2/10/99
A huge Matt fan wrote:
Just in case you haven't seen it yet, the March issue of Premier (with
Nicolas Cage on the cover)has a feature on last year's Oscars. Here's
how it describes what happened on Sunday, March 22, at the rehearsal
prior to the event:
Matt Damon and Ben Affleck arrive together. Affleck has brought
his mom, who wants to take photos inside the hall. Secuirity chief
Jerry
Moon okays her request. Near the stage Damon and Affleck run into
Frances McDormand, and the three have a long, enthusiastic chat. She
shows them baby pictures.
On their way out, Damon and Affleck pass the sign-in table, which
is
suddenly congested with young people. Danny Shapiro, the
eleven-year-old son of senior executive consultant Robert Z. Shapiro,
whispers to Affleck, "Kick Titanic's ass!" Affleck grins and gives
Danny a big hug. "You're gonna go far in this life, kid," he says. On
the way to their car, they run into writer Bruce Vilanch. "It's gonna
be all Titanic jokes, isn't it?" Affleck asks. "No," Vilanch insists.
"We're egalitarian."
There's a cute black and white picture of Matt accompanying the
article,
with the caption, "Matt City: Good Will Hunting's Matt Damon,
nominated
with costar Ben Affleck for Best Original Screenplay, was an especially
big hit with the kids of the show's staffers."
The article gives a minute-by-minute recap of the entire ceremony, on
stage and backstage. There's also a sidebar story on how the winners
(including Matt and Ben) have fared since the Oscars (with photo).
All in all, it's a nice way to relive last year's Oscar glory,
especially since Matt is unlikely to be a part of this year's
festivities.
(My note: If only I were a Matt Damon fan last year this time - what a
ride it would have been. Also: Get the idea that Matt will make an
excellent big-brother or (parish the thought) father??
Also, Francis McDermott was in "The Good Old Boys" with Matt.
)
The following items appeared on the alt.gossip.celebrities newsgroup and should be taken with a large grain of salt:
Matt Damon, who's learning Italian, knows his Good Will Hunting buddy Ben Affleck loves onions. So when they went out for pizza in L.A., he told Ben to order extra "acciughe." But the pizza came loaded with anchovies - which Ben hates - and practical joker Matt burst out laughing. (My note: Matt supposely learned Italian for "Ripley"; note that the Globe is a trashy tabloid in the U.S.)
Casting? There are dozens of young actors who would be suitable - and adventurous enough - to play the runner: Matt Damon, Edward Norton, Will Smith, Stephen Dorff, Freddie Prinze Jr., James Van Der Beek, Leonardo DiCaprio, Jerry O'Connell, Scott Wolf, Ethan Hawke, Casey Affleck, Jake Gyllenhaal, Rider Strong, Jared Leto, etc. The real test is finding an established, older star to play the coach. Right off the top of my head there are Harrison Ford, Mel Gibson, Kevin Costner, Dennis Quaid, Kurt Russell, Jeff Bridges, Nick Nolte. The tough part is: Would any of these famously macho stars play gay? (My note: Thought-provoking, hah? After the appearance of this blurb, the Gay Financial Network site then picked up on it and, to hear them relay it, all the "hunks" in Hollywood are after this project. Not necessarily false. )
And this blurb is from a story in the 2/10 Daily Variety on the AOL:
Now basking in the critical adoration of its Italian WWII pic "Life
Is Beautiful:, Miramax Films is revisiting the Big One, having struck a
deal for
the feature rights to Major Damon "Rocky" Gause's memoir "War
Journal."
Chris Moore and Craig Anderson will produce the true-life WWII escape
epic;
Matt Damon and Ben Affleck, who co-wrote and starred in Miramax's
"Good Will Hunting", which Moore co-produced, will take executive producing
duties.
In his memoir, Major Gause (then 1st Lt. Gause) wrote about his escape
from Japanese confinement on the Philippines near the beginning of the
Bataan Death
March in 1941, after which he sailed with another soldier for 53 days
across
3,200 miles of the Japanese-held Pacific en route to the northern coast
of
Australia in a leaky, 25-foot boat with a palm tree for a mast and rice
bags
for sails, amid enemy fire, storm-tossed seas and an often
contentious
relationship with his boatmate...
2/6/99 This quote sums it up beautifully: "I like the whole Hollywood thing," Jamies (16) said. Why exactly? Her friend Ashley Nagle jumped in. "Fame. Money. Matt Damon. Ben Affleck."
2/5/99
Don't breathe a word of this. Because nobody's supposed to know. But
Hollywood director William Friedkin is "very much interested" in
directing a movie based on the life and times of ex-Senate Prez Billy
Bulger, his brother, gangster-on-the-lam Whitey Bulger, and ex-FBI
agent John Connolly.
"This is a story about these individuals, who, when they were growing
up, developed what amounts to a creed and then following the three
where
that creed takes them," said New York producer Sonny Grosso, who worked
with Friedkin on "The French Connection." "It's about loyalty and
honesty and giving people your word."
Grosso, one of the real-life French Connection cops and a technical
adviser on that film, now runs a New York production company that's
developing the Bulger/Connolly project.
Grosso said he doesn't have a script yet but what he does have is a
"couple of hundred pages" written by Connolly, the ex-fed who was
Whitey's FBI "handler" for 15 years. Connolly, of course, is being
investigated by a grand jury in Connecticut for allegedly letting
Bulger run off the reservation during his years as a snitch.
"It's the dumbest thing I ever heard in my life," said Grosso, who
calls Connolly "one of the last American heros." "You mean to tell me this
guy (Whitey) is in the FBI's informant files for 20 years and the bureau
doesn't know what he's doing? It's a joke."
