The Bluetones | Cast | Mr Blonde | Ocean Colour Scene | Shed Seven

Ocean Colour Scene - The Riverboat Song
MCA

The Riverboat Song CD Ocean Colour Who? is the first question most people are asking if they've made it this far. So briefly: OCS started out in the UK as a post-baggy group in 1990, got a huge stack of money for first album which flopped, changed their sound to 60's R&B and started playing with Paul Weller, who helped them come back some five years later with a new album (which this is off) and chart success.

The Weller connection runs deep, as not only did he help them get noticed but two of OCS play in Weller's band and the Modfather himself plays hammond organ on the single. And they sound like Weller too, which for most people can only be a good thing. The other tracks aren't as strong as "Riverboat" (which has a killer bluesy riff) finding them in an acoustic, reflective mood.

The Bluetones - Slight Return
Polygram

Slight Return CD Finally the much hyped 'new Stones Roses' have some product in Australia, and the question "are they worth the hype?" leads to the tenatative answer : "well...almost". "Slight Return" isn't the sort of song which grabs you on first listen, rather it's a deceptive charmer that by play no. 3 or 4 will be firmly intrenched in your head, leading to much humming or singing (depending on your vocal abilities). The second track is a more bluesy, funky affair, circa Second Comming Roses. Amazingly The Bluetones have gone from early to late Stone Roses on one single - the real Roses took more than 5 years. The third track is a lilting acoustic number, while not earth shattering is still too good for a b-side.

Mr. Blonde - Meet Mr Blonde
Polydor

Meet Mr. Blonde CD Most Australian listener's would have heard the lead track "Sunday" which was played incessantly on radio station JJJ and earned a place (at no.82) in their hottest 100 of 1995. Why? Possibly because the Pixies/Smiths cross is pop perfection. From the soaring guitar riff and meloncholy lyrics to the huge chorus, this is a 90's classic. Elsewhere things get heavier with "Bruce and Elvis" and on their signature tune "Heavy Pop" (which is err, heavy pop), lyrically obsessed with JFK's assassanation.

Mr. Blonde Interview | Sunday Soundbite

Mr. Blonde - Rubber Bullets EP
Polydor

Rubber Bullets EP This is something a bit more recent from Sydney's Mr. Blonde and it's another great little 5 track EP. The song which has been receiving the most attention is "Saturday Night", a rolicking good time drinking tune if ever there was one - something like a cross between The Specials and Supergrass on a pubcrawl. First track "Dominator" is a funky number about a sad S&M freak, while my personal favourite is "Stars and Stripes" a drum machine, riffing anthem about the good ol' U.S of A. This EP is extremely infectious and enjoyable showing the short, sharp, and punk influences (Buzzcocks/Jam) of Mr. Blonde. It should not be thought of all that Mr. Blonde can do, (see the previous EP for more variety), merely a fun and a very enjoyable side of them.

Mr. Blonde Sound Bites Saturday Night | Dominator

Cast - Sandstorm
Polydor

Sandstorm CD Third single from All Change is another fine rocking tune. It's about as heavy as Cast get (i.e. not much) more in the style of "Finetime" than "Alright", but still a strong single from a better-than-average album (All Change). The other songs while nothing life changing are still listenable and include live studio versions of "Alright" and "Back of my mind", which are very similar to the LP takes only slightly heavier. Why they didn't include real live tracks instead is questionable considering all the reports about their "fookin excellent" live shows that we've been hearing about.

Shed Seven - Getting Better
Polydor

Getting Better CD Getting Better? Well, certainly getting off to a good start to the year anyway. Shed Seven are back after a quiet 95 with their brand of brattish indie rock, replete with a killer chorus which includes a horn section to add extra ooomphh!. Not much subtley here but a lot of energy. Other tracks "Only Dreaming" and "Song Seven" are criminally wasted away as b-sides. Why can't bands put crap songs as b-sides like they used to? Why do they have to be so good that you have to buy the album *and* the singles? Life used to be so much less expensive before CD singles.
Reviews by Caleb Rudd

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