copy, G The X-wing heads for the top of the huge reactor and fires several proton torpedoes at the power regulator, causing a series of small explosions. The Falcon heads for the main reactor, and when it is dangerously close, Lando fires the missiles, which shoot o}t of the Falcon with a powerful roar, and hit directly at the center of the main reactor. He maneuvers the Falcon o}t of the winding superstructure just ahead of the continuing chain of explosions. 133 INT REBEL STAR CRUISER - BRIDGE 133 Ackbar and other Mon Calamari lean on the railing of the bridge, watching the large screen showing the Death Star in the main briefing room. ACKBAR Move the fleet away from the Death Star. 134 EXT DEATH STAR 134 An Imperial shuttle, with Luke alone in the cockpit, rockets out of the main docking bay as that entire section of the Death Star is blown away. But as Luke pilots toward the safety of the Sanctuary moon, his thoughts - enhanced by the Force - turn to his friends aboard the Millennium Falcon. The Falcon flies at top speed, with a single X-wing as escort, over the endless surface of the Death Star. A series of explosions within the superstructure follow, then swiftly overtake the small craft as it races for an exit. 135 INT MILLENNIUM FALCON - COCKPIT 135 Lando turns to Nien Nunb and shakes his head. LANDO (into comlink) Wedge, I don't think we're going to make it. WEDGE (VO) You'll make it. Just follow me Gold Leader. LANDO (to himself) I promised to return his ship without a scratch...I sure hope that old pirate forgives me. 135A EXT DEATH STAR 135A An X-wing, piloted by Wedge Antilles, races out of the exploding superstructure and whizzes toward the Sanctuary Moon. But the Millennium Falcon is not fast enough as it explodes with the Death Star in a supernova of glory. 136 EXT ENDOR FOREST 136 Han and Leia, Chewie, the droids, the Rebel troops, and the Ewoks all look to the sky as the Death Star reveals itself in a final flash of self-destruction. All except Han cheer, as the thirty- year-old starship pilot feels a deep personal loss. HAN (whispering to himself) Lando... THREEPIO (misinterpreting Han's reference) They did it! Han looks down from the sky to Leia, a look of sorrow and regret on his face. He knows he will never see the Falcon and Lando again. His thoughts turn to Leia, as she continues t sky, watching for Luke. 137 EXT ENDOR FOREST - NIGHT 137 Luke sets a torch t his father's body lies, again dressed in black mask and helmet. He stands, watching sadly, as the flames leap higher to consume Darth Vader -- Anakin Skywalker. In the sky above, fireworks explode and Rebel fighters zoom above the forest. 