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Pat Benatar's polished mainstream pop/rock made her one of the more popular female
vocalists of the early '80s. Although she came on like an arena rocker with her power
chords, tough sexuality, and powerful vocals, her music was straight pop/rock underneath
all the bluster. Born Patricia Andrzejewski on January 10, 1953, in Greenpoint, Brooklyn,
the singer was raised in the nearby town of Lindenhurst on Long Island, NY. Benatar began
singing regularly in the New York City area by the '70s, where she was discovered at the
Catch a Rising Star club and signed by Chrysalis Records. Backed by a stellar band led by
guitarist Neil Geraldo (who the singer would later marry) that provided the perfect
accompaniment that was able to effortlessly alternate between rockers and ballads. Benatar
quickly established herself as one of rock's top vocalists, scoring a hit right of the bat
with her debut album, 1979's In the Heat of the Night, which spawned such radio favorites
as "Heartbreaker" and "I Need a Lover" (the latter of which was
written by a then-unknown John Mellencamp).
Benatar's sophomore effort, 1980's Crimes of Passion, more than delivered on the
debut's promise and it's often considered to be the finest recording of her career.
Spurred on by such classic rock radio standards as "Hit Me With Your Best Shot,"
"Treat Me Right," and "You Better Run," the album was certified
platinum shortly after its release and Benatar became a certified arena headliner in the
U.S. Benatar also became one of the most-played artists during MTV's early days, received
several Grammy Awards around this time, and continued to enjoy massive hits and sold-out
tours throughout the early to mid-'80s, including such albums as 1981's Precious Time,
1982's Get Nervous, 1983's Live From Earth, 1984's Tropico, 1985's Seven the Hard Way, and
1988's Wide Awake in Dreamland, plus the singles "Fire & Ice,"
"Promises in the Dark," "Shadows of the Night," "Love Is a
Battlefield," "We Belong," and "Invincible." But by the end of
the decade, it appeared as though Benatar had fallen of the face of the Earth as the hits
seemed to dry up.
Benatar opted to shift musical gears and issue an album of blues and R&B, 1991's
True Love, which failed to return the singer back to the top of the charts. Benatar
returned back to her patented arena rock sound with such further studio releases as 1993's
Gravity's Rainbow and 1997's Innamorata (although the latter of which was largely
acoustic-based) and while the albums didn't exactly measure up to her earlier releases,
both were solid efforts. The late '90s saw a pair of live archival releases hit record
store shelves, 1998's 8-15-80 and 1999's The King Biscuit Flower Hour Live, in addition to
countless hits collections (although the best of the bunch proved to be 1989's Best Shots,
which remains a steady seller to this day). The singer began touring again by the middle
of the decade (after taking a five-year hiatus from the road), co-headlining shows with
REO Speedwagon, Fleetwood Mac, the Steve Miller Band, and Styx. She also continued to
dabble in acting, appearing in the ABC Afterschool Special Torn Between Two Fathers and on
various sitcoms. In August 2003, Benatar returned to recording with Go (Vanguard), her
first studio LP since '97's Innamorata. The LP revisited the arena rock/MOR sound that had
defined Benatar's career, and was accompanied by an extensive tour.
