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Some Favourite Poems
(Not all old chestnuts, some may be new to you)
Sonnet 84
William Shakespeare
So let us melt and make no noise,
No tear-floods, nor sigh-tempests move,
'Twere profanation of our joys
To tell the laity of our love.
Moving of th' earth brings harms and fears,
Men reckon what it did and meant,
But trepidation of the spheres,
Though greater far, is innocent.
Dull sublunary lovers' love
Whose soul is sense cannot admit
Absence, because it doth remove
Those things which elemented it.
But we by a love, so much refined,
That our selves know not what it is,
Inter-assured of the mind,
Care less, eyes, lips, and hands to miss.
Our two souls therefore, which are one,
Though I must go, endure not yet,
A breach, but an expansion,
Like gold to aery thinness beat.
The Farmer's Bride
Charlotte Mew
Note: Charlotte Mew was born in Bloomsbury, London.
In his old age, Thomas Hardy befriended her and she became
a frequent guest at his home in Dorchester. This makes me think
Charlotte modelled the idioms of this monologue on the
Dorset accent. However, this version has been modified slightly
to reflect the Suffolk accent. Instances are marked with an asterisk.
Three Summers since I chose a maid,
Too young maybe - but more's to do
At harvest time than bide and woo.
When us were wed her turned afraid *
Of love, and me, and all things human;
Like the shut of a winter's day
Her smile went out, and 'twadn't a woman -
More like a little frightened fay.
One night, in the Fall, her runned away. *
'Out 'mong the sheep her be,' they said.
'Should properly ha' been abed.' *
But sure enough, her wadn't there *
Lying awake with her wide brown stare.
So over seven-acre field and up-along across the down
We chased her, flying like a hare
Afore our lanterns. To Church Town,*
All in a shiver and a scare,
We caught her, fetched her home at last
And turned the key upon her, fast.
Oh, her do the work about the house *
As well as must, but like a mouse.
Happy enough to chat and play
Wi' birds and rabbits and such as they,*
So long as men-folk keep away.
'Not near, not near!' her eyes beseech
When one of us comes within reach.
The women say that beasts in stall
Look round like children at her call.
I 'nt hardly heard her speak at all. *
Shy as a leveret, swift as he,
Straight and slight as a young larch tree,
Sweet as the first wild violets, she,
To her wild self. But what to me?
The short days shorten and the oaks are brown,
The blue smoke rises to the low grey sky,
One leaf in the still air falls slowly down,
A magpie's spotted feathers lie
On the black earth spread white with rime,
The berries redden up to Christmas-time.
What's Christmas-time without there be
Some other in the house than we?
Her sleeps up in the attic there
Alone, poor maid. 'Tis but a stair
Betwixt us. Oh! my God! the down,
The soft young down of her, the brown,
The brown of her - her eyes, her hair, her hair!
To His Mistress Going to Bed
John Donne
Come, Madam, come, all rest my powers defy,
Until I labour, I in labour lie.
The foe oft-times, having the foe in sight,
Is tired with standing, though they never fight.
Off with that girdle, like heaven's zone glistering
But a far fairer world encompassing.
Unpin that spangled breast-plate, which you wear
That th'eyes of busy fools may be stopped there:
Unlace yourself, for that harmonious chime
Tells me from you that now `tis your bed time.
Off with that happy busk, whom I envy
That still can be, and still can stand so nigh.
Your gown's going off such beauteous state reveals
As when from flowery meads th'hills shadow steals.
Off with your wiry coronet and show
The hairy diadem which on you doth grow.
Off with those shoes: and then safely tread
In this love's hallowed temple, this soft bed.
In such white robes heaven's angels used to be
Received by men; thou Angel bring'st with thee
A heaven like Mahomet's Paradise; and though
Ill spirits walk in white, we easily know
By this these Angels from an evil sprite:
They set out hairs, but these the flesh upright.
Licence my roving hands, and let them go
Behind, before, above, between, below.
Oh my America, my new found land,
My kingdom, safeliest when with one man manned,
My mine of precious stones, my Empery,
How blessed am I in this discovering thee.
To enter in these bonds is to be free,
Then where my hand is set my seal shall be.
Full nakedness, all joys are due to thee.
As souls unbodied, bodies unclothed must be
To taste whole joys. Gems which you women use
Are as Atlanta's balls, cast in men's views,
That when a fool's eye lighteth on a gem
His earthly soul may covet theirs not them.
Like pictures, or like books' gay coverings made
For laymen, are all women thus arrayed;
Themselves are mystic books, which only we
Whom their imputed grace will dignify
Must see revealed. Then since I may know,
As liberally as to a midwife show
Thyself; cast all, yea this white linen hence.
Here is no penance, much less innocence.
To teach thee, I am naked first: Why then
What need'st thou have more covering than a man.
Remembrance
Sir Thomas Wyatt
They flee from me, that sometime did me seek
With naked foot, stalking in my chamber.