138 EXT EWOK VILLAGE SQUARE - NIGHT 138 A huge bonfire is the centerpiece of a wild celebration. Rebels and Ewoks rejoice in the warm glow of firelight, drums beating, singing, dancing, and laughing in the communal language of victory and liberation. Lando runs in and is enthusiastically hugged by Han and Chewie. Then, finally, Luke arrives and the friends rush to greet and embrace him. They stand close, this hardy group, taking comfort in each other's touch, together to the end. Rebels and Ewoks join together in dancing and celebration. The original group of adventurers watch from the sidelines. Only Luke seems distracted, alone i~-their midsts, his thoughts elsewhere. He looks off t figures at the edge on the shadows: Ben Kenobi, Yoda, and Anakin Skywalker. FADE OUT END CREDITS OVER STAR FIELD THE END -------------------------- CREDITS PRODUCTION STAFF Directed by RICHARD MARQUAND Produced by HOWARD KAZANJIAN Screenplay by LAWRENCE KASDAN and GEORGE LUCAS Story by GEORGE LUCAS Executive Producer GEORGE LUCAS Co-Producers ROBERT WATTS, JIM BLOOM Production Designer NORMAN REYNOLDS Director of Photography ALAN HUME, B.S.C Edited by SEAN BARTON, MARCIA LUCAS, DUWAYNE DUNHAM Visual Effects RICHARD EDLUND, A.S.C, DENNIS MUREN, KEN RALSTON Costume Designers AGGIE GUERARD R_DGERS, NILO RODIS-JAMERO Mechanical Effects Supervision KIT WEST Make-Up and Creature Design PHIL TIPPETT, STUART FREEBORN Sound Design BEN BURTT Music by JOHN WILLIAMS CAST Luke Skywalker MARK HAMILL Han Solo HARRISON FORD Princess Leia CARRIE FISHER Lando Calrissian BILLY DEE WILLIAMS See-Theepio (C-3PO) ANTHONY DANIELS Chewbacca PETER MAYHEW Anakin Skywalker SEBASTIAN SHAW Emperor IAN McDIARMID Yoda FRANK OZ Darth Vader DAVID PROWSE Voice of Dar|h Vader JAMES EARL JONES Ben (Obi-Wan) Kenobi ALEC GUINNESS SUPPORTING CAST Artoo-Detoo (R2-D2) KENNY BAKER Moff Jerjerrod MICHAEL PENNINGTON Admiral Piett KENNETH COLLEY Bib Fortuna MICHAEL CARTER Wedge DENIS LAWSON Admiral Ackbar TIM ROSE General Madine DERMOT CROWLEY Mon Mothma CAROLINE BLAKISTON Wicket WARWICK DAVIS Paploo KENNY BAKER Boba Fett JEREMY BULLOCH Oola FEMI TAYLOR Sy Snootles ANNIE ARBOGAST Fat Dancer CLAIRE DAVENPORT Teebo JACK PURVIS Logray MIKE EDMONDS Chief Chirpa JANE BUSBY Ewok Warrior MALCOM DIXON Ewok Warrior MIKE COTTRELL Nicki NICKI READE Stardestroyer Controller No. 1 ADAM BAREHAM Stardestroyer Controller No. 2 JONATHAN OLIVER Stardestroyer Captain No. 1 PIP MILLER Stardestroyer Captain No. 2 TOM MANNION Jabba Puppeteers TOBY PHILPOTT, MIKE EDMONDS, DAVID BARCLAY Puppeteers MICHAEL McCORMICK, DEEP ROY, SIMON WILLIAMSON, HUGH SPIRIT, SWIM LEE, MICHAEL QUINN, RICHARD ROBINSON Set Decorators MICHAEL FORD, HARRY LANGE Conceptual Artist RALPH McQUARRIE Art Directors FRED HOLE, JAMES SCHOPPE Assistant Art Directors MICHAEL LAMONT, JOHN FENNER, RICHARD DAWKING Assistant Art Decorator SHARON CARTWRIGHT Set Dresser DOUG VON KOSS Assistant Set Dresser CHUCK RAY Constuction Manager BILL WELCH Assistant Construction Manager ALAN BOOTH Construction Supervisor ROGER IRVIN General Foreman BILL IIAMS Construction Foreman GREG CALLAS, GUY CLAUSE, DOUG ELLIOT, STAN WAKASHIGE Laborer Foremen GENE FUKUZAWA, DON JOHNSON Paint Foreman GARY CLARK Standby Painter GIOVANNI FERRARA Sketch Artist ROY CARNON Scenic Artist TED MICHELL Assistant Scenic Artist STEVEN