The arena lounges in a kaleidoscopic cascade of Christmas lights, five
self-assured figures swagger around the stage� and the audience, not wanting their
presence to be ignored, make sure that they let everyone within ear shot know that they
are well and truly mad for it. This is what you call one hell of a homecoming.�
Tonight, Tim Burgess is like the little kid who�s just opened the best Christmas
present he�s ever had. There may not have been time to wrap it up or tie ribbons
around it, but he�s not bothered. When you get your first BMX, for instance, you
don�t want to waste time ripping the paper off, you just want to get out and ride.
And this is exactly what he does with the packed arena that he�s just been handed on
a plate. It doesn�t seem to have been a wasted gift either, judging by the frequency
of his thanks which litter the song breaks. You could probably throw away the receipt
quite safely now.�
Christmas in The Charlatans household has most probably changed quite dramatically over
the years. They�ll have moved on from getting a tangerine and a lump of coal in their
stockings if they were lucky, to eating turkey, stuffing and sprouts for Christmas dinner
and now, at the peak of their success, they could be banqueting with the Queen and buying
each other small Caribbean islands, for all we know. �
You can�t deny that they haven�t had it particularly peachy over the years,
with jail sentences, their music falling in and out of fashion, and even the stupid death
of organist Rob Collins in a car crash. Credit to them then for outshining and outlasting
all of their Madchester contemporaries of the early �90s and continually proving
their strength with such blistering live shows.�
Although the set was largely based on the last two, rockier albums, there were some
simply scorching reminders of their baggy past "for those of you that have been here
as long as us". �Can�t Get Out of Bed�, �Weirdo�,
�Sproston Green� and of course �The Only One I Know� flash past at
warp speed and make you wonder just how they managed to live in the shadows of other,
perhaps lesser bands, for so long.�
The huge television screens above the stage flicker in and out of life during the first
few songs, but even those in the far flung reaches of the arena�s heavens manage to
make a connection with their feel-good beat-the-odds vibe and accordingly dance till they
can literally dance no more. Beer gets spilt, pants swing and everybody buzzes with
appreciation. �
Tim may trip out of tune occasionally (let�s face it, he�s not exactly what
you�d call a �proper� singer) and the others may make the odd mistake here
and there, but the feeling�s there, which is by far the most important thing. When
you lose the feeling you turn into Echo and the Bunnymen. �
The Charlatans are arrogant in their performance , but still thankful to those that got
them there. They�re on the crowd�s level, but so far above them that they can be
adored. They�re one of the few bands that can successfully translate gentle pop songs
into huge arena slaying anthems.�
They�re a band you can rely on. A band that know if they�re knocked down,
they�re sure as hell going to get up again. �
They�re a band that never ever disappoint.
James Berry.