Setting

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 The wonderful skill we call setting has haunted some with a loathsome

curse. The words "I can't set", "My hands are like meat hooks", or "I'm

a hitter not a setter" (from the 'lover not a fighter' line) have been

heard in gyms and on the beach since this game started. It has even

become common courtesy to make a "whoa" sound after a non-setter sets

the ball on the opposing team. Sometimes our team's timing on this

courtesy is a little off causing our "whoa" to start before the player

touches the ball, however, we've been practicing a lot on this during

the week. Subsequently, setting is a domain some refuse to enter for

fear of failure, being ridiculed, or simply fear of a disappointing

moment of poor execution. What can we do to eleviate this tension? How

can we convince Tim Hovland that he can set, too? Read on.

What is best thing you can do to learn how to set? Answer: repetition.

After I had convinced my friend that the only way he was ever going to

learn how to set was to try and use his hands in pick-up games, he

slowly became one of the best setters I know. I convinced him to ignore

all of the comments from the opposing team and just set the ball. He was

such a bad setter at first that we would call every bad set we made a

"spice-set"--his American name is Spice. The lesson here is that if

Spice learned to set the ball, and he does it very well, then there is

simply no excuse for anyone not learning how--trust me.

 

Let's start with the basics.

 

Hand Position

 

Put your hands above your head and put your index fingers and your

thumbs together. Now you should be looking through a "window" that these

fingers make. Position your hands so that if a ball small enough to go

through your "window" went through the center of it, the ball would hit

you right between the eyes. Now put your other fingers together (keeping

them straight and only touching at the finger tips--down to the first

knuckle). As you pull your fingers apart, you will feel as though a ball

would fit in between your hands perfectly as they become a certain

distance apart. This distance will be the position you will start your

hands in before you contact the ball. If you are having trouble finding

this position, grab a ball and decide that way.

 

Hand Action

 

The ball should only contact your fingers and never the palm of your

hand. The points of contact on your fingers when setting the ball should

be similiar to the contact points when you had your hands together

earlier. The ball should contact your thumbs and first two fingers with

an equal amount of force, while your last two fingers on both hands may

contact the ball sometimes (for extra control), but with less force.

Therefore, do not pull your last two fingers back out of the way--keep

them there for those sets that will require more control on the release.

 

 

The real "action" takes place in your wrists. The more flexible your

wrists are and the stronger and faster your forearm muscles are, the

better setter you will be. Your elbows should be slightly bent at the

time of contact with the ball (about the angle you bend your arms to

type) and your hands should be in the ready position we discussed

earlier as the ball contacts your fingers. You should be able to lay on

your back and hold the ball in your hands (which are in the ready

position) and move only your wrists to throw the ball a few inches into

the air--of course, you'll have to adjust the angle of your arms so that

the ball won't shoot behind you, but will go straight up in the air and

land back in your hands.

 

Throw the ball with your wrists only, catching the ball back in your

hands and pausing to make sure that the ball lands softly and your hands

are in the correct position at the time of contact. In order to allow

the ball to land softly, you must time the contact in such a way as to

retract your wrists at the same speed the ball is coming--kind of like a

trampoline will softly catch you as you land. After you are skilled at

the down portion of this "trampoline" movement, we can stop pausing for

quite as long before you throw the ball back into the air. Work at this

only using wrist movements (don't use your arms yet). Keep doing this

drill until there is no slapping sound when the ball hits your hands.

After you have the timing down for this wrist movement, we can move on

to the arm action.

 

Arm Action

 

While still laying on your back (don't worry, we'll eventually stand

up), start the movements described earlier--throw the ball with only

your wrists and "trampoline" the ball back into the air softly. The arm

action starts as the wrists move to throw the ball back into the

air--not before this moment. Don't make the mistake of cushioning the

ball with your wrists and arms--this will constitute a "throw" in the

volleyball world. As your push with your wrists to release the ball,

extend your arms simultaneously. As you do this, the ball will go much

higher requiring you to become even better at cushioning the ball as it

lands in your hands (which, of course, are in ready position). As your

timing gets better, your action of hands, wrists, and arms become

smoother and more controlled. I still do this drill to improve my touch

on the ball.