In The Heat Of The Night - 1979
Pat Benatar's debut album takes the tough-but-tender sensibility of Chrissie Hynde and
gives it the arena rock treatment, with a splash of new wave. Which isn't a bad thing; in
fact, many consider this to be Benatar's best album. Guitarist (and husband) Neil Geraldo
never fails to supply just the right amount of guitar heroism to make the songs rock
convincingly and accessibly. "Heartbreaker" has become an AOR classic (and a
sort of "angry woman" anthem), and the cover of John Cougar's "I Need a
Lover" may even outdo the original. - Andy Hinds
01 - (3:30) Heartbreaker
02 - (3:32) I Need A Lover
03 - (4:24) If You Think You Know How To Love Me
04 - (5:26) In The Heat Of The Night
05 - (3:37) My Clone Sleeps Alone
06 - (3:58) We Live For Love
07 - (3:18) Rated X
08 - (4:05) Don't Let It Show
09 - (3:21) No You Don't
10 - (3:34) So Sincere
Crimes Of Passion - 1980
The success of Pat Benatar's debut single "Heartbreaker" made it evident that
listeners longed to hear the Long Islander rock out more often. Instead of stressing new
wave-ish material as she generally did on In the Heat of the Night, Benatar cranked up the
electric guitars the second time around and delivered the loudest, most aggressively
rockin' album of her career. Both artistically and commercially, this change of direction
paid off handsomely. In 1980, women who rocked forcefully were the exception instead of
the rule, and Benatar was among the enjoyable exceptions. From "Out of Touch" to
the celebrated "Hit Me with Your Best Shot," Crimes of Passion is a gritty hard
rock gem that is as fun as it is loud. One song that definitely isn't escapist, however,
is "Hell Is for Children" - a commentary on child abuse that is downright
chilling. - Alex Henderson
01 - (3:26) Treat Me Right
02 - (3:06) You Better Run
03 - (3:11) Never Wanna Leave You
04 - (2:52) Hit Me With Your Best Shot
05 - (4:57) Hell Is For Children
06 - (3:35) Little Paradise
07 - (4:31) I'm Gonna Follow You
08 - (4:30) Wuthering Heights
09 - (3:09) Prisoner Of Love
10 - (4:20) Out Of Touch
Precious Time - 1981
Pat Benatar's third album Precious Time was her only number one record, yet it wasn't
as consistent as her previous two albums. While it follows the same polished arena rock
formula of In the Heat of the Night and Crimes of Passion, Precious Time only takes off on
the singles "Fire and Ice" and "Promises in the Dark," which exploit
Benatar's powerful voice and her band's sleek variation on hard rock. - Stephen Thomas
Erlewine
1 - (4:50) Promises In The Dark
2 - (3:22) Fire And Ice
3 - (3:32) Just Like Me
4 - (6:09) Precious Time
5 - (3:20) It's A Tuff Life
6 - (2:51) Take It Any Way You Want It
7 - (4:37) Evil Genius
8 - (3:28) Hard To Believe
9 - (3:52) Helter Skelter
Get Nervous - 1982
In interviews, Pat Benatar made it clear that she had no desire to be stereotyped as a
hard rocker - often adding that she preferred new wave's melodic keyboards over hard rock
and metal's crunching guitars. Indeed, Get Nervous was the most melodic album she'd done
since In the Heat of the Night. This isn't to say that Get Nervous was a return to new
wave-ish leanings; in fact, songs like "Anxiety (Get Nervous)," "The
Victim," and "Silent Partners" are intense, forceful jewels that rock
aggressively. But at the same time, the album's pop elements and strong emphasis on melody
leave no doubt that the last thing on Benatar's mind was recording another Crimes of
Passion. - Alex Henderson
01 - (4:23) Shadows Of The Night
02 - (3:27) Looking For A Stranger
03 - (3:45) Anxiety (Get Nervous)
04 - (3:59) Fight It Out
05 - (4:48) The Victim
06 - (4:09) Little Too Late
07 - (4:11) I'll Do It
08 - (3:44) I Want Out
09 - (3:46) Tell It To Her
10 - (3:48) Silent Partner
Live From Earth - 1983
One of Pat Benatar's most famed attributes is that she performs extremely well to an
audience, and no album solidifies this more than Live From Earth, with tracks taken from
her 1982-1983 American and European tour at the height of Benatar's career. Not only does
Benatar sound amazingly intense and vibrant, but the choice of songs for the album
