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Grotte De Chauvet¸ France |
On December 18¸ 1994¸ three French cave explorers with an interest in archaeology crawled into a narrow opening in the Cirque de Estre gorge in the Ardéche region of southeastern France. They felt a draft flowing from a blocked duct¸ pulled out some boulders and lowered themselves into a network of chambers adorned with exquisite calcite columns. To their astonishment¸ their lights shone on human hands imprints¸ then paintings of mammoths¸¸ cave lions¸ and other animals. The three explorers were “ seized by a strange feeling. Everything was so beautiful¸ so fresh¸ almost too much so. Time was abolished¸ as if the tens of thousands of years that separated us from the producers of these paintings no longer existed.”
The Grotte de Chauvet is a series of painted and engraved chambers undisturbed since the late Ice Age. Hearths on the floor looked as if they had been extinguished the day before. Flaming torches had been rubbed against the wall to remove the charcoal so they would flare anew. More than 300 paintings adorn the walls (page 5.) They include a frieze of black horses¸ wild oxen with twisted horns¸ and two rhinoceroses facing one another. The horses half–open muzzles; the eyes are depicted in details. There are lions¸ stags¸ and engravings of an owl¸ animals never before seen in painted caves¸ covering an area of more than 30 feet (10 meters). A little father on in the chamber lies a slab which had fallen from the ceiling. A bear skull had been set atop it. the remains of a small fire lie behind it. More than 30 calcite–covered¸ and intentionally placed¸ bear skulls surround the slab. A 30 feet (10 meter) frieze of black figures dominated by lions or lionesses (without manes¸) rhinoceros¸ bison¸ and mammoth lies in an end chamber¸ a human figure with a bison head standing to its right (page 108). The discoverers wrote that it “ seemed to us a sorcerer supervising this immense frieze.” The artists were masters of perspective¸ overlapping the heads of animals to give the effect of movement and numbers. They even scraped some of the walls before painting them to make the figures stand out better. They would spread the paint with their hands over the rock¸ obtaining values that showed dimension and color tonality. Accelerator mass spectrometry (AMS) radiocarbon dates from two rhinoceroses and a large bison point to a 1¸300– year period around 30¸000 B.C.E.¸ making these paintings the earliest securely dated art in the world. Two more dates from torch smears on the walls are around 24¸000 B.C.E.¸ while two charcoal samples on the floor gave readings of about 22¸000 B.C.E.¸ suggesting that humans visited Chauvet on several occasions over at least 6¸000 or 7¸000 years. Whether they painted over that long period is still unknown¸ but AMS dates will ultimately produce some answers. Grotte de Chauvet was a bear cave¸ a place where these powerful animals hibernated. Interestingly¸ many of the animals on the cave walls represent dangerous members of the late Ice Age bestiary¦ the bear and the lion¸ the mammoth¸ rhinoceros¸ and bison¸ even occasionally the nimble and ferocious aurochs. Perhaps human visitors to the cave¸ with its claw marks¸ hollows¸ prints¸ and scattered bones¸ came to the chambers to acquire the potency of the great beasts¸ whose probably lingered in the darkness. |