I have seen them gentle, tame, and meek,
That now are wild, and do not remember
That sometime they put themselves in danger
To take bread at my hand; and now they range
Busily seeking with a continual change.
Thanked be fortune it hath been otherwise
Twenty times better; but once, in special,
In thin array, after a pleasant guise,
When her loose gown from her shoulders did fall,
And she me caught in her arms long and small,
Therewith all sweetly did me kiss
And softly said, `Dear heart, how like you this?'
It was no dream; I lay broad waking:
But all is turned, thorough my gentleness,
Into a strange fashion of forsaking;
And I have leave to go of her goodness,
And she also to use newfangleness.
But since that I so kindly am served,
I would fain know what she hath deserved.
Sonnet 73
William Shakespeare
That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin'd choirs where late the sweet
Birds sang. In me thou seest the twilight of such day
As after sunset fadeth in the west;
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me thou seest the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire,
Consum'd with that which it was nourish'd by.
This thou perceiv'st, which makes thy love more strong,
To love that well which thou must leave ere long.
Edna St Vincent Millay
I, being born a woman and distressed
By all the needs and notions of my kind,
Am urged by your propinquity to find
Your person fair, and feel certain zest
To bear your body's weight upon my breast:
So subtly is the fume of life designed,
To clarify the pulse and cloud the mind,
And leave me once again undone, possessed.
Think not for this, however, the poor treason
Of my stout blood against my staggering brain,
I shall remember you with love, or season
My scorn with pity, - let me make it plain:
I find this frenzy insufficient reason
For conversation when we meet again.
The Sun Rising
John Donne
Busy old fool, unruly sun,
Why dost thou thus,
Through windows, and through curtains call on us?
Must to thy motions lovers' seasons run?
Saucy pedantic wretch, go chide
Late school-boys, and sour prentices,
Go tell court-huntsmen, that the King will ride,
Call country ants to harvest offices;
Love, all alike, no season knows, nor clime,
Nor hours, days, months, which are the rags of time.
Thy beams, so reverend and strong
Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long;
If her eyes have not blinded thine,
Look, and tomorrow late, tell me,
Whether both th'Indies of spice and mine
Be where thou left'st them, or lie here with me.
Ask for those kings whom thou saw'st yesterday,
And thou shalt hear, All here in one bed lay.
She is all states, and all princes, I,
Nothing else is.
Princes do but play us; compared to this,
All honour's mimic; all wealth alchemy.
Thou sun art half as happy as we,
In that the world's contracted thus;
Thine age asks ease, and since thy duties be
To warm the world, that's done in warming us.
Shine here to us, and thou art everywhere;
This bed thy centre is, these walls, thy sphere.
This Lunar Beauty
W. H. Auden
This lunar beauty
Has no history,
Is complete and early;
If beauty later
Bear any feature,
It had a lover
And is another.
This like a dream
Keeps other time,
And daytime is
The loss of this;
For time is inches
And the heart's changes,
Where ghost has haunted
Lost and wanted.
But this was never
A ghost's endeavour
Nor, finished this,
Was ghost at ease;
And till it pass
Love shall not near
The sweetness here,
Nor sorrow take
His endless look.
The Ruined Maid
Thomas Hardy
‘0 ‘MELIA, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?'—
‘0 didn’t you know I’d been ruined?’ said she.
—‘You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you’ve gay bracelets and bright feathers three!’—
‘Yes: that’s how we dress when we’re ruined,’ said she.
—‘At home in the barton you said “thee” and “thou,”
And “thik oon,” and “theäs oon,” and “t’other”; but now
Your talking quite fits ‘ee for high compa-ny !‘—
‘Some polish is gained with one’s ruin,’ said she.
—‘Your hands were like paws then, your face blue and bleak
But now I’m bewitched by your delicate cheek,
And your little gloves fit as on any la-dy!’—
‘We never do work when we’re ruined,’ said she.
—‘You used to call home-life a hag-ridden dream,
And you’d sigh, and you’d sock; but at present you seem
To know not of megrims or melancho-ly !‘—
‘True. One’s pretty lively when ruined,’ said she.
—‘I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town!’—
‘My dear—a raw country girl, such as you be,
Cannot quite expect that. You ain’t ruined,’ said she.
Old Shepherd’s Prayer
Charlotte Mew
Up to the bed by the window, where I be lyin’,
Comes bells and bleat of the flock wi’ they two children’s clack.
Over, from under the eaves there’s the starlings flyin’,
And down in yard, fit to burst his chain, yapping out at Sue I do hear young Mac.
Turning around like a falled-over sack
I can see team ploughin’ in Whithy-bush field and meal carts startin’ up road to
Church-Town;
Saturday arternoon the men goin’ back
And the women from market, trapin’ home over the down.