SALLYBANKS Decor and Lettering Artist BOB WALKER, BRIAN SMITH Electronic Graphic Consultant ROB DICKINSON Set Draftsmen REG BREAM, MARK BILLERMAN, CHRIS CAMPELL GEORGE DJURKOVIC, GAVIN BOCQUET, KEVIN PHIPPS Production Buyers DAVID LUSBY, IAN GILADJIAN Constuction Storeman DAVID MIDDLETON Art Department Secretary CAROL REGAN Location Director of Photography JIM GLENNON Additional Photography JACK LOWIN Operating Cameramen ALEC MILLS, TOM LAUGHRIDGE, MIKE BENSON Focus Puller MICHAEL FRIFT, CHRIS TANNER Assistant Cameramen Leo NAPOLITANO, BOB LA BONGE Second Assistant Cameramen SIMON HUME, STEVE TATE, MARTIN KENZIE, MICHAEL GLENNON Gaffers MIKE PANTAGES, BOB BREMNER Aerial Photography RON GOODMAN< MARGARET HERRON Helicopter Pilot MARK WOLFE Key Grip DICK DOVA SPAH Best Boy J_E CROWLEY Dolly Grip CHUNKY HUSE, REG HALL Matte Photography Consultant STANLEY SAYER, B.S.C. Rigging Gaffers CLARK GARLAND, TOMMY BROWN Electrician Bill DREYFUSS Craft Service GEORGE MAURICIO Chief Make-Up Artist TOM SMITH, GRAHAM FREEBORN Make-Up Artists PETER ROBB KING, DICKIE MILLS KAY FREEBORN, NICK DUDMAN, ALAN BROWNIE Make-Up Assistants BOB KEEN, SUE OAKS, CHRISTINE ALLSOPP, DANIEL PARKER JEREMY HARRIS, TERRI ANDERSON Make-Up Effects Engineer BOB BROMLEY Modellers MICHAEL OSBORN, JAN STEVENS, CHRISTINE OVERS, RICHARD PADBURY Chief Hairdresser PATRICIA McDERMONT Hairdressers MIKE LOCKEY, PAUL LE BLANC Chief Articulation Engineer STUART ZIFF Assistant Articulation Engineer EBEN STROMQUIST Armature Design PETER RONZANI Plastic Designer RICHARD DAVIS Sculptural Designers CHUCK WILEY, JAMES HOWARD Key Sculptors DAVE CARSON, TONY McVEY, DAVE SOSALLA, JUDY ELKINS, DEREK HOWARTH Cheif Moldmaker WESLEY SEEDS Moldmaker RON YOUNG Creature Technicians RANDY DUTRA, KIRK THATCHER, DAN HOWARD, JAMES ISAAC, BRIAN TURNER, JEANNE LAUREN, RICHARD SPAH JR., ETHAN WILEY, RAY HANSON, RODGER SHAW Creature Consultants JON BERG, CHRIS WALAS Production/Creature Co-Ordinator PATTY BLAU Latex Foam Lab Supervisor TOM McLAUGHLIN Animatronics Engineers JOHN COPPINGER Wardrobe Supervisor RON BECK Costume Supervisor MARY ELIZABETH STILL Wardrobe Mistress JANET TEBROOKE Shop Manager JENNY GREEN Jeweler RICHARD MILLER Wardrode Assistan|s PATRICK WHEATLEY, COLIN WILCON, JANET LUCAS, DIANE MURPHY, MICHAEL JEFFREY, KEITH MORTON, JOHN BIRKINSHAW Creature Costumers BARBARA KASSAL, EDWIN PELLIKKA, ANNE POLLAND, ELVIRA ANGELINETTA, MICK BECKER, CLAUDIA EVERETT, LAURIE RUDD, NANCY SERVIN, KARRIN KAIN, DERIK HYDE, MAGGIE JOY, PATTE MOON, JANICE GARTIN, JULIE WOODBRIDGE, BARBARA GILLETT, RITA WAKELY, EILEEN SULLIVAN Property Master PETER HANCOCK Assistant Property Master CHARLES TORBETT Property Supervisors DAN COANGELO, BRIAN LOFTHOUSE Property HOLLY WALKER, IVAN VAN PERRE Propmakers BILL HARGREAVES, RICHARD PETERS Master Carpenter BERT LONG Master Plasterer KENNY CLARKE Master Painter ERIC SHIRTCLIFFE Supervising Rigger RED LAWRENCE Supervising Stagehabd EDDIE BURKE Sail Co-Ordinators BILL KREYSLER, WARWICK TOMPKINS