couldn't have been better. Starting off with the explosive chorus of "Fire and
Ice" and leading fluidly into the seductive "Looking for a Stranger," Pat
Benatar ignites quickly and effectively before going into a well-constructed medley of
"I Want Out," "We Live for Love," and the darkened "Hell Is for
Children." Benatar's musicians are sharp as well, especially on the faster-than-usual
tempo of "Hit Me With Your Best Shot," while "Heartbreaker" finishes
off her live material with the allure of her voice enticing the chorus. Although Benatar's
unsurpassed energy drapes the album with a strong rock & roll atmosphere, the last two
studio tracks end Live From Earth on an equable note, especially the number five hit
"Love Is a Battlefield," with "Lipstick Lies" a close second. While
there could have been more tracks added, Live From Earth still does a good job at showing
off Pat Benatar's aggressive yet tamed vocal style outside of the studio. - Mike DeGagne
01 - (3:51) Fire And Ice [Live]
02 - (3:33) Looking For A Stranger [Live]
03 - (4:09) I Want Out [Live]
04 - (3:43) We Live For Love [Live]
05 - (6:11) Hell Is For Children [Live]
06 - (3:12) Hit Me With Your Best Shot [Live]
07 - (5:19) Promises In The Dark [Live]
08 - (4:25) Heartbreaker [Live]
09 - (5:30) Love Is A Battlefield [Live]
10 - (3:54) Lipstick Lies [Live]
Tropico - 1984
On Tropico, Pat Benatar began refashioning her sound, moving toward a more
middle-of-the-road sound as evidenced by the hit single "We Belong." The change
in direction revitalized the singer, resulting in her best album since Precious Time. -
Stephen Thomas Erlewine
01 - (3:25) Diamond Field
02 - (3:46) We Belong
03 - (5:28) Painted Desert
04 - (4:27) Temporary Heroes
05 - (4:08) Love In The Ice Age
06 - (4:12) Ooh Ooh Song
07 - (3:50) The Outlaw Blues
08 - (1:49) Suburban King
09 - (4:07) In A Crazy World Like This
10 - (4:10) Takin' It Back
Seven The Hard Way - 1985
Seven the Hard Way continues the slick pop approach of Tropico and is benefitted by a
wealth of songs written by professional songwriters. At this point, Benatar and her band
weren't coming up with material as catchy or memorable as "Invincible" and
"Sex as a Weapon," so the presence of the pro songwriters was a blessing, not a
curse. - Stephen Thomas Erlewine
1 - (4:26) Sex As A Weapon
2 - (5:15) Le Bel Age
3 - (4:47) Walking In The Underground
4 - (2:46) Big Life
5 - (3:59) Red Vision
6 - (3:39) 7 Rooms Of Gloom
7 - (4:34) Run Between The Raindrops
8 - (4:33) Invincible [Theme From The Legend Of Billie Jean]
9 - (4:05) The Art Of Letting Go
Wide Awake In Dreamland - 1988
Although it falls short of the excellence of Crimes of Passion, Precious Time and Get
Nervous, Wide Awake in Dreamland is a generally decent and respectable effort that has
more pluses than minuses. Closer in spirit to Tropico than Passion or Time, the
consistently melodic Dreamland stresses pop elements and steers clear of hard rock. The
CD's most memorable offerings include the haunting and moody "Too Long a
Soldier," the infectious "Lift Em On Up" and the disturbing commentary on
child abuse "Suffer the Little Children." Unfortunately, Benatar's popularity
was starting to decline in 1988 - and in the early-to-mid-'90s, she would receive little
attention. - Alex Henderson
01 - (4:34) All Fired Up
02 - (5:16) One Love (Song Of The Lion)
03 - (5:01) Let's Stay Together
04 - (4:43) Don't Walk Away
05 - (6:45) Too Long A Soldier
06 - (5:32) Cool Zero
07 - (4:49) Cerebral Man
08 - (5:02) Lift 'Em On Up
09 - (4:15) Suffer The Little Children
10 - (5:00) Wide Awake In Dreamland
Best Shots - 1989
Several compilations have appeared in the years since it first hit the shelves, but
Best Shots remains the finest Pat Benatar collection yet assembled, largely because it is
the most concise. True, there may be a few lesser hits missing in favor of a couple newly
recorded songs - "Sex as a Weapon," "Treat Me Right," "I Need a
Lover," "Little Too Late," and "Looking for a Stranger" all could
have made the cut instead of "Painted Desert" and "Outlaw Blues" - but