Heavenly Master, I wud like to wake to they same green places
Where I be know’d for breakin’ dogs and follerin’ sheep.
And if I may not walk in th’ old ways and look on th’ old faces
I wud sooner sleep.
Fern Hill
Dylan Thomas
Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.
And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams.
All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery
And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the nightjars
Flying with the ricks, and the horses
Flashing into the dark.
And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
Out of the whinnying green stable
On to the fields of praise.
And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over,
I ran my heedless ways,
My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden
Follow him out of grace,
Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless hind.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.
Naming of Parts
Henry Reed
TO-DAY we have naming of parts. Yesterday,
We had daily cleaning. And to-morrow morning,
We shall have what to do after firing. But to-day,
To-day we have naming of parts. Japonica
Glistens like coral in all of the neighbouring gardens,
And to-day we have naming of parts.
This is the lower sling swivel. And this
Is the upper sling swivel, whose use you will see,
When you are given your slings. And this is the piling swivel,
Which in your case you have not got. The branches
Hold in the gardens their silent, eloquent gestures,
Which in our case we have not got.
This is the safety-catch, which is always released
With an easy flick of the thumb. And please do not let me
See anyone using his finger. You can do it quite easy
If you have any strength in your thumb. The blossoms
Are fragile and motionless, never letting anyone see
Any of them using their finger.
And this you can see is the bolt. The purpose of this
Is to open the breech, as you see. We can slide it
Rapidly backwards and forwards: we call this
Easing the spring. And rapidly backwards and forwards
The early bees are assaulting and fumbling the flowers:
They call it easing the Spring.
They call it easing the Spring: it is perfectly easy
If you have any strength in your thumb: like the bolt,
And the breech, and the cocking-piece, and the point of balance,
Which in our case we have not got; and the almond blossom
Silent in all of the gardens and the bees going backwards and forwards,
For to-day we have naming of parts.
The Whitsun Weddings
Philip Larkin
That Whitsun, I was getting away:
Not till about
One-twenty on the sunlit Saturday
Did my three-quarters-empty train pull out,
All windows down, all cushions hot, all sense
Of being in a hurry gone. We ran
Behind the backs of houses, crossed a street
Of blinding windscreens, smelt the fish-dock; thence
The river's level drifting breadth began,
Where sky and Lincolnshire and water meet.
All afternoon, through the tall heat that slept
For miles inland,
A slow and stopping curve southwards we kept.
Wide farms went by, short-shadowed cattle, and
Canals with floatings of industrial froth;
A hothouse flashed uniquely: hedges dipped
And rose: and now and then a smell of grass
Displaced the reek of buttoned carriage-cloth
Until the next town, new and nondescript,
Approached with acres of dismantled cars.
At first, I didn’t notice what a noise
The weddings made
Each station that we stopped at: sun destroys
The interest of what’s happening in the shade,
And down the long cool platforms whoops and skins
I took for porters larking with the mails,
And went on reading. Once we started, though,
We passed them, grinning and pomaded, girls
In parodies of fashion, heels and veils,
All posed irresolutely, watching us go,
As if out on the end of an event
Waving goodbye
To something that survived it. Struck, I leant
More promptly out next time, more curiously,
And saw it all again in different terms:
The fathers with broad belts under their suits
And seamy foreheads; mothers loud and fat;
An uncle shouting smut; and then the perms,
The nylon gloves and jewellery-substitutes,
The lemons, mauves, and olive-ochr’ that
Marked off the girls unreally from the rest.
Yes, from cafés
And banquet-halls up yards, and bunting-dressed
Coach-party annexes, the wedding-days
Were coming to an end. All down the line
Fresh couples climbed aboard: the rest stood round;
The last confetti and advice were thrown,
And, as we moved, each face seemed to define
Just what it saw departing: children frowned
At something dull; fathers had never known
Succes so huge and wholly farcical;
The women shared
The secret like a happy funeral;
While girls, gripping their handbags tighter, stared
At a religious wounding. Free at last,
And loaded with the sum of all they saw,
We hurried towards London, shuffling gouts of steam.
Now fields were building-plots, and poplars cast
Long shadows over major roads, and for
Some fifty minutes, that in time would seem
Just long enough to settle hats and say
I nearly died,
A dozen marriages got under way.
They watched the landscape, sitting side by side
—An Odeon went past, a cooling tower,
And someone running up to bowl—and none
Thought of the others they would never meet
Or how their lives would all contain this hour.
I thought of London spread out in the sun,
Its postal districts packed like squares of wheat:
There we were aimed. And as we raced across
Bright knots of rail
Past standing Pullmans, walls of blackened moss
Came close, and it was nearly done, this frail
Travelling coincidence; and what it held
Stood ready to be loosed with all the power
That being changed can give. We slowed again,
And as the tightened brakes took hold, there swelled
A sense of falling, like an arrow-shower
Sent out of sight, somewhere becoming rain.
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