Rose stops trashing the room, and stands there, breathing hard.
ROSE
(nodding)
I�ll be right back.
JACK
I�ll wait here.
CUT TO:
Rose splashes down the hall to a stairwell going up to the next deck. She climbs the stairs, her long skirt leaving a trail like a giant snail. The weight of it is really slowing her down. She rips at the buttons and shimmies quickly out of the thing. She bounds up the stairs in her stockings and knee-length slip, to find herself in--
191
A LONG CORRIDOR... part of the labyrinth of steerage hallways forward. She is alone here. A long groan of stresses metal echoes along the hall, unimpeded now.
The lights flicker and go out, leaving her in utter darkness. A beat. Then they come back on. She finds herself hyperventilating. That one moment of blackness was the most terrifying of her life.
A steward runs around the nearest corner, his arms full of lifebelts. He is upset to see someone still in his section. He grabs her forcefully by the arm, pulling her with him like a wayward child.
ROSE
Wait. Wait! I need your help! There�s-
STEWARD
No need to panic, miss. Come along!
ROSE
No, let me go! You�re going the wrong way!
She SHOUTS in his ear, and when he turns, she punches him squarely in the nose. Shocked, he lets her go and staggers back.
ROSE
See you there, buster!
She turns around, SEES: a glass case with a fire-axe in it. She breaks the glass with a battered suitcase which is lying discarded nearby, and seizes the axe, running back the way she came.
192
AT THE STAIRWELL she looks down and gasps. The water has flooded the bottom five steps. She goes down and has to crouch to look along the corridor to the room where Jack is trapped.
Rose plunges into the water, which is up to her waist... and powers forward, holding the axe above her head in two hands. She grimaces at the pain from the literally freezing water.
CUT TO:
Jack has climbed up on the bench, and is hugging the waterpipe. Rose wades in, holding the axe above her head.
JACK
We�ll find out.
The axe comes down . K-WHANG! Rose gingerly opens her eyes and looks... Jack is grinning with two separated cuffs.
Rose drops the, all the strength going out of her.
CUT TO:
TITANIC ON THE LETTERS TITANIC painted two feet high on the bow of the doomed steamer. Once 50 feet above the waterline, they now quietly slip below the surface. We see them, gold on black, rippling and dimming to a pale green as they go deeper.
195
IN BOAT SIX, Ruth looks back at the Titanic, transfixed by the sight of the dying liner. The bowsprit is now barely above the waterline. Another of Boxhall�s rockets EXPLODES overhead. K-BOOM! It lights up the whole area, and we see half a dozen boats in the water , spreading out from the ship.
CUT TO:
The widest passageway in the ship, it is used by crew and steerage alike, and runs almost the length of the ship. Right now steerage passengers move along it like refugees, heading aft.
CRASH! A wooden doorframe splinters and the door bursts open under the force of Jacks shoulder. Jack and Rose stumble through, into the corridor. A STEWARD, who was nearby herding people along, marches over.
JACK AND ROSE
(turning together)
Shutup!
AN IRISH WOMAN gives Rose a blanket, more for modesty than because she is blue-lipped and shivering.
CUT TO:
ON THE BOAT DECK, the action has moved to the aft group of boats, numbers 9, 11, 13, and 15 on the starboard side, and 10, 12, 14 and 16 on the port side. The pace of work is more frantic. You see crew and officers running now to work the davits, their previous complacency gone.
CAL pushes through the crowd, scanning for Rose. Around him is chaos and confusion. A woman is calling for a child who has become separated in the crowd. A man is shouting over people's heads. A woman takes hold of Second Officer Lightoller's arm as he is about to launch Boat 10.
ANDREWS
(pointing down at the water)
There, look... twenty or so in a boat built for sixty five.
And I saw one boat with only twelve. Twelve!
LIGHTOLLER
Well... we were not sure of the weight--
ANDREWS
Rubbish! They were tested in Belfast with the weight
of 70 men. Now fill these boats, Mr. Lightoller. For
God's sake, man!
CAL
We're running out of time. And this strutting
martinet...
(indicating Lightoller)
... isn't letting any men in at all.
LOVEJOY
The one on the other side is letting men in.
CAL
Then that's out play. But we're still going to need
some insurance.
(he starts off forward)
Come on.
IDA
No. We've been together for forty years, and where
you go I go. Don't argue with me, Isador, you know
it does no good.
CUT TO:
AT THE BOW... the place where Jack and Rose first kissed... the bow railing goes under water. Water swirls around the capstans and windlasses on the foc'sel deck.