Sails Engineering DERRICK BAYLIS, PEGGY KASHUBA Production Sound TONY DAWE, RANDY THOM Boom Operators DAVID BATCHELOR, DAVID PARKER Sound Assistants SHEP DAWE, JIM MANSON Audio Engineers T.M. CHRISTOPHER, KRIS HANDWERK, TOM JOHNSON, BRIAN KELLY, ROBERT MARTY, SCOTT ROBINSON, DENNIE THORPE, JOHN WATSON Post-Production Assistants CATHERINE COOMBS, K.C. HODENFIELD, JAMES KESSLER, SUSAN LEAHY English Lyrics JOSEPH WILLIAMS Huttesse Lyrics AN^IE ARBOGAST Ewokese Lyrics BEN BURTT Re-Recording Mixers GARY SUMMER, ROGER SAVAGE, BEN BURTT, RANDY THOM Music Recording ERIC TOMLINSON Orchestrations HERBERT W. SPENCER Supervising Music Editor KENNETH WANNBERG Re-Recording Engineer TOMLINSON HOLMAN Assistant Film Editors STEVE STARKEY, CONRAD BUFF, PHIL SANDERSON, NICK HOSKER, DEBRA McDERMOTT, CLIVE HARTLEY Sound Effects Editors RICHARD BURROW, TERESA ECKTON, KEN FISHER Dialogue Editors LAUREL LADEVICH, CURT SCHULKEY, BONNIE K VICKIE ROSE SAMPSON Assistant Sound Editors CHRIS WEIR, BILL MANN, GLORIA BORDERS, SUZANNE FOX, KATHY RYAN, NANCY JENKS, MARY HELEN LEASMAN Production Supervisor DOUGLAS TWIDDY Production Executive ROBERT LATHAM BROWN Unit Production Manager MIKI HERMAN Assistant Production Manager PATRICA CARR Associate to Producer LOUIS G. FRIEDMAN First Assistant Director/Second Unit Director DAVID TOMBLIN Second Assistant Directors ROY BUTTON, MICHEAL STEELE, CHRIS NEWMAN, RUSSELL LODGE Production Assistant IAN BRYCE Production Co-Ordinator LATA RYAN Co-Ordination Assistants SUNNI KERWIN, GAIL SAMUELSON Script Supervisor PAMELA MANN FRANCIS Location Script Supervisor BOB FOREST Stunt Co-Ordinator GLENN RANDALL Stunt Arranger PETER DIAMOND Casting MARY SELWAY BUCKLEY Location Casting DAVE EMAN, BILL LYTLE Assistants to Mr. Kazanjian KATHLEEN HARTNEY ROSS, BETTY SHARP Assistant to Mr. Bloom JOHN SYRJAMAKI Assistant to Mr. Lucas JANE BAY Assistant to Mr. Marquand LEILA KIRKPATRICK Choreographer GILLIAN GREGORY Location Choreographer WENDY ROGERS Production Controller ARTHUR CARROLL Production Accountant MARGARET MITCHELL Production Accountant COLIN HURREN Assistant Accountants SHEALA DANIELL, BARBARA HARLEY, SIAN WILLIAMS, ALEX MATCHAM Location Accountants DIANE DANKWARDT, PINKI RAGAN, DICK WRIGHT, SUSAN ROYAL Transportation Co-Ordinator GENE SCHWARTZ Transportation Captains JOHN FEINBLATT, H. LEE NOBLITT Studio Transportation Managers VIC MINAY, MARK LA BONGE L LENNIE FIKE Still Photographers ALBERT CLARKE, RALPH NELSON JR. Unit Publicist GORDON ARNELL Assistant Publicist JUNE BROOM Marketing SIDNEY GANIS, SUSAN TREMBLY Photographic Co-Ordinators BARB LAKIN, KATHY WIPPERT Research DEBORAH FINE Special Effects Supervisor ROY ARBOGAST Special Effect Foreman WILLIAM DAVID LEE Special Effects Floor Controller IAN WINGROVE Senior Effects Technicians PETER DAWSON, R_DNEY FULLER, NEIL SWAN, TREVOR NEIGHBOUR, DAVID WATSON Chief Electronics Technician RON HONE Special Effects Technicians KEN GITTENS, BARRY WHITROD, JOHN HATT, TERRY GLASS, YVES DE BONO, STEVE