Today's Recommendation

Previn: A Streetcar Named Desire / Previn, Fleming, Futral, et al

Editorial Reviews

This Deutsche Grammophon recording stems from San Francisco Opera's 1998 premiere production of André Previn's opera based on the harrowing Tennessee Williams play, with the composer himself at the helm of a strong and supportive cast. Previn's eclectic style embraces rather than challenges operatic conventions. He evokes Williams's New Orleans setting through loping, jazz-tinged motives and wistful, asymmetrical commentaries from solo winds and brass. By contrast, Previn reveals the protagonists' sense of longing and alienation by way of lyrical set pieces scored with lush economy. Philip Littell's libretto emerges at a leisurely gait, while the music underscores and follows the action with dramatic restraint instead of leaping center stage. Similarly, the cast's Southern accents are distinct but never distracting. Renée Fleming handles Blanche's taxing tessitura with effortless aplomb, although she sacrifices diction for tone in her middle register. Elisabeth Futral's light, agile soprano suits Stella's vulnerability to a fare-thee-well, while Rodney Gilfrey is careful to a fault in not letting Stanley Kowalski lapse into caricature. Most valuable player award, however, goes to Anthony Dean Griffey, who infuses Blanche's wooer Mitch with immense dignity and a sense of need. Stage noises and between-numbers applause may enhance the recording's sense of occasion, but they distract as much as those few niggling instances of thin string tone and shaky intonation. That's why God invented studio patching sessions. Still, Streetcar proves a solid achievement overall, priced at three discs for two, with full texts and annotations. --Jed Distler

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