From Lisa:
The contracts are signed, the treatment is being written and Fox
Television plans to fast-track production on a ten- to twelve-hour
miniseries based on lefty historian Howard Zinn's A People's History of
the United States, scheduled to run early next year. With celebrity
muscle provided in amply hunky doses by Zinn allies and series
co-producers Ben Affleck and Matt Damon, Fox is banking on Page Six sex
appeal to sell Zinn's sobering tales to the tabloid masses.
Skeptical media watchers have been clucking about this project
since Rupert Murdoch's minions first started negotiating with Zinn and
company last spring. After many months of wrangling, all parties
recently agreed on a six-part dramatization of key sections of Zinn's
book, based around the individual exploits of average Americans caught
up in major historical moments.
This unlikely venture finds its genesis in a scene from Damon and
Affleck's 1997 breakthrough film, Good Will Hunting, in which Damon
praises Zinn's book. As it turned out, the Zinn and Damon families were
old friends from Newton, Massachusetts. ("I went to his high school
plays," says Zinn.) A producer at Fox, Marci Pool, who had read and
enjoyed the award-winning book in college, got her bosses' OK to
negotiate to buy the TV rights, which previously had been held by
Globalvision executive producer Danny Schechter. After a couple of
marathon sessions in Los Angeles, attended by Zinn, Affleck, Damon, Good
Will producer Chris Moore (the "Gang Of Four," as Zinn calls them) and
Fox Television Studios brass, a contract was hammered out late last
year. Zinn says he was adamant that the final product adhere to the
"class, race and antiwar consciousness" of the book, and the contract
contains language to the effect that "the series will be true to the
point of view of the book," says Zinn.
The studio ponied up $50 million for the series, and the Gang of
Four quickly hired screenwriter Jeremy Pikser (who's up for an Oscar for
his work on the Fox-produced Bulworth) to produce a treatment. When
that's completed, it goes to Fox for approval. Bob Dylan and Winona
Ryder have already signed on--he's singing, she's acting--and John
Cusack and Danny Glover are negotiating for roles. "That's a huge help,"
says Pool. "To get that level of interest from talent is very unusual
and very difficult in television."
At the time of this writing, the contours of the treatment are
taking shape. Zinn reports that some of the storylines being
contemplated are a dramatization of the resistance movement in the
abolitionist period, as seen through the eyes of a slave, and a section
devoted to a deserter (or, at the very least, a dissenter) from the
American Revolution. According to screenwriter Jeremy Pikser, "You can't
dramatize a textbook, and you can't fake a docudrama as a drama, so I've
invented a whole life story for a dockworker in the Revolution, and his
great-granddaughter turns up later as a Lowell millworker. It's just
about the most exciting project I've ever worked on."
Taken individually, these are interesting subjects with populist
appeal and built-in gravitas that goes deeper than the surface-skating
entertainment generally offered up on the Hitler, er, History Channel.
But Zinn is acutely aware that in presenting historical moments as seen
through the eyes of just plain folks, he runs the risk of losing the
populist forest for the trees. "That's been a worry from the beginning,
and we're going to work to overcome that, and find a way to make
connections and larger points that put the individual episodes into
broader contexts."
You'd think Fox would rather those links not be made. After all,
the archconservative Rupert Murdoch isn't going to sell Zinn the rope
the amiable socialist professor would hang him with. Even though Zinn
says he hopes his final product "doesn't pass Murdoch's political litmus
test," some wonder whether even Matt Damon's pearly whites will be
enough to save A People's History if it strays too far to the left.
"That's not the right question, frankly," says Pool. "Putting a
miniseries on the air is a business, and the bottom line is that this is
a good project for the network. The book is history as told by people
who didn't win the battles or the wars, and that is something that Fox
audiences can identify with. Our audience is young, and they identify
with struggle. No one inside the company has said anything to me about
the politics--not that they won't at some point, but I don't see why
they would." As Zinn observes, "To simply do another history is not
going to excite a lot of viewers, and the fact that there's a
controversial set of messages is precisely what might attract a large
audience, which is really what Fox cares about." But, as Pikser points
out, "As Fox has made clear, our audience is not the PBS audience. We've
got to make it play. It has to be an entertaining, interesting story
that you'll want to watch."