LLOYD, ROGER NICHOLS, PAUL KNOWLES Wire Specialists BOB HARMAN, STEVE CRAWLEY Location Special Effects KEVIN PIKE, MIKE WOOD, DAVID SIMMONS, GARY ZINK, EDDIE SURKIN, JOHN STIRBER, BRUNO VAN ZEEBROECK, JOHN CHAPOT, WILLIAM KLINGER JR. DONALD CHADLER Electrical Engineer TERRY COX Effects Co-Ordinator JOHN BAKER Effects Secretary REBECCA WEST MINIATURE AND OPTICAL EFFECTS UNIT INDUSTRIAL LIGHT AND MAGIC Optical Photography Supervisor BRUCE NICHOLSON Effects Cameramen DON DOW, MICHAEL J. McALISTER, BILL NEIL, SCOTT FARRAR, SELWYN EDDY III, MICHAEL OWENS, ROBERT ELSWIT, RICK FICHTER, STEWART BARBEE, MARK GREDELL, DAVID HARDBURGER Assistant Cameramen PAT SWEENEY, KIM MARKS, ROBERT HILL, RAY GILBERTI, RANDY JOHNSON, PATRICK McARDLE, PETER DAULTON, BESSIE WILEY, MARYAN EVANS, TOBY HEIDEL, DAVID FINCHER, PETER ROMANO Optical Printer Operators JOHN ELIS, DAVID BERRY, KENNETH SMITH, DONALD CLARK, MARK VARGO, JAMES LIM Optical Line-Up TOM ROSSETER, ED L. JONES, RALPH GORDON, PHILIP BARBERIO, PEG HUNTER, MARY WALTER, MICHAEL SHANNON Lab Technicians TIM GEIDEMAN, DUNCAN MYERS, MICHAEL S. MOORE Art Directors-Visual Effects JOE JOHNSTON Production Illustrator GEORGE JENSON Stop Motion Animator TOM ST. AMAND Matte Painting Supervisor MICHAEL PANGRAZIO Matte Painting Artists CHRIS EVANS, FRANK ORDAZ Matte Photography NEIL KREPELA, CRAIG BARRON Chief Model Makers PAUL HUSTON, CHARLES BAILEY, MICHAEL GLENN FULMER, EASE OWYEUNG Model Makers WILLIAM MARSHALL, SEAN CASEY, LARRY TAN, BARBARA GALLUCCI, JEFF MANN, IRA KEELER, BILL BECK, MIKE COCHRANE, BARBARA AFFONSO, BILL BUTTERFIELD, MARCHI McMAHON, RANDY OTTENBERG, ROBERT BOVILL Modelshop Supervisors LORNE PETERSON, STEVE GAWLEY Animation Supervisor JAMES KEEFER Head Effects Animators GARRY WALLER, KIMBERLY KNOWLTON Effects Animators TERRY WINDELL, RENEE HOLT, MIKE LESSA, SAMUEL COMSTOCK, ROB LA DUCA, ANNICK THERRIEN, SUKI STERN, MARGOT PIPKIN, JOHN ARMSTRONG, REBECCA PETRULLI, DARRYL STUDBAKER, PHILIP NORWOOD Supervising Visual Effects Editor ARTHUR REPOLA Visual Effects Editors HOWARD STEIN, PETER AMUNDSON, BILL KIMBERLIN Assistant Visual Effects Editors ROBERT CHRISOULIS, MICHAEL GLEASON, JAY IGNASZEWSKI, JOE CLASS, TERRY PECK, DANIEL CANDIB General Manager, ILM TOM SMITH Production Supervisor PATRICIA ROSE DUIGNAN Production Co-Ordinators WARREN FRANKLIN, LAURIE VERMONT Administrative Staff CHRISSE ENGLAND, LAURA KAYSEN, PAULA KARSH, KAREN AYERS, SONJA PAULSON, KAREN DUBE, ED BREED, LES THALER, MIKE COOPER, NED GORMAN, RON FODE Production Assistants SUSAN FRITZ-MONAHAN, KATHY SHINE, GEOFFREY DeVALOIS Supervisor-Still Photography TERRY CHOSTNER Still Photographers ROBERTO McGRATH, KERRY MORDQUIST Electronic System Designers JERRY JEFFRESs, KRIS BROWN Electronic Engineers MIKE MacKENZIE, MARTY BRENNEIS Computer Graphics WILLIAM REEVES, TOM DUFF Equipment Engineering Supervisor GENE WHITEMAN Machinists UDO PAMPEL, CONRAD BONDERSON Apprentice Machinists DAVID HANKS, CHRIS RAND Design Engineer MIKE BOLLES Equipment Support