Grosso said it's premature to discuss casting. In fact, Friedkin is
tied up for the foreseeable future filming "Rules of Engagement" with Samuel
L. Jackson and Tommy Lee Jones. But we hear Friedkin is very interested
in chatting with Cambridge homey-turned-Hollywood-wonder-boy Matt
Damon, who would play Whitey. Well, why not? We know from "Good Will Hunting"
that Matt can do Southie!
Anyway, Connolly (meaning Grosso, I think)
declined to comment on the deal, saying it was "too
premature." Grosso's currently hard at work on the saga of Mary Kay
Letourneau, the Washington schoolteacher who's in jail for sleeping
with her 13-year-old student and bearing him two children...
2/4/99
Valerie on planetdamon reported thus:
Country radio news reports out of NM/Texas are reporting that Billy
Bob Thornton has asked Dwight Yokum to arrange a new rendition of the
song, "Ghost Riders in the Sky," for the soundtrack for All the Pretty
Hor:wq
:wq
ses." As a fan of Dwights, it should be awesome!
1/31/99
It was great to see these words at the top of the film: "Introducing Matt Damon". Brings a shiver to the spines. This was Matt in the early 90's - he was still in Harvard and he was playing a 19-year old "Charlie" (now that's a name that Matt was given twice in films, and he is decidedly NOT a Charlie.) This Matt is a cross between Rudy Baylor ("The Rainmaker") - dark-haired - and Will Hunting (dry-look hair). Interesting to see that he was riding a motorcycle around (at least I think that was him - but it could have been a double, I suppose), a preview of Tom Ripley,coming to us soon.
The film was very well made for a TV movie. Good characterizations. Matt was - here I have to resort to that dreaded phrase again: cute as a button. There's a lot of that mannerism of his on display already: the way he twists his lips when he smiles; the way he listens. And that muscled physique of his was already there. I haven't watched the whole thing yet, but I believe he was paired with two girl friends, a dark-haired one at the school that he dropped out of, and a blonde back home. And Matt looked good with either. There was one scene towards the end when the blonde, on the verge of marrying someone she doesn't like as much, tried to seduce Matt's character. It was well acted and believable.
The film must have been quite poignant at the time that it was shown, as it dealt with the period when a lot of people in this country were suffering from economic competition from aboard, when the Japanese autos were surging in popularity (hence the title of this film). The relevance has worn off, now that the U.S. is enjoying an economic boom. But I like the way that the film deals with the issue and how the situation affected everyday people. It's a problem that may come back to haunt this country again.
I really like seeing Matt in this father-son kind of portrayal. He's damn good at it. Such a sweet kid. The only trouble I have with what I've seen of this film so far is this: In the ending, when Matt's character plunged into the early-morning lake water to try to reach his father, who was alone in a boat - shouldn't he be shivering just a little bit after the father pucked him out of the water???
I am sure glad to have this film on tape now - a little Matt fix until we get to see Matt on the big screen again.
1/29/99 A belated find: In a review of the film "Monument Ave." on the CNN site which appeared on October 06, 1998, reviewer Paul Tatara wrote:
I've also been very impressed with Julianne Moore, Matt Damon, Claire Forlani, Ed Norton, Joaquin Phoenix, Vince Vaughn, Janeane Garofalo, and a few others in the rather recent past. Most (though certainly not all) of these folks are quirky, character-oriented performers who've only now begun to get the interesting roles. I'm glad I can finally quit pretending that the movies' biggest hopes for the future are Brad Pitt and Cameron Diaz. Now if we could just find more unpretentious, absorbing directors.
At long last, there seems to be some hope out there.
1/27/99
Well, it's not like last year, but Matt can be considered to have gotten
a nomination. The cast of Saving Private Ryan have been nominated
for the best ensemble award by the Screen Actors Guild (SAG).
Speaking of which, it was rather unkind of director Steven Spielberg to
make no mentioning at all of his cast when he accepted awards for SPR
at the Golden Globes, especially with Matt sitting right in front
of the stage. Remember how much Matt put himself into promoting for
the film? Once the film became a b.o. hit, we hardly heard Matt's name
mentioned with it any more (it's now all Spielberg and Hanks).
I feel even worse for
the rest of the cast who played the soldiers, the ones who did have to
go to boot camp on the order of Spielberg - Ed Burns, Tom Sizemore,
Jeremy Davis, et. al: These guys thought they were going to the Oscars
this year - I am afraid not.
Goes to show you the pecking order in
Hollywood.
1/26/99 A visitor to this site sent in the following eyewitness account of -:
After the show I was thinking if it was worth the risk to approach them and ask them to stay for a picture with us (fortunately we had our camera) and get a rude answer or be ignored. And I was really nervous. To my relief, Matt promptly said no problem, started asking questions: where we study, where we are from; he knew the players in our university football team and generally he was extremely friendly and down-to-earth. He said that the guy in the play was an old friend of his and Ben from Boston.
My companion took the picture of the four of us (Matt, Ben, me, and a relative). (Matt and Ben) look as ordinary as possible, normal people like all of us. And I feel Matt has not allowed fame to change him in any way. Of course I do not have a lot of information, only 10 minutes of conversation.
( My note: It's heartening to hear that (i) Matt is free to do
his own things
in spite of his spectacular surge to fame; his strategy to
lead a normal life no matter what seems to be working, and, better yet,
(ii) he has not allowed fame to change his real-life delightful
personality;
I am especially pleased to hear that he remains inquisitive about other people,
a hallmark of a good actor/writer. Matty, you go boy!)
p.s. I have seen the photo mentioned and in it Matt and Ben are bundled
up against the East-Coast winter weather: wool caps and parka. They
were both cute as buttons, though the writer is right: they look just like
ordinary people - I might not even recognize them if I saw them
walking on the street like that.