It also must be said that Murdoch has shown some restraint in
meddling with his network. He did drop the BBC World Service from his
Star TV in China a few years back, claiming it posed a potential threat
to his Asian business interests; more recently, he canceled a biopic on
Anita Hill because it strayed too far to the "We Believe Anita" side of
things. But as Fox sponsors Zinn's critical look at the unseemly corners
of American history, it is also looking ahead to the next epoch with
Futurama, the year-3000 Matt Groening cartoon series that debuted in
March. With unapologetic doses of Simpsons-style archcynicism, the
series typifies the profitable niche Fox has carved for itself. It
remains the "little-guy network," airing programs that are by turns
scrappy, hip, craven, pointlessly violent and willfully lowbrow.
Everyone loves an underdog, and Fox plays its youthful, rebellious
status like a fiddle.
In that sense A People's History is a perfect fit for Fox: Murdoch
is to Zinn what Pat Buchanan is to Jerry Brown--the flip side of the
same populist coin. And "coin" is what it's all about.
ASPIRING EXTRAS ANSWER THE CALL by Jennifer Archibeque
Hopefuls line up for a chance to appear in ALL THE PRETTY HORSES.
Hollywood hopefuls filled the North Valley Senior Center on Saturday
hoping to land roles as movie extras.
"Not many people can say they've been in a movie, even as an extra,"
said London Emery, a University of New Mexico graduate student who was
there to apply.
ATPH a MiraMax/Columbia movie directed by Billy Bob Thornton and
starring actor Matt Damon, will be filmed in NM for 12 weeks, said
Kelly Cosandaey, deputy director of the New Mexico Film Office.
Filming will begin April 16 in Las Vegas, NM and surrounding ranch
land in the general Santa Fe area, and on Indian reservation land,
north and south of Santa Fe, said Cosandaey.
Men, women and children of all ages and ethnicities applied to be
extras int eh film based on a novel by Cormac McCarthy.
Teresa Neptune of Rainbow Casting Service said she was looking for 700
extras.
"We already did calls in Las Vegas and Santa Fe," she said. "We are
looking for mostly Hispanics and Native Americans to fill up the state
penitentiary."
Neptune was referring to a Mexican jail scene that will be filmed at
the Old Main Penitentiary of New Mexico, south of Santa Fe.
There is one last call for extras the first week in April said
Neptune. Aspiring male extras must be willing to cut their hair and
grow sideburns down to their ear lobes to match the 1940's era in
which the film is set. Applicants will work up to 12 hours a day anad
receive $60/day if they are chosen.
(Just as I thought, New Mexico will be the location for the last, darker, half of the film. I shudder to think about some of the scenes that will be filmed there. Brace yourself, Valerie.)
[This is at the end of an article on Harrold Ramis, director of "Analyze
This" and an actor in "The Ghostbuster."]
Time marches on, ..., and though Ramis has no plans to do a drama, he
says he's consdiering another "Ghostbusters" flick, which would be
the series' third.
A minor sticking point: The original gang- Ramis, Murray, Dan Aykroyd, and
Ernie Hudson - are relative geezers now...
"Danny and I talk about doing another 'Ghostbusters' on a regular basis,"
Ramis says. "the studio would like to make a deal. The dream plan
was that Danny and I would produce and I would direct it and we
would recruit some newer, younger, popular ghostbusters."
Any suggestions?
"Sure," says Ramis, his permanent grin widening. "Leo DeCaprio, Ben
Affleck, Matt Damon, and Will Smith." ...
(Ramis was apparently just joking. However, today the news came that Affleck and Smith have indeed agreed to co-star in a yet-to-be-penned buddy film for Buckheimer and Michael Bay, the great :-( team who gave you that cinematic prize "Armageddon". Anyway, the idea of teaming those four is quite an intrigue, no?)
3/24/99 A lot of Oscar stuff, bunched together below:
From [email protected]:
Boston Herald:
Matt Damon and Ben Affleck, a year after their ``Good Will Hunting''
success on Oscar night, arrived together in traditional tuxes.
EYEBALL-TO-EYEBALL IN BEVERLY HILLS
IT was High Noon for Tina Brown and Graydon Carter when the two rival
editors came face-to-face at Barry Diller's house in L.A. on Saturday -
and neither of them blinked.
Brown, the editor of the upcoming Talk magazine, and Carter, who
succeeded Brown at Vanity Fair, were both in Hollywood for the Oscars,
both schmoozing with the studio bosses and the stars they put on their
covers, both throwing parties they hope will be the most talked-about
and star-studded of the year.