the remainder of the disc is nearly flawless, delivering arena-rock staples such as
"Hit Me with Your Best Shot," "Fire and Ice,"
"Heartbreaker," "We Belong," "Invincible," and "All
Fired Up" one after another. It may not be perfect, but it delivers enough thrills to
make it all worthwhile. - Stephen Thomas Erlewine
01 - (5:25) Love Is A Battlefield
02 - (4:51) Promises In The Dark
03 - (5:15) One Love
04 - (4:32) All Fired Up
05 - (3:56) We Live For Love
06 - (4:54) Hell Is For Children
07 - (4:23) Shadows Of The Night
08 - (2:53) Hit Me With Your Best Shot
09 - (3:44) We Belong
10 - (4:31) Invincible [Theme From The Legend of Billie Jean]
11 - (3:23) Fire And Ice
12 - (3:29) Heartbreaker
13 - (6:49) Suffer The Little Children - Hell Is for Children [Live]
14 - (5:28) Painted Desert
15 - (4:22) Outlaw Blues
True Love - 1991
A radical departure from the type of slick pop/rock she'd been embracing on albums like
Tropico and Wide Awake in Dreamland, True Love found Pat Benatar embracing blues and early
pre-rock R&B. Opting for less production and a much rawer approach, an inspired
Benatar ditches the synthesizers and keyboards and sounds like she's leading a bar band in
a Chicago dive. From Albert King's "I Get Evil" to B.B. King's "Payin' the
Cost to Be the Boss" to Charles Brown's "Please Come Home for Christmas,"
the results aren't breathtaking, but are generally honest and soulful. Quite clearly, this
was an album Benatar was anxious to make. - Alex Henderson
01 - (2:53) Bloodshot Eyes
02 - (3:19) Payin' The Cost To Be The Boss
03 - (4:03) So Long
04 - (2:26) I've Got Papers On You
05 - (4:36) I Feel Lucky
06 - (4:46) True Love
07 - (4:16) The Good Life
08 - (3:47) Evening
09 - (3:16) I Get Evil
10 - (2:47) Don't Happen No More
11 - (3:11) Please Come Home For Christmas
Gravity's Rainbow - 1993
Gravity's Rainbow marked Pat Benatar's return to arena rock after the dismal failure of
her blues album True Love. While it well-produced and carefully constructed, the album
failed to capture an audience. Although she had returned to the sound that made her
famous, both radio and the record-buying public had lost interest and the album slipped
off the charts shortly after its release. - Stephen Thomas Erlewine
01 - (0:33) Pictures Of A Gone World
02 - (4:21) Everybody Lay Down
03 - (4:27) Somebody's Baby
04 - (3:39) Ties That Bind
05 - (4:24) You And I
06 - (3:44) Disconnected
07 - (4:26) Crazy
08 - (5:04) Every Time I Fall Back
09 - (3:54) Sanctuary
10 - (3:03) Rise Pt 2
11 - (4:19) Kingdom Key
12 - (3:31) Tradin' Down
All Fired Up: The Very Best Of Pat Benatar - 1994
All Fired Up: The Very Best of Pat Benatar is an excellent two-disc compilation on one
of rock & roll's first ladies. Her previous hit collection, Best Shots, was too brief
(and is now outdated), and 1999's Synchronistic Wanderings is a little too much for the
casual (or even devoted) fan - this set is just right. All of Pat Benatar's charted
singles are included, as are some of her key album tracks (unfortunately, "Precious
Time" is the only glaring omission). Disc one includes the singer's earlier, more
straightforward rock hits, from her first single, "I Need a Lover," to classics
like "Hit Me With Your Best Shot," "Fire and Ice," "Promises in
the Dark," "Shadows in the Night," "Little Too Late," and the
single edit of "Love Is a Battlefield." Disc two includes her mid-'80s, more
pop-leaning hits, as well as several songs from her post-commercial success period,
including "We Belong," "Invincible," "Sex as a Weapon,"
"All Fired Up," the blues tracks "Payin' the Cost to Be the Boss" and
"True Love," and later singles such as the overlooked "Everybody Lay
Down" and "Somebody's Baby." This collection also includes excellent cover
and interior art and a wonderful booklet with great photos, pictures of all her singles
and albums, and release dates. For those unfamiliar with Benatar's work, this is an
excellent introduction, and a great hits package for the fans. - Jose F. Promis
Disc 1
01 - (3:29) I Need A Lover
02 - (3:49) If You Think You Know How To Love Me
03 - (3:32) Heartbreaker
