• Lady Chatterley's Lover  
  Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is now no smooth road into the future: but we go round, or scramble over the obstacles. We've got to live, no matter how many skies have fallen.

• Adolf  
  He passed the window darkly, and we heard him go into the scullery and put down his tin bottle. But directly he came into the kitchen. We felt at once that he had something to communicate. No one spoke. We watched his black face for a second.

• Rex  
  I was given tea in a narrow, uncomfortable sort of living-room, half kitchen. Curious that such a palatial pub should show such miserable private accomodations, but so it was. There was I, unhappy

• Sons and Lovers  
  Then, some sixty years ago, a sudden change took place. The gin-pits were elbowed aside by the large mines of the financiers. The coal and iron field of Nottinghamshire and Derbyshire was discovered.

• Aaron's Rod  
  Aaron Sisson was the last man on the little black railway-line climbing the hill home from work. He was late because he had attended a meeting of the men on the bank. He was secretary to the Miners Union for his colliery, and had heard a good deal of silly wrangling that left him nettled.

• Women in Love  
  There was a long pause, whilst Ursula stitched and Gudrun went on with her sketch. The sisters were women, Ursula twenty-six, and Gudrun twenty-five. But both had the remote, virgin look of modern girls, sisters of Artemis rather than of Hebe. Gudrun was very beautiful, passive, soft-skinned, soft-limbed.

• The Ladybird  
  

• The Captain's Doll  
  

• The Fox  
  

• The Plumed Serpent  
  

• Kangaroo  
  

• The Rainbow  
  

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