Katya Berger
NAME: Katya Berger
AKA: Katia Berger
Katja Berger
BORN: 1966
BIRTHPLACE: London, England
NATIONALITY: German
  FILMOGRAPHY     PICTURES     REVIEWS


BIO COMING SOON!!



1. Piccole labbra (1979) dir. Mimmo Cattarinich

2. An Almost Perfect Affair (1979) dir. Michael Ritchie

3. Rosso Sangue (1981) dir. Aristide Massaccesi 4. Nana, La Vera Chiave del Piacere (1982) dir. Dan Wolman 5. Storie di ordinaria follia (1983) dir. Marco Ferreri

6. La Lune dans le Caniveau (1983) dir. Jean-Jacques Beineix

Click on an image to see a bigger copy:
   Katya Berger in Nana, La Vera Chiave del Piacere  Katya Berger in Rosso Sangue  Katya Berger in Storie di ordinaria follia

Rosso Sangue **�
Joe D'Amato's superior sequel to Antrophagus finds Niko Thanopolous (Luigi Montefiori) reeking havoc in a small American town. A priest attempts to kill the madman but only manages to send him to the hospital. The doctors soon discover that Niko has the gift of regenerating cells which makes him immortal. Before the priest can convince the police, Niko starts his manslaughter on nurses and the family of a bed-ridden little girl (played by a young Katya Berger). Some impressive gore effects and an overall improvement on the original.

Storie di ordinaria follia **�
This English language production by Marco Ferreri is based on the writings of the late cult poet, Charles Bukowski. The episodic film stars Ben Gazarra as an alcoholic poet (I wonder who that would be) who meets strange characters through many odd situations. Also featured are European beauties Ornella Muti, who closes herself up with a giant safety pin and Katya Berger whom Gazarra finds standing on a beach. A moody and interesting film from Ferreri.

Nana, La Vera Chiave del Piacere **
Katya Berger stars as Nana in a film that is loosely based on Emile Zola's novel. Nana is the new star attraction in the Minotaur bordello. Soon every rich man wants her including Steiner the banker, Count Muffat and his son Hector. Nana makes the rounds while using the men to spend their entire fortune on her. Everyone becomes jealous and turns on the each other. But somehow the death of a Mandingo warrior brings them all together. In the end it is not clear what Nana's intentions actually are. Does she really want Hector to marry her? Is she really in love with her lesbian lover? Does anyone really care? A passable soft-core effort that should have launched Katya Berger's career. Ennio Morricone provides the sleazy sound-track.

La Lune dans le Caniveau ***�

�1997 stickman films

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