 

Stand Up and Be Confident, Young Jedi!

 

Now it's time to get on your feet and use your skills. But first, you

have to listen to my personal success story (deal with it). Before the

Christmas of 1993, I decided that my current style of setting would

never get me to the next level. I had been setting without the use of my

right thumb--don't ask me how i did it, but I was one of the best

setters in my region even with that awkward technique. So, over the

Christmas vacation, I did the drills above everyday for about an hour or

two each time. During the third week, I used my skills in an actual

match. I set with a slow, deep dish style at first which annoyed some of

my opponents, but I gradually increased my wrist speed and became a very

good setter in a time frame of about 2 months--not bad, huh? Therefore,

you have no excuses. If I learned well enough to use my techniques in 3

weeks and became proficient at it in 2 months, you can make progress--I

guarantee it.

 

Always try and set with your right foot slightly in front of your left,

always facing the left side of the court, and, if possible, at the time

of your release, have your shoulders square to your target. Sometimes

you will be running around sprinting for balls, but if you will try and

set up (even if it's at the last second), your sets will begin to be

more consistent and your team will be more successful. As you can see in

the picture below (sorry about the quality), I am very low and

struggling to make the correct adjustments for the set. The pass I

received never got higher than it is in the picture, and I actually set

a "1" or quickset to a swing hitter jumping from just outside the

picture. It was probably my best set of the day.

 

Notice that my right foot is in front of the left, my hands are up and

prepared early, the ball is being set right off of my forehead, and if

you could see later in this action, you would see my shoulder turn

slightly to face more towards the net, square to my target.

As you release the ball, you should be shifting your weight from your

left to right foot. It is a bad idea to be setting with your weight on

your back foot--you'll have less control and will tend to "underset" the

ball. I will cover some advanced setting techniques later in this

article.

 

Use the Force Luke!

 

What goes through a setter's mind as he/she runs the offense? What

should go through their mind? What can you do to prepare for the mental

challenges faced by the setting position? Would OJ be a good setter?

Your questions will be answered, young jedi.

 

There is definitely a difference between the personalities of the setter

(a good one anyway) and the other players on the team. Many times you'll

see the setter watching matches at a tournament while the rest of the

team is talking about what they did last weekend. You'll notice that the

setter keeps the same basic temperment throughout the match, while

his/her teammates go up and down. You'll notice that the setter tends to

be supportive of his hitters and other teammates even when they make

errors at crucial times in a match. You'll never see the setter

discouraging a player, or punching the pole, or showing an extreme

outburst of emotion. At most, and I see this a lot, the setter will let

out a yell that lasts for a second and then turns to the hitters and g

ives them their calls. A setter should be the most emotionally and

mentally stable person on the team.

 

The setter should be a great leader. It should be someone who is not

afraid to take control. The setter should not be afraid to give orders.

The setter should have a deep understanding of the game, and understand

his/her teammates abilities, responsibilities, and their weaknesses. A

great setter always feels comfortable taking the blame for all failed

attacks--trust me on that one. A great setter is not afraid to take

chances, challenge his/her hitters, and set the ball to the hardest

location relative to their position. The best setter is the one that

knows his/her team is going to win the match and is willing to do

whatever is necessary in order to reach game point.

 

Wow. It looks like the setter's job stinks. Maybe I should move to

outside hitter. Actually, I feel pretty comfortable at my position and

most setters probably feel the same way. Although the setter's job

description is lengthy, it is probably the most rewarding. A setter can

be 5'5" and still be very effective. There are many advantages of being

a 6'9" setter, but you'll never be great without the mental and

emotional stability I outlined above.

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