Smith strides to the bridge rail and looks down at the well deck. Water is shipping over the sides and the well deck is awash. Two men run across the deck, their feet sending up spray. Behind Smith, Boxhall fires another rocket. WHOOSH!
CUT TO:
20
OMITTED
201
INT. E-DECK CORRIDORS AND STAIRWELL
Fabrizio, standing with Helga Dahl and her family, hears Jack's voice.
JACK
We gotta get up there or we're gonna be gargling
saltwater. Where's Tommy?
TOMMY has his hands on the bars of the steel gate which blocks the head of the stairwell. The crew open the gate a foot or so and a few women are squeezing through.
JACK
Well, whatever we're goin' to do, we better do it fast.
CUT TO:
203
OMITTED
204
INT. CAL AND ROSE'S SUITE
CLUNK! Cal opens his safe and reaches inside. As Lovejoy watches, he pulls out two stacks of bills, still banded by bank wrappers. Then he takes out the "Heart of the Sea", putting it in the left pocket of his overcoat, and locks the safe.
LOVEJOY
(patting the .45 in his waistband)
So do I.
CUT TO:
Jack, Rose, Fabrizio and Tommy are lost, searching for a way out. They push past confused passengers... past a mother changing her baby�s diaper on top of an upturned steamer trunk... past a woman arguing heatedly with a man in Serbo-Croatian, a wailing child next to them... past a man kneeling to console a woman who is just sitting on the floor, sobbing... and past another man with an English/ Arabic dictionary, trying to figure out what the signs mean, while his wife and children wait patiently.
Jack et al come upon a narrow stairwell and they go up two decks before they are stopped by a small group pressed up against a steel gate. The steerage men are yelling at a scared STEWARD.
CUT TO:
Ruth rows with Molly Brown, two other women and the incompetent sailors. She rests on her oars, exhausted, and looks back at the ship.
It slants down into the water, still ablaze with light. Nothing is above water forward of the bridge except the foremast. Another rocket goes off, lighting up the entire area... there are a dozen boats moving outward from the ship.
207
AT THE BOAT DECK RAIL Captain Smith is shouting to Boat 6 through a large metal megaphone.
208
FROM BOAT 6 the whistle come shrilly across the water. Quartermaster Hichens grips the rudder in fear.
MOLLY
We got room for lots more. I say we go back.
HICHENS
No! It's our lives now, not theirs. And I'm in charge
of this boat! Now row!!
CUT TO:
As Cal and Lovejoy cross the foyer they encounter Benjamin Guggenheim and his valet, both are dressed in white tie, tail coats and top hats.
GUGGENHEIM
We have dressed in our best and are prepared to go
down like gentlemen.
CAL
That's admirable, Ben.
(walking on)
I'll be sure to tell your wife... when I get to
New York.
CUT TO:
There are still two cardgames in progress. The room is quiet and civilized. A silver serving cart, holding a large humidor, begins to roll slowly across the room. One of the cardplayers takes a cigar from it as it rolls by.
CUT TO:
Cal and Lovejoy are walking aft with a purposeful stride. They pass CHIEF BAKER JOUGHIN, who is working up a sweat tossing deck chairs over the rail. After they go by, Joughin takes a break and pulls a bottle of scotch from a pocket, upending it. He drains it, and tosses it over the side too, then stands there a little unsteadily.
CUT TO:
PANIC IS SETTING IN around the remaining boats aft. The crowd here is now a mix of all three classes. Officers repeatedly warn men back from the boats. The crowd presses in closer.
Seaman SCARROTT brandishes the tiller of boat 14 to discourage a close press of men who look ready to rush the boat. Several men break ranks and rush forward.
Lightoller pulls out his Webley revolver and aims it at them.
CUT TO:
CAL AND LOVEJOY arrive in time to see Murdoch lowering his last boat.
LOVEJOY
There are still some boats forward. Stay with this
one... Murdoch. He seems quite... practical.
The passengers shout in panic to the crew above to stop lowering. They are ignored. Some men put their hands up, trying futiley to keep the 5 tons of boat 15 from crushing them.
Fred Barrett, the stoker, gets out his knife and leaps to the after falls, climbing rudely over people. He cuts the aft falls while another crewman cuts the forward lines. 13 drifts out from beneath 15 just seconds before it touches the water with a slap.
CAL, looking down from the rail hears GUNSHOTS--
CUT TO:
Fifth Officer Lowe, in boat 14 is firing his gun as a warning to a bunch of men threatening to jump into the boat as it passes the open promenade on A-Deck.
