Positions for kajira



      These are described in brief, the basics, a girl must learn what is pleasing and adapt the positions to her. to display her charms and features well.



      The standard position for all kajira:



      NADU. Kneeling with knees spread wide, indicating body on display and vunerable. Arched spine, adds a pleasing look to the body. Chin lifted to indicate pride in what you are, yet eyes are always lowered in respect. Hands rest palm up on thighs, showing submission and also showing that a girl is holding nothing harmful in her hands.


      example: princess{M} kneels before her Master PrinceM, she spreads her thighs wide, red silks climbing up silken thighs.. a hint of her moist heat showing below the hem. she arches her back.. pressing her breasts outward against the thin transparent silk.. offering the heavy lushness up to Master's eyes. she holds her head up proudly, Master's ko-lar visible on her neck, she lowers her bluegreen eyes until the dark lashes brush across her cheek .. a girls hands rest upon her thighs.. palms up showing white against the tanned skin.



      BRACELETS. placing both hands behind back, shoulders pushed back, breasts thrust out, hands clasped tightly.



      HIGH BRACELETS. stands with feet apart, holding head high, eyes lowered, arms held out with wrists together.



      SLAVE LIPS. Turns head to Master and purses lips in a sensual manner, holding them thus until kiss is granted.


      example: PrinceM: princess, slave lips.


      princess writhes a bit in Master's lap, turning her sweet face to him, she tilts up her dainty little chin... and softly puckers lips that are the color of dawn, soft pink, holding still, until Master takes and drinks from the sweetness of her lips.



      LESHA, low. kneeling with back to Master, chin up, head turned to the left, back slightly arched and shoulders straight. wrists are held in the small of the back side by side.



      LESHA, high. similiar, except it is done standing. example: PrinceM: princess, high lesha.


      princess rises from the furs... soft clinging crimson silks slide down over her thighs as she rises cover the sweet white silky flesh, she pivots on her toes, turning to present her back to Master, long dark coppery hair cascades down her back and whispers across the silk as she turns her head, she holds her delicate little chin up as she turns her head to the left. she places her soft white hands into the small of her back.. holding her wrists side by side and arches her spine, pressing the fullness of her breasts forward to be displayed, she lowers the long lashes over her eyes as she drops her gaze to the floor, waiting for Master's lesh.



      KOLAR. kneels at Master's feet, leans body back, sitting on heels, arms extended upward and crossed at wrist, head bowed.



      BELLY. falls to floor face down, forehead resting flat on the surface, arms at side, legs widely spread, crawls foreward on belly.



      HAIR. stands, feet flat on the floor, bowing from the waist, so hair falls forward, to be used as a leash or to be shorn or whatever is Master's pleasure.



      BARA. Falling on her stomach, face down to the floor and turned to the left, crosses wrists behind back, crosses ankles, legs straight, in prep for binding.



      KARTA. kneels, thighs spread wide, allowing chest to lay upon the floor, reaching out with arms fully extended, palms against the floor, shows utmost respect. requests are made from this position. SUGA. same as KARTA except wrists are crossed



      OBEDIENCE. slave goes on floor, lays on stomach, face down, turns head and places cheek against feet, kissing them lightly out of love and submission.



      TOWER SLAVE. kneels and sits back on heels, back and shoulders straight, chest out, belly in, head up, eyes averted, knees together. (Note - this is good position for beginner to assume, as no heat is used usually in this).



      SULA. slave lays on back, hands at side, legs spread, waiting inspection or sexual use. SULA KI. same as SULA with the exception once assume, the slave raises hips from the ground encouraging use.



      SLAVERS KISS. on all fours head lowered to ground, ass thrust up and thighs spread wide, arms outstretched straight, fully exposed for the caress of leather.



      SUBMISSION. kneels and sits up on heels, back and shoulder straight, chest out, belly in, head up and eyes lowered, thighs spread wide. slave bends forward and lays head to floor, arms outstretched, palms pressed to floor, lowers self on belly,inches forward, reaching Master's feet, she kisses them and then places foot upon her neck.



      SHE SLEEN. falls to floor, hands and knees, hindquarters thrust up for viewing or Master's pleasure. also may not use hands in this position.



      GOR USE. on hands and knees, head straight, eyes forward, ass thrust up, legs spread wide.





      CRAWL. on hands and knees, forearms flat on floor, ass in air, forehead close but not touching floor. crawls to Master.



      GOR BOW. Nadu and bends backwards, head to floor, hands by head, pulls up into backbend.



      TABLE. on hands and knees, arms locked back straight and level.



      WALK. a sensual walk... describe actions and movements fully.



      HEEL. kneels to left of Master and stays, follows in that position.