In the beginning, if we face it, there wasn�t really all that much
to do. There were maybe a couple of people at the bar, a tune playing on the jukebox
perhaps, but besides that there was nothing.
Then there was the big bang. The universe erupted, the earth was created and all was
good. Since then the centuries have passed by peacefully. They�ve had their ups and
downs, there�s been war and disagreement, cultures have clashed and made up again and
there�s been much progression and change. The end, some say, is nigh and will come
soon like a giant vacuum, sucking all that�s gone before towards its imminent death.
Then, like before, there shall be nothing.
A Formula One gig is in many ways not entirely unlike the evolutionary cycle.
With an explosion of guitars, drums, trumpets, flashy projected visuals, whooping
keyboards and wild rambling vocals they hit the stage, shattering the pre-gig boredom and
making damn sure that your attention will not go wondering in any other direction than the
stage until they are long gone.
They�re taking you on a journey, but they�ve lost the co-ordinates (or simply
disregarded them) and are flying wherever the hell the wind carries them. So you�d
better strap yourself in tight. They fly through jangly guitar pop territory, take a
nose-dive into rugged rocky regions and then hit a bit of brass turbulence before
spiralling into orbit around Planet Electronica.
They swap ideas with a frighteningly unnatural frequency for an indie guitar band and
are not afraid to push back the boundaries a little. Should they stray into uncharted air
space, they�ll just hang around for ten minutes or so before heading off towards the
sunset again.
Straddling the space that exists somewhere in-between The Wedding Present, Stereolab
and the Boo Radleys, Formula One approach pop music as an open canvas and not the second
hand paint by numbers kit that most bands seem to prefer. And they don�t let their
experimentation and originality get in the way of writing glorious sparkling pop tunes
either.
And just in case you thought that you�d get a nice smooth landing and be allowed
to walk off without any bruises, think again. �Crash Landing� sees their set
reach an appropriately explosive climax. They lock their co-ordinates for touchdown and
put their feet on the gas, heading for the ground with engines blazing, alarm bells
ringing and people, quite rightly, screaming.
And as you walk away from the crash site, slightly dizzy, slightly delirious, slightly
grinning like you�ve just won the lottery, you know that there�s no point
waiting around for the headlining band. They�d only disappoint you.
James Berry