Staff WADE CHILDRESS, MICHAEL J. SMITH, CRISTI McCARTHY, ED TENNLER Supervising Stage Technician TED MOEHNKE Stage Foreman PATRICK FITZSIMMONS Stage Technicians BOB FINLEY III, ED HIRSH, JOHN McLEOD, PETER STOLZ< DAVE CHILDERS, HAROLD COLE, MERLIN OHM, JOE FULMER, LANCE BRAKETT Pyrotechnicians THAINE MORRIS, DAVE PIER Steadicam Plate Photography GARRET BROWN Ultra High Speed Photography BRUCE HILL PRODUCTIONS Color Timers JIM SCHURMANN, BOB HAGANS Negative Cutter SUNRISE FILM INC. Additional Optical Effects LOOKOUT MOUNTAIN FILMS, PACIFIC TITLE, MONACO FILM LABS, CALIFORNIA FILM, VISUAL CONCEPTS ENGINEERING, MOVIE MAGIC, VAN der VEER PHOTO EFFECTS EWOKS MARGO APOSTOCOS LINDA BOWLEY RAY ARMSTRONG PETER BURROUGHS EILEEN BAKER DEBBIE CARRINGTON MICHAEL H. BALHAM MAUREEN CHARLTON BOBBIE BELL WILLIAM COPPEN PATTY BELL SADIE CORRIE ALAN BENNETT TONY COX SARAH BENNETT JOHN CUMMING PAMELA BETTS JEAN D'AGOSTINO DAN BLACKNER LUIS DE JESUS DEBBIE DIXON JOHN LUMMISS MARGARITA FERNANDEZ NANCY MACLEAN PHIL FONDACARO PETER MANDELL SAL FONDACARO CAROLE MORRIS TONY FRIEL STACY NICHOLS DAN FRISHMAN CHRIS NUNN JOHN GAVAM BARBARA O'LAUGHLIN MICHAEL GILDEN BRIAN ORENSTIEN PAUL GRANT HARRELL PARKER JR. LARS GREEN JOHN PEDRICK LYDIA GREEN APRIL PERKINS PAM GRIZZ RONNIE PHILLIPS ANDREW HERD KATIE PERVIS J. J. JACKSON CAROL READ GLYNN JONES NICHOLAS READ RICHARD JONES DIANA REYNOLDS TREVOR JONES DANIEL RODGERS KAREN LAY CHRIS ROMANO DEAN SHACKENFORD JOSEPHINE STADDON KIRAN SHAH KEVIN THOMPSON FELIX SILLA KENDRA WALL LINDA SPRIGGS BRIAN WHEELER GERARLD STADDON BUTCH WILHELM Mime Artists FRANO ANDERSON, AILSA BERK, SEAN CRAWFORD, ANDY CUNNINGHAM, TIM DRY, GRAEME HATTRICK, PHIL HERBERT, GERALD HOME, PAUL SPRINGER Stunt Performers BOB ANDERSON, DIRK YOHAN BEER, MORC BOYLE, MIKE CASSIDY, TRACY EDDON, SANDRA GROSS, TED GROSSMAN, FRANK HENSON, LARRY HOLT, BILL HORRIGAN, ALF JOINT, JULIUS LEFLORE, COLIN SKEAPING, MALCOM WEAVER, PAUL WESTON, BOB YERKES, DAN ZORMEIER Thanks to the U.S. Department of Interior Bureau of Land Management and National Park Service Photographed in Buttercup Valley, Death Valley, and Smith River, California and EMI-Elstree Studios, Borehamwood, England Cameras and Lenses by Joe Dunton Cameras Ltd. Aerial Camera System by Wesscam Camera Systems (Europe) Lighting Equipment and Crew from Lee Electic Ltd. Production Vehicles Courtesy of GMC Truck and Oldsmobile Location Service by Cinemobile Air Transportation by PAN AM Re-Recording at Sprocket Systems Music Recoring at Anvil-Abbey Road Studio Special Visual Effects Produced at Industrial Light and Magic, Marin County, California Color by Rank Film Laboratories Prints by Deluxe Recorded in DOLBY STEREO A Lucasfilm Ltd. Production A Twentieth Century-Fox Release Music Performed by the London Symphony Orchestra Original Soundtrack on RSO Records and Tapes Novelization from Ballantine Books TM & Lucasfilm Ltd (LFL) 1983 All Rights Reserved MPAA CODE NO. 26991 MPAA RATING: PG Running Time: 2 hours 13 minutes