Bibliography Appendix Title Page Index Contents

Bibliography

Ames, Charles

Tutorial and Cookbook for COMPOSE (revision 24 Nov. 1989) . Frog Peak Music, Box 9911, Oakland CA 94613, USA.

Bel, Bernard

Acquisition et représentation de connaissances en musique . PhD dissertation, Université Aix-Marseille III, 1990b. 208 pages. Microfilm available from author for US $10 (mail charges included).

Grammaires BP pour des airs de sonneurs de cloches . Unpublished, 1990c. 18 pages. Available from author for US $10 (mail charges included).

Two algorithms for the instantiation of structures of musical objects . Internal report, GRTC 458, Centre National de la Recherche Scientifique, Marseille, 1991. Available from author for US $20 (mail charges included).

Symbolic and sonological representations of sound-object structures. In Understanding Music with AI , M. Balaban, K. Ebcioglu & O. Laske, Eds., AAAI Press, 1992a:64-109.

Modelling improvisatory/compositional processes. Languages of Design -- Formalisms for Word, Image and Sound , 1, 1992b:11-26.

A flexible environment for music composition in non-European contexts. Journées d'Informatique Musicale (JIM 96), Caen (France), 1996a. (Available from < http://www.fortunecity.com/victorian/dada/181/jim96/jim96.htm>)

A symbolic-numeric approach to quantization in music. 3d Brazilian Symposium on Computer Music , Recife (Brazil), 1996b.

Migrating musical concepts - an overview of the Bol Processor. Computer Music Journal , 22, 2, 1998:56-64.

Bel, Bernard, & Jim Kippen

Bol Processor grammars. In Understanding Music with AI , M. Balaban, K. Ebcioglu & O. Laske, Eds., AAAI Press, 1992:366-401.

Duthen, Jacques, & Marco Stroppa

Une représentation de structures temporelles par synchronisation de pivots. In Le fait musical -- Sciences, Technologies, Pratiques , eds. B. Vecchione and B. Bel. Colloque CRSM-MIM "Musique et Assistance Informatique", Marseille, October 1990.

Kain, Richard Y.

Automata theory: machines and languages . Krieger, Malabar, 1983.

Kippen, Jim

An ethnomusicological approach to the analysis of musical cognition. Music Perception 5(2), 1987:173-95.

The Tabla of Lucknow: a Cultural Analysis of a Musical Tradition . Cambridge University Press, Cambridge (UK), 1988.

Kippen, Jim, & Bernard Bel

The identification and modelling of a percussion "language", and the emergence of musical concepts in a machine-learning experimental set-up. Computers & Humanities 23.3, 1989a:199-214.

A pragmatic application for computers in experimental ethnomusicology. ALLC/ICCH Conference , Toronto (Canada), 6-10 June 1989b.

Can a computer help resolve the problem of ethnographic description? Anthropological Quarterly , Vol.62, N°3, 1989c:131-44.

Modelling music with grammars: formal language representation in the Bol Processor. In Computer Representations and Models in Music . A. Marsden and A. Pople., Eds., Academic Press, London, 1992:207-238.

Computers, Composition and the Challenge of "New Music" in Modern India. Leonardo, Vol.4, 1994:79-84.

Laske, Otto

In Search of a Generative Grammar for Music. Perspectives of New Music , Fall-Winter 1973, Spring-Summer 1974:351-378.

Révész, Gyorgy

Introduction to Formal Languages . McGraw-Hill Computer Science series, New York, 1985.

Salomaa, Arto

Formal Languages . Academic Press, New York, 1973.

Vercoe, Barry

Csound. A Manual for the Audio Processing System and Supporting Programs with Tutorials . Massachusetts Institute of Technology, 1993.

Internet distribution: < ftp://notam.uio.no/pub/mac/audio/>




Bibliography Appendix Title Page Index Contents