"I said it because it's true -- and tact isn't my most notable characteristic. Why is it true? Because of the age of undergraduates -- delightful, no doubt, but not for me. As far as I'm concerned, youth is a condition which will pass, and which I prefer to have pass outside of my immediate field of vision. Of course, I have nothing against young people -- apart from the fact that they are arrogant, spoiled, discourteous, incapable of compromise, and unaware of the price of everything they want to destroy. It's not that I disagree with their beliefs, or mind if I do disagree. I just prefer those whom life has had time to season.
"As a matter of fact, I babble on, hitting the truth occasionally by happenstance which inspires students by the sheer surprise of it; the rest of the time they just feel comfortable superior. As to Auden, he's interested in squares and oblongs, rather than in sensory effects, which I like; that is, he understands that men always have moral dilemmas, which makes him intelligent, and he is able to present these structurally, which makes him an artist. The structures he uses are patterns of words, which makes him a poet. He's conceptual rather than descriptive, and he always sees objects, natural or not, as part of a relationship. He knows that, first and last, a poet has to express abstract ideas in concrete forms, his own words, as it happens. How's that for a one-minute lecture?"
"Brilliant."
"Thank you. I stole it from Richard Hoggart's introduction to Auden's poems,"