CUT TO:
The shots echo away.
Cal sees Murdoch turn from the davits for boat 15 and start walking toward the bow. He catches up and falls in beside him.
CUT TO:
219
EXT. BOAT DECK, PORT
Jack, Rose et al burst out onto the boat deck from the crew stairs just aft of the third funnel. They look at the empty davits.
GRACIE
(staring at her bedraggled state)
Yes, miss... there are still a couple of boats all the way
forward. This way, I'll lead you!
ANGLE ON THE BAND... incredibly they are still playing. Jack, Rose and the others run by.
CUT TO:
Water pours like a spillway over the forward railing on B-Deck. CAMERA SWEEPS UP past A-Deck to the boat deck where Murdoch and his team are loading Collapsible C at the forward-most davits.
NOTE: There are four so-called collapsibles, or Engelhardt boats, including two which are stored on the roof of the officers quarters.
The crowd here is sparse, with most people still aft. Cal slips his hand out of the pocket of his overcoat and into the waist pocket of Murdoch's greatcoat, leaving the stacks of bills there.
MURDOCH
(nodding curtly)
As you've said.
MURDOCH
Women and children? Any more women and children?
(glancing at Cal)
Any one else, then?
Bruce Ismay, seeing his opportunity, steps quickly into Collapsible C. He stares straight ahead, not meeting Murdoch's eyes.
CUT TO:
ON THE PORT SIDE Lightoller is getting people into boat 2. He keeps his pistol in his hand at this point. Twenty feet below them the sea is pouring into the doors and windows of B deck staterooms. They can hear the roar cascading into the ship.
JACK
Get in the boat, Rose.
JACK
Go on. I'll get the next one.
ROSE
No. Not without you!
JACK
(he smiles reassuringly)
I'll be alright. Hurry up so we can get going... we got
our own boat to catch.
CAL
Get in... hurry up, it's almost full.
JACK
Almost as good as you.
CAL
I always win, Jack. One way or another.
(looks at him, smiling)
Pity I didn't keep that drawing. It's going to be worth
a lot more by morning.
222
ROSE'S PERCEPTION... IN SLOW MOTION: The ropes going through the pulleys as the seamen start to lower. All sound going away... Lightoller giving orders, his lips moving... but Rose hears only the blood pounding in her ears... this cannot be happening... a rocket bursts above in slow motion, outlining Jack in a halo of light... Rose's hair blowing in slow motion as she gazes up at him, descending away from him... she sees his hand trembling, the tears at the corners of his eyes, and cannot believe the unbearable pain she is feeling..
Rose is still staring up, tears pouring down her face.
SUDDENLY SHE IS MOVING. She lunges across the women next to her. Reaches the gunwale, climbing it...
Hurls herself out of the boat to the rail of the A-Deck promenade, catching it, and scrambling over the rail. The Boat 2 continues down. But Rose is back on Titanic.
Hockley too has seen her jump. She is willing to die for this man, this gutter scum. He is overwhelmed by a rage so all consuming it eclipses all thought.
CUT TO:
TRACKING WITH JACK as he bangs through the doors to the foyer and sprints down the stairs. He sees her come into the A-Deck foyer, running toward him, Cal's long coat flying out behind her as she runs.
They meet at the bottom of the stairs, and collide in an embrace.
JACK
Right.
He RUNS along the rail and down the stairs. As he reaches the landing above them he raises the gun. SCREAMING in rage, he FIRES.
The carved cherub at t he foot of the center railing EXPLODES. Jack pulls Rose toward the stairs going down to the next deck. Cal fires again, running down the steps toward them. A bullet blows a divet out of the oak paneling behind Jack's head as he pulls Rose down the next flight of stairs.
Hockley steps on the skittering head of the cherub statue and goes sprawling. The gun clatters across the marble floor. He gets up, and reeling drunkenly goes over to retrieve it.
CUT TO:
The bottom of the grand staircase is flooded several feet deep. Jack and Rose come down the stairs two at a time and run straight into the water, fording across the room to where the floor slopes up, until they reach dry footing at the entrance to the dining saloon.
STEADICAM WITH HOCKLEY as he reels down the stairs in time to see Jack and Rose splashing through the water toward the dining saloon. He FIRES twice. Big gouts of spray near them, but he's not a great shot.
The water boils up around his feet and he retreats up the stairs a couple of steps. Around him the woodwork groans and creaks.
CAL
I put the diamond in my coat pocket.
And I put my coat... on her.