Ocean Colour Scene - The Riverboat
Song
MCA
Ocean Colour Who? is the first question most people are
asking if they've made it this far. So briefly: OCS
started out in the UK as a post-baggy group in 1990, got
a huge stack of money for first album which flopped,
changed their sound to 60's R&B and started playing
with Paul Weller, who helped them come back some five
years later with a new album (which this is off) and
chart success.
The Weller connection runs deep, as not only did he
help them get noticed but two of OCS play in Weller's
band and the Modfather himself plays hammond organ on the
single. And they sound like Weller too, which for most
people can only be a good thing. The other tracks aren't
as strong as "Riverboat" (which has a killer
bluesy riff) finding them in an acoustic, reflective
mood.
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The Bluetones - Slight Return
Polygram Finally
the much hyped 'new Stones Roses' have some product in
Australia, and the question "are they worth the
hype?" leads to the tenatative answer :
"well...almost". "Slight Return"
isn't the sort of song which grabs you on first listen,
rather it's a deceptive charmer that by play no. 3 or 4
will be firmly intrenched in your head, leading to much
humming or singing (depending on your vocal abilities).
The second track is a more bluesy, funky affair, circa
Second Comming Roses. Amazingly The Bluetones have gone
from early to late Stone Roses on one single - the real
Roses took more than 5 years. The third track is a
lilting acoustic number, while not earth shattering is
still too good for a b-side.
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Mr.
Blonde - Meet Mr Blonde
Polydor Most
Australian listener's would have heard the lead track
"Sunday" which was played incessantly on radio
station JJJ
and earned a place (at no.82) in their hottest 100 of
1995. Why? Possibly because the Pixies/Smiths cross is
pop perfection. From the soaring guitar riff and
meloncholy lyrics to the huge chorus, this is a 90's
classic. Elsewhere things get heavier with "Bruce
and Elvis" and on their signature tune "Heavy
Pop" (which is err, heavy pop), lyrically obsessed
with JFK's assassanation.
Mr.
Blonde Interview | Sunday
Soundbite
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Mr.
Blonde - Rubber Bullets EP
Polydor This is
something a bit more recent from Sydney's Mr. Blonde and
it's another great little 5 track EP. The song which has
been receiving the most attention is "Saturday
Night", a rolicking good time drinking tune if ever
there was one - something like a cross between The
Specials and Supergrass on a pubcrawl. First track
"Dominator" is a funky number about a sad
S&M freak, while my personal favourite is "Stars
and Stripes" a drum machine, riffing anthem about
the good ol' U.S of A. This EP is extremely infectious
and enjoyable showing the short, sharp, and punk
influences (Buzzcocks/Jam) of Mr. Blonde. It should not
be thought of all that Mr. Blonde can do, (see the
previous EP for more variety), merely a fun and a very
enjoyable side of them.
Mr. Blonde Sound Bites Saturday
Night | Dominator
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Cast
- Sandstorm
Polydor
Third single
from All Change is another fine rocking tune.
It's about as heavy as Cast get (i.e. not much) more in
the style of "Finetime" than
"Alright", but still a strong single from a
better-than-average album (All
Change). The other songs while nothing life changing
are still listenable and include live studio versions of
"Alright" and "Back of my mind",
which are very similar to the LP takes only slightly
heavier. Why they didn't include real live tracks instead
is questionable considering all the reports about their
"fookin excellent" live shows that we've been
hearing about.
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Shed
Seven - Getting Better
Polydor
Getting
Better? Well, certainly getting off to a good start to
the year anyway. Shed Seven are back after a quiet 95
with their brand of brattish indie rock, replete with a
killer chorus which includes a horn section to add extra
ooomphh!. Not much subtley here but a lot of energy.
Other tracks "Only Dreaming" and "Song
Seven" are criminally wasted away as b-sides. Why
can't bands put crap songs as b-sides like they used to?
Why do they have to be so good that you have to buy the
album *and* the singles? Life used to be so much less
expensive before CD singles. |