WELCOME TO SECOND KINGDOM OF HARIHARAN

Colonial Cousins
Colonial Cousins
The Indian-English fusion duo who placed India on the pop music world map


In June 1996, a revolution occurred in Indian musical history
when two talented Indian nationals were invited to perform on
MTV Unplugged. Calling themselves the "Colonial Cousins", A.
Hariharan ("Hari") and Leslie ("Lezz") Lewis became the first
Asians and only Indians so far to have performed on the
prestigious show, which features only the biggest acts in the
American and British music industry. That MTV Unplugged
featured a group which had released only one album, and that too
just two months prior to the concert, speaks volumes for the
Colonial Cousins' talents. Their unique brand of music seamlessly
fusing Indian and Western musical genres instantly won the hearts
of young and old alike. The album hit platinum in sales in India
alone and consistently busted the Indian music charts in 1996.
Award upon award was piled on the duo, notably the MTV Asia Viewers' Choice Award, 1996,
and the US Billboard's Viewers' Award, 1996. On 19 November 1998, the Colonial Cousins
released their much-awaited second , "The Way We Do It".

This webpage, launched in March 1999, is the brainchild of a bunch of Hariharan fans who also
spearheaded the Hariharan Fan Club-on-the-Net.
TANDEMOMENTS!
Sharmila Kamat gets onto the fusion wagon with the Colonial
Cousins - Hariharan and Leslie Lewis

THEY'VE got the world and her husband (and the kids too!)
grooving to the beat of 'Sa ni dha pa'. They've waltzed to the
top of the music charts, clad in their trademark black
'bandgallas', chains and ponytails, and staggered off the dance
floor, laden with an armful of trophies.

Between the two, there's not an inch of musical territory left
uncharted. 'Ghazals', 'bhajans', fusion, remixes - you name the
style, they've cut a disc around it.

In the 50th year of India's Independence, they crisscross the
country bearing a label that harks back to the country's colonial
past.

THEY are Hariharan and Leslie (Lezz) Lewis, better known as the
Colonial Cousins. Relatives in rhythm who have taken Indian sound
waves and tuned them to their own wavelength.

In a freewheeling chat, the Cousins launched into a different
kind of 'jugalbandi' - of views expressed, feelings articulated
and beliefs held. Trying to fathom the reason why that certain
something in the way they sing has got the country swinging to
their tunes...

A jingle and remix specialist joins voice with a 'ghazal' and
playback singer. A strange kind of 'milan' this:

Lezz: There's more to our music than just the oft-trotted
'ghazal'-jingleremix tale. My dad was a dance director in Hindi
films. Every time he choreographed a dance, film music resounded
through our house. See this? (Pointing to a scar below his eye.)
That's me doing the Shammi Kapoor routine in the 'Yahoo' song in
'Junglee'. I jumped off the bed and collided headon with the
cupboard.

Dad was also a 'tabla' player - so, like it or not, I listened to
a lot of classical music. While boarding at St. Mary's, Mount
Abu, I was influenced by all kinds of musical styles, thanks to
my fellow boarders' tastes in music. So, it's not just jingles or
remixes - it's a mixture of so many diverse elements.

Hari: My parents are classical musicians and I've been trained in
classical music. I've done 'ghazals', film songs, pop songs,
jingles and, now, Colonial Cousins.

How did the two come together?

Hari: We were taking a break while doing a jingle for some
commercial. Lezz started strumming a guitar, I piped in with some
vocals. Pausing to listen to ourselves, we realised we shared lot
of musical vibes. We could make magic together.

And how did the cousins become related - colonially?

Lezz: We were looking out for an ethnic name that would personify
our music - English with just that dash of Indian flavour. Unlike
common perception, we don't sing in Hindi. Our songs are in
English because our album was originally designed for a release
in the West. But no title seemed to be ring a bell. Until...

Hari: While in London, I met an Indian friend who asked me, "Do
you know what my British friends and I call each other? Colonial
Cousins!" That sounded just right for us. We liked the sound.

So what is the sound of the Cousins?

Lezz: What do you feel when you hear a Colonial track? Good,
peaceful, relaxed? That's us, that's our music. That's the sound
of the Cousins.

Hari: We don't focus exlusively on the music or the lyrics - it's
a bit of both. The music is a fusion of classical rhythms and
pop. But, more importantly, it is good.

Lezz: We're the next sound of India. We're not bragging; we're
just lucky to have made it. Each generation has its own idols.
For me, first it was Deep Purple. Later on, Guns-n-Roses grabbed
the collective imagination. Today, it is the Colonial Cousins who
have become the idols for the kids.

Hari: We have fans from four to 60. It's amazing the way the kids
have responded to 'Sa ni dha pa'. I have three-year-olds running
up to me, to meet 'Sa ni dha pa' uncle! The secret why the song
clicked? If only we knew! Then we'd churn out one success after
another.

How is the work divided between the Cousins?

Lezz: We don't know who's doing what at any time. Yes, I
generally write the lyrics because they're in English. But it's
mostly a sharing of ideas. He suggests a word, I weave a line
around it.

Hari: It's a joint effort. And I think it should stay that way.
When you say I'm doing this part and you're doing that, you only
look at the parts. We'd like to look at the whole.

Have the Cousins spawned a whole family of fusion musicians?

