Classical Poet of the Month:
Algernon Charles Swinburne
Algernon Charles Swinburne was born April 5, 1837 in Grosvenor Place, London, the son of Admiral Sir John Swinburne; but spent most of his boyhood on the Isle of Wight. He had an orthodox upper-class education, attending Eton and then Oxford. Influenced by the poetry of Shelley and possessed of the common student leanings toward political radicalism, Swinburne became known, along with James Thompson, as a kind of Poet Laureate of atheism. At Oxford, he met nearly everyone who would influence his later life, including Rossetti, Morris, and Burne-Jones, who in 1857 were painting their Arthurian murals on the walls of the Oxford Union. Benjamin Jowett, the master of Balliol College and translator of Plato, recognized his poetic talent and tried to keep him from being expelled for his radical leanings and atheism with the statement that he did not want "Oxford to sin twice against poetry" (the expulsion of Shelley being the first).
Leaving Oxford in 1860, he continued his friendship with the Rossettis. After Elizabeth Siddall's (Mrs. Rossetti) death in 1862, he and Rossetti moved to Tudor House in Chelsea. Swinburne had an addictive personality. Throughout the 1860s and 70's, he rode a destructive cycle of alcoholic binges, dissolution, collapse, drying out in the country, then returning to London where he would begin the cycle all over again. On several occasions, he collapsed in public in an apparent epileptic seizure, a condition made much worse by drinking past excess to unconsciousness. More than once while he was living with Rossetti, he was delivered to the door in the small of the night, dead drunk.
In 1879, with Swinburne nearly dead from alcoholism and dissolution, his legal advisor Theodore Watts-Dunton took him in, and was successful in getting him to adopt a healthier style of life. Swinburne lived the rest of his days at Watts-Dunton's home outside London. He saw less and less of his old friends, who thought him "imprisoned", but his growing deafness accounts for some of his decreased sociability. He died of influenza in 1909.
Swinburne was brought up in the Anglican Church and possessed a detailed knowledge of the scriptures and of standard interpretative methods, including typology, prophecy, and apocalyptics. In his poetry, he often used language with biblical associations because his Victorian audience was accustomed to such allusions when discussing serious issues and perhaps he enjoyed turning the church's own words against them. He delighted in opposing organized religion and savagely attacked the Roman Catholic Church for its political role in a divided Italy, using biblical allusion, parodies, and 'blasphemous' satires. Even though Swinburne attacked the religious establishment, he never became indifferent to its place in his life or his country's, as his poems "Hymn to Proserpine" and "Hertha" make clear.
Swinburne's poems are haunting, however have the slight problem that they often refer to illusions of his creation. His Proserpine poems refer not to the Roman Proserpine (Proserpina, Persephone/Kore in Greek), but to his own creation. To read about her, see The Lesbia Brandon .
Note, because I already have most of these pages up on my personal web pages, I am going to link this page to the poem on that server rather than take the time to create new web pages. Clicking a "go home" button will not take you back here. It will take you back to my personal home page. Use the back button instead, unless you want to go to my homepage.