Vanity Fair traditionally throws the hottest post-Oscar bash at
Morton's. It's a tradition Carter started soon after he took over the
glossy from Brown, who had built the monthly into a huge success. Carter
was filling the void left by the death of superagent Swifty Lazar, whose
Oscar party at Spago was always the place to be.
But this year, Brown may have launched her own tradition with a party
the night before at Le Mondrian with such Hollywood royalty as Sophia
Loren, Steve Martin, Rene Zellweger and Lisa Marie Presley.
California Gov. Gray Davis parked himself in the middle of the room.
Matt Damon patted Brown's dripping shoulders after a clumsy woman
dropped a martini down her back. And Warren Beatty danced with Tina. The
guest of honor seemed to be Disney chairman Michael Eisner - or was he
the host of honor, since Disney owns Miramax, which is launching Talk
with Hearst.
$75M laugh
GWYNETH Paltrow brought down the house at the party Miramax threw
Saturday, when the studio's Oscar nominees performed each other's roles,
plus a skit, ''Tina Brown and Two Gentlemen from Queens,'' written by
Tom Stoppard. Geoffrey Rush as Miramax chief Harvey Weinstein (with Matt
Damon as younger brother Bob and Gwyneth as Tina) got a big laugh on the
subject of Talk magazine's $75 million start-up costs when he asked,
''What do you care? It's [Michael] Eisner's money.'' Paltrow stole the
show when she came out in a Groucho Marx mask for an exuberant
impression of Roberto Benigni, shouting in an Italian accent, ''I want
to make love to you over and over.''
New York Daily News Online:
Some Good-Natured Cross-Dissing
The Italian director and Gwyneth Paltrow did a little role reversal on
the night before the awards.
In what has become a hilarious Oscar ritual, Miramax Films threw a
party where its stars are dragooned into improvising scenes from one
another's movies.
Dame Judi Dench donned a red wig to play Brenda Blethyn's brassy
blabbermouth in "Little Voice." Begnini slipped into Joseph Fiennes'
"Shakespeare in Love" duds to scream, "I want to kiss your Golden
Globes!" And Paltrow aped Benigni's character by donning a plastic nose
and glasses.
Teaming with Benigni's wife, Nicoletta, Paltrow declared: "I want to
make love to you!"
The best shtick, though, had to be "Two Gentleman of Queens," a playlet
that "Shakespeare" co-writer Tom Stoppard penned especially for the
occasion.
The sketch featured Best Supporting Actor nominee Geoffrey Rush wearing
an enormous prosthetic belly to play Miramax honcho Harvey Weinstein,
and Matt Damon sporting a frizzy black wig to mimic Harvey's
partner-brother, Bob.
The setup: the Weinsteins' first meeting with former New Yorker editor
Tina Brown to discuss her new magazine, Talk, which is being bankrolled
by Disney-owned Miramax.
"Listen," growled Rush in a dead-on rendition of Harvey, "when she gets
here, let me do the talking."
"But Harv," said Damon's Bob, "you must be joking. We know movies, we
don't know magazines. Plus, she's basically into English faggots."
Harvey: "English faggots are a big market, Bob."
Bob: "Harvey, what kind of title is Talc [sic]?"
Harvey: "What do you care? It's [Disney chairman Michael] Eisner's
money."
Bob: "He doesn't know that. And $75 million is a lot of cash just to
start up a magazine."
Harvey: "No, the $75 million is Tina's salary."
Enter Tina, played by a plummy-accented Paltrow.
Tina: "I've got this incredible, fantastic idea for the Christmas
cover: Monica Lewinsky's baby."
Bob: "Omigod, is she pregnant?"
Tina: "This is what I have to talk to you about. . . . Bob, I think
Monica will have your baby if Harvey gives her the leading role in
'Elizabeth's Loves.' She has to deliver by November because of the
[magazine's] lead time."
Harvey: "We're dead. I already asked her and she won't do it unless I
give up my producer's credit."
Reuters story on Miramax:
``Good Will Hunting'' made media sensations of up-and-coming actors
Matt Damon and Ben Affleck. Affleck is now among the industry's hottest
actors with starring roles in current hit ``Forces of Nature'' and past
summer blockbuster ``Armageddon.
Reuters story on the parties:
After a long Oscars ceremony, they partied like it's 1999.
Winners, losers, also-rans. Famous, infamous, unknowns. They vamped,
got kissy-faced and celebrated at post-Oscar parties raging into the wee
hours today.
