Mojo wrote all but two of the thirteen songs, from the
Hooker-influenced opener, "Mo's Boogie", to the swingin' "Harp Breaker". The
lyrics are classic Mojo, enough to crack up anyone who's listened to their
share of ol' time style blues vocals. In the fifth track, he sings "You can
steal my chickens, but you sho can't make 'em lay; you can steal my woman,
but you sure can't make her stay." Or how about this one: "We gonna boogie
'til my hair turn wet."
Mojo's harp sounds particularly sweet and catchy when paired with
Curtis Blake's. Dave "Cool Breeze" Brown does a sweet, T-Bone style guitar
solo on "Cool & Mo Better Blues", Mark Asche is his usual "bad" self
throughout on piano, and Bill Black lays down a very funky bass solo on "I
Want You To Be My Girl". It is the tracks with Blake and the Roughcuts that
stand out, however. Blake's engaging harp lines actually bring to mind a
visual of squawking, pecking chickens on "You Can Steal My Chicken". Dan
Schwalbe's guitar playing is mighty tasty on all tracks, but is especially
ear-catching on "Memphis Bound".
On a personal note, Mojo recently returned from a tour with James
Cotton. Shortly after he got home, I happened to be throwing a party that
featured a jam with some local blues musicians. Imagine my delight when Mojo
strolled up! He graciously entertained my friends and neighbors for over an
hour, always flashing that broad smile and expecting nothing in return. I'll
always be grateful for that memory, and all local blues fans should be
grateful that when he's not on the road, Mojo Buford's harps is right here
in Minneapolis.
This review is copyright © 1998 by Ann Wickstrom, all rights reserved.
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