Lezz: The beauty of the album is that we have started a wave of
fusion music. We've introduced a sound that has caught the
country's imagination, even of the world's!

Hari: During the 'ghazal' craze, everybody was singing 'ghazals'
- clad in shawls, even in summer! How many of those are left now?
Today, everyone is into fusion. A few years down the line, only
the good guys will remain.

As a 'ghazal' singer feels naked without a shawl, does a pop
singer feel undressed without long hair?

Hari:To a certain extent, the external persona is important for
a singer. Thanks to the influence of music channels and music
videos, a singer can no more afford to look repulsive. The long
hair, however, dates back to the pre-Colonial days. I had it when
I sang 'ghazals', only then, I used to tie it into a ponytail.

Lezz: If you see our earlier pictures, you'll realise that we
didn't have such long hair then. We just felt the need to grow
it. Tomorrow, if we feel the need, we'll cut it. For a good
artiste, what's important is the voice. The looks can, at most,
add to make the right balance.

But a lot of today's music videos have make-up scoring over
quality of voice. And lip-syncing only helps deceive the
listeners.

Hari: It's a fact that, in-between, some record companies assumed
that a good figure, looks and scanty clothes sold. But then,
there's market for good music as well. Else for two fat guys to
start Colonial Cousins and make it a success would just not have
been possible.

Lezz: Those who lip-sync at live shows aren't singers; they are
music artistes. Yes, sometimes lip-syncing is necessary - for a
line, at the most, a verse. But lip-syncing for an entire show is
just NOT ON. With advanced electronics entering the music
industry, a lot of non-musicians have become musicians, and a lot
of non singers, singers. Technology now allows you to sing just
one line or one word at a time, which is then pieced together in
the studio. So, while technology can be used to enhance the
quality of music, it can also be used for a detrimental purpose.

How does it feel riding the wave of success - winning a clutch of
awards from music channels and being the first Asian act to
feature on MTV Unplugged?

Hari: Good, great, but a little pressured. You know you're good.
Now the world agrees with you.

Lezz: Maybe that's why we grew the ponytails. (Grinning) "Sunte
nahin the!" (They didn't listen). So now, at least they look at
me and listen to me because I'm good. Seriously though, it's a
great feeling.

Between the two, they have tried different styles in music. Any
personal favourites?

Hari: No favourites. Just good music, period.

Lezz: When we sing abroad, people come up to say, "We like your
music - it is contemporary, different, fresh." In India, people
are interested in dissecting the music - is it English or
'Carnatic'? Pop or 'ghazal'? What's important is not the
compartmentalisation of music. What's important is, "Is it good
music?" and "Am I enjoying it?" Then, it's my favourite.


Lezz has done a remix album with Asha Bhosle. What are the
reactions to the protests made by some artistes (who feel that
old tunes should be left alone) against remixes?

Lezz: I agree that the original track has its own aura, its own
fanfollowing. But when we do the remix, it's for the younger
generation, to introduce the youth to a bygone melody. Else, old
tunes will be forgotten. Ideally, the same artiste should do the
remix, as was the case with Asha Bhosle. But if it is not
possible, let another artiste sing it and allow the song-writer,
composer and the rest to be remembered - let the song get a new
lease of life.

A remix merely carries the melody forward. Tomorrow, when we are
no longer here, we wouldn't like a Colonial track to die with us.

What does music mean to you?

Hari: Life. Music is always in my head, whatever I do. I probably
think more about music than anyone or anything else in the world.

Lezz: It is basically spiritual. Good music should give you peace
of mind.

When do we hear the next stanza in the song of fusion?

Hari: We now have the music video for the song 'Krishna'. Then,
it's off to London to mix the CD of the live show we did for MTV
Unplugged. Our next album will, hopefully, be out at the end of
the year.

We're the next sound of India. We're not bragging, we're just
lucky to have made it.

Album Title
Songs

The Way We Do It -- Colonial Cousins
(with Leslie Lewis; 1998)
CD includes a short computerised video
clip on the making of "The way we do it"
The way we do it;
Feels so good;
Stay back tonight;
Funky freedom;
Jaa re jaa;
Lady;
Virtual reality;
Visions;
Dekhoon mai jahan;
Rhythm of the world;
No longer mine;
Speak up
Colonial Cousins (with Leslie Lewis;
1996)
It's gonna be alright;
Indian rain;
Feel alright;
Krishna;
Let me see the love;
Sa ni dha pa;
Forever yours forever mine;
Adrian's angel;
Tere mere ankhon mein
Colonial Cousins MTV Unplugged,
1996
(concert recording; with Leslie Lewis;
1997)
Invocation;
Funky Freedom;
Visions;
Tere mere ankhon mein;
Adrian's angel;
Indian rain;
A R Rehman's Tu hi re;
Feel alright;
Krishna;
Sa ni dha pa
Halka Nasha (1996)
Tera naya naam;
Halka sa ik nasha sa;
Aankhon se baatein karen;
Duniya Parayi huyi;
Kaise jiyun;
Jawan mausam;
Duniya bhar khi;
Hum tera intezar
Kaadhal Vedham (1998)
Irudhayam idam maari;
Kannil ennenna;
Iru kannum;
Azhagaana Kaadhal nila;
Nee enbadhil;
Natchatthira poongaavil;
En nenjil;
Ilaigall pohleh
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