04 - (3:40) We Live For Love
05 - (3:10) You Better Run
06 - (2:54) Hit Me With Your Best Shot
07 - (3:18) Treat Me Right
08 - (4:56) Hell Is For Children
09 - (3:25) Fire And Ice
10 - (4:53) Promises In The Dark
11 - (3:47) Shadows Of The Night
12 - (4:12) Little Too Late
13 - (3:30) Looking For A Stranger
14 - (3:48) Anxiety (Get Nervous)
15 - (4:15) Love Is A Battlefield
16 - (3:55) Lipstick Lies
Disc 2
01 - (3:44) We Belong
02 - (4:14) Ooh Ooh Song
03 - (4:06) Temporary Heroes
04 - (4:09) Invincible (Theme From The Legend Of Billie Jean)
05 - (4:25) Sex As A Weapon
06 - (4:24) Le Bel Age
07 - (4:15) All Fired Up
08 - (4:15) Don't Walk Away
09 - (3:50) Let's Stay Together
10 - (4:33) One Love
11 - (4:44) True Love
12 - (3:15) Payin' The Cost To Be The Boss
13 - (4:03) So Long
14 - (4:02) Everybody Lay Down
15 - (3:50) Somebody's Baby
16 - (3:47) Crazy
17 - (4:00) Everytime I Fall Back
Heartbreaker: 16 Classic Performances - 1996
If you're serious about your Benatar, you'll probably aim for the two-CD All Fired Up
anthology. This 16-track single-disc compilation has many of her biggest hits (with some
notable ones, like "Treat Me Right," omitted), and previously unreleased live
versions of "Helter Skelter" and "Hit Me with Your Best Shot" from the
early '80s. - Richie Unterberger
01 - (3:28) Heartbreaker
02 - (3:26) I Need A Lover
03 - (3:37) We Live For Love
04 - (4:52) Hell Is For Children
05 - (4:49) Promises In The Dark
06 - (3:26) Looking For A Stranger
07 - (4:12) Love Is A Battlefield
08 - (3:41) We Belong
09 - (4:10) Ooh Ooh Song
10 - (4:11) All Fired Up
11 - (4:22) Sex As A Weapon
12 - (4:42) True Love
13 - (3:44) Crazy
14 - (4:01) So Long
15 - (4:56) Helter Skelter [Live]
16 - (4:00) Hit Me With Your Best Shot [Live]
Innamorata - 1997
Pat Benatar's forgotten 1997 album, Innamorata, is an acoustic-heavy collection in
keeping with the organic, acoustic trend popular in the '90s, yet still incorporates
Benatar's trademark rock & roll soul. The songs on this set are not the traditional
electric guitar fare - these songs are fleshed out with strings and acoustic guitars, yet
they still manage to rock like Benatar's best. The album has its share of moody, bluesy
songs, such as "Dirty Little Secrets" and "I Don't Want to Be Your
Friend," as well as acoustic ballads, such as "Papa's Roses." But the best
are the straight-ahead rockers like "At This Time," "River of Love"
(which also possesses an irresistibly soulful groove), the catchy, radio-ready "Only
You," and the amazing "Strawberry Wine." The album is mature, the music is
soulful and gutsy, and Benatar's operatic voice is in fine form. This sadly overlooked set
is a must for any self-respecting fan of one of rock & roll's true top-notch queens,
and proves that this gal's artistry is right on track. - Jose F. Promis
01 - (0:25) Guitar Intro
02 - (6:09) Only You
03 - (5:20) River Of Love
04 - (5:13) I Don't Want To Be Your Friend
05 - (5:57) Strawberry Wine
06 - (4:58) Purgatory
07 - (4:22) Papas Roses
08 - (4:40) At This time
09 - (5:21) Dirty Little Secrets
10 - (4:12) Angry
11 - (6:53) In These Times
12 - (3:26) Innamorata
13 - (0:22) Gina Song
Synchronistic Wanderings - 1999
Pat Benatar was certainly one of the best arena rockers of the early '80s. Not only did
she sell albums, but she made records that sounded great on the radio -
"Heartbreaker," "Hit Me With Your Best Shot," "Shadows of the
Night," "I Need a Lover," "Love Is a Battlefield," "We
Belong," "Invincible," "Sex as a Weapon," even the latter-day
"All Fired Up." Enough hits for a really good hits collection, which she has
several of in her catalog; however, not enough for a three-disc box set, which is what
Synchronistic Wanderings is. That's not to say that all Benatar had to offer were hit
singles, since she did have some good album tracks, or that she shouldn't have a
collection of rarities and unreleased material, since some of the demos, live tracks, and
unreleased cuts aren't bad, and certainly of interest to fans. Problem is, this doesn't
work in an exhaustive, multi-disc retrospective where the hits dry up at the end of the
