When Rufus Sewell awakes in a bathtub with a murdered blonde in his
apartment, things don't look good for our confused hero.
However, his
apartment is not what it seems. And neither is the city surrounding it.
Buildings
contort, houses shift like elastic and everyone sleeps through the procedure .
Everyone except Sewell and The Strangers - led by Richard O' Brien and Ian
Richardson.
Welcome to Dark City, a stylish thriller from Alex (The Crow)
Proyas. Lifting inspiration from the films Kafka, Hellraiser, Scanners and The
City of Lost Children, this is visually one of the most stunning films of the year. It
starts off a little too in your face with few scenes lasting longer than 30 seconds -
an annoying trait of many film-makers who cut their teeth on pop promos. Once
you get past the erratic introduction, things really get going with Sewell drawn
into The Strangers' mysterious plan. Staggering set design, some mediocre
model work and a great finale make this a must see and it's bound to attract a
cult following in the years to come. A pity Kiefer Sutherland proved so irritating
and Jennifer Connelly was wasted as the hero's wife but they are merely there
to flesh out the elaborate visuals. While William Hurt is as good as ever, it's
difficult to take Sewell seriously, especially after seeing him on fine form in
Martha - Meet Frank Daniel and Laurence a week earlier. However, he makes a
refreshing change from the usual Hollywood leading men who often look good
but have little to offer. See it for the last half hour alone and you won't be
disappointed. If you liked this try these: Hellraiser; The City Of Lost Children;
Delicatessen; Kafka. 100mins. ****