second disc. That means that it's a little difficult for anyone other than hardcore fans
to make it through the entire collection. Diehard Benatar aficionados would be better
served by a single-disc rarities collection, which, by the way, is the most interesting
part of this set. Synchronistic Wanderings does give a comprehensive overview of Benatar's
career, concentrating as much on the detours and sideroads as on the well-known paths, but
that turns out to be a journey that's a little too exhausting for anyone that isn't
already familiar with the general route. - Stephen Thomas Erlewine
Disc 1
01 - (3:32) Heartbreaker
02 - (3:59) We Live For Love
03 - (3:32) My Clone Sleeps Alone
04 - (4:31) I Need A Lover
05 - (5:28) In The Heat Of The Night
06 - (3:09) You Better Run
07 - (2:55) Hit Me With Your Best Shot
08 - (3:30) Treat Me Right
09 - (4:34) Wuthering Heights
10 - (4:55) Hell Is For Children
11 - (3:24) Fire And Ice
12 - (4:52) Promises In The Dark
13 - (6:06) Precious Time
14 - (4:24) Shadows Of The Night
15 - (4:12) Little Too Late
16 - (3:30) Looking For A Stranger
17 - (3:46) Anxiety (Get Nervous)
18 - (5:36) Love Is A Battlefield [Demo Version]
Disc 2
01 - (5:27) Love Is A Battlefield
02 - (4:13) Ooh Ooh Song
03 - (3:46) We Belong
04 - (5:30) Painted Desert
05 - (3:52) Outlaw Blues
06 - (4:33) Invincible (Theme From The Legend Of Billie Jean)
07 - (4:25) Sex As A Weapon
08 - (5:15) Le Bel Age
09 - (3:39) New Dream Islands (Session Outtake)
10 - (4:50) Run Between The Raindrops
11 - (5:17) One Love [Song For The Lion]
12 - (4:30) True Hearts
13 - (4:46) Let's Stay Together
14 - (4:34) All Fired Up
15 - (5:52) Shooting Star
16 - (4:10) La Cancion Ooh Ooh
Disc 3
01 - (3:17) Payin' The Cost To Be The Boss
02 - (4:46) True Love
03 - (4:14) The Good Life
04 - (4:34) I Feel Lucky
05 - (3:10) Please Come Home For Christmas
06 - (2:18) Tell Me Why
07 - (4:31) Crying
08 - (4:30) Sometimes The Good Guys Finish First
09 - (4:28) Somebody's Baby
10 - (4:31) Everybody Lay Down
11 - (3:07) Rise Pt 2
12 - (3:37) Rise Pt 1
13 - (3:35) Temptation
14 - (5:05) Every Time I Fall Back
15 - (3:21) The Effect You Have On Me
16 - (3:03) Rescue Me
17 - (5:57) Strawberry Wine
18 - (5:13) I Don't Want to Be Your Friend
19 - (4:56) Hear's My Heart
Extended Versions - 2000
01 - (3:46) Treat Me Right [Live]
02 - (3:31) Fire And Ice [Live]
03 - (4:31) Out Of Touch [Live]
04 - (5:00) Hell Is For Children [Live]
05 - (4:01) I Need A Lover [Live]
06 - (5:17) Promises In The Dark [Live]
07 - (3:26) Hit Me With Your Best Shot [Live]
08 - (3:56) We Live For Love [Live]
09 - (5:58) Precious Time [Live]
10 - (10:17) In The Heat Of The Night [Live]
Go - 2003
For her first studio album in half a dozen years, Benatar returned with a fairly
characteristic and varied set of mainstream rock, longtime cohort Neil Giraldo in the
producer and co-songwriter chair (in addition to playing much of the music). While her
voice is in fine shape, capable of hard rockers and more measured ballads, there isn't
anything all that memorable tune-wise. Most of the songs are preoccupied with romantic
disillusionment, which might be an odd state of affairs given the long Benatar-Giraldo
personal and professional partnership, but maybe they're just doing what comes naturally
to them as commercial music-makers. Hard, arena-styled rock is perhaps the element most to
the fore here, particularly in the title track, with its waves of distorted guitars. But
the pair seem to be wanting to cover several bases, with MOR balladry ("Brave"
and "Please Don't Leave Me"), more acoustic singer/songwriter-shaded stuff
("Sorry" and "Tell Me"), and anthemic pop present as well. The CD also
includes an unlisted bonus track, the awful post-9/11 2001 tribute single "Christmas
in America." - Richie Unterberger
01 - (3:51) Go
02 - (4:34) Brave
03 - (4:46) I Won't
04 - (4:32) Have It All
05 - (5:31) Sorry
06 - (5:29) Please Don't Leave Me
07 - (4:55) Girl
08 - (2:50) Out Of The Ruins
09 - (5:53) In My Dreams
10 - (4:47) Tell Me
11 - (5:44) Brokenhearted
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