After the official academy Governors Ball at the downtown Los Angeles
Music Center, limousines fanned out across Southern California. Many
headed to West Hollywood, the most popular destination with six major
bashes.
Best-director Steven Spielberg his ``Saving Private Ryan'' star Tom
Hanks showed up at the DreamWorks-Paramount party at Barnaby's, where
guests dined on raw oysters, shiitake mushroom pizza and chicken pot
pie.
Handshaking. Hugs. Air kisses. Make that big wet kisses from Italy's
``Life is Beautiful'' Oscar-winner Roberto Benigni.
...It was an eclectic crowd: Madonna dancing with Ricky Martin, Edward
Burns of ``Saving Private Ryan'' arm-in-arm with actress Heather Graham
and ``Sling Blade'' star Dwight Yoakam with actress Bridget Fonda.
Anthony Hopkins, Jim Carrey, Ben Affleck, Matt Damon, Steve Martin, Tim
Allen, Willem Dafoe, Mariah Carey were all there. Steven Baldwin - blond
hair slicked-back, wearing black leather pants and an ankle-length
overcoat - also showed up. So did Ed McMahon.
Reuters story on Hanks:
When Hanks, Matt Damon and Ben Affleck met up, all three hugged each
other at once, and another roar went up.
LA Times story on red carpet arrivals:
For that matter, how could Ben Affleck, Matt Damon and Tom Hanks drag a
barely qualified reporter across the invisible line and nearly invisible
hedge that separates the stars from everybody else, pose for a picture
with him, and, in the process, break his cummerbund?
And that's about it so far. It was good to see Matt seated so close to
Spielberg and Billy Bob (also Benigni). Very funny to note that when
Benigni sat up on the chair, it was Billy Bob's seat, and that you could
see Matt laughing at the back of the shot. Also you could see that Matt
was sitting next to Laura Dern (and Billy Bob), but next to Kyle, his
brother and then Ben Affleck. I think that good looking guy was Kyle
(wasn't it?), of if it isn't, it's another of their friends (Soren?) It
is definitely the same guy who the camera panned on when Matt and Ben
won last year (standing next to Matt's father). Any guesses? It's
quite funny, because that guy (Kyle?) was in shot a lot - had quite a
bit of screen time.
Definitely a lot more of Matt than the Golden Globes - but no Winona.
And this in a Miramax post-Oscars article in the LA Times:
Instead of crowing about how well Miramax did, Miramax marketing
and publicity executive Marcy Granata talked about beginning her
promotion of "The Talented Mr. Ripley," which stars Gwyneth Paltrow and
Cate Blanchett (as well as Matt Damon and Jude Law) and was directed by
Anthony Minghella ("The English Patient")--another Miramax best picture
winner
Don't like the order of names there, but it's good to see that
promotion for the movie will begin. Although who knows, at this stage,
if there will be an anti-Miramax feeling next year.
(Note: I too am worried that there will be a backlash on Miramax
next year. However, that shouldn't hurt Matt's chance for getting a
nod for his acting.)
An article on AP seems to suggest that Matt will be at the Oscars. The article talks about what the stars will wear, and Matt and Ben are said to "remain loyal to Armani". We know that Ben is one of the presenters but perhaps Matt will be there as well.
Opened a copy of "In Style" to look at the pictures from the Golden Globes night. Matt is in one of the small pics, and, I am worried. He looks guant: all eyes and lips on a thin face. And if Ted Cassablanca of E! is to be believed, Matt is still working out while filming in San Antonio. If he loses any more weight, he will look like the way he did on "Courage Under Fire". Yike. Will someone knock some sense into that Harvard head! It's the Will-Hunting look that gets you where you are, Matt, trust me.
3/16/99 "Saving Private Ryan" promotional segment on "The View" is being repeated TODAY, according to Deja News and as reported by Felicity - sorry that I didn't hear about it until just now. If you have not seen this one and if it's still not too late, make every effort to do so. Matt was adorable in this show, taped sometime in June last year.
3/14/99 A couple of real finds from Felicity:
And, from a San Angelo paper online:
San Angelo paper January 29
>Matt Damon visits city: Hollywood heartthrob researching latest movie
By HOLLY HENRY,
Staff Writer
Celebrity sightings are fairly rare in San Angelo, but those who know
their Oscar winners had a special treat this week.
Matt Damon came to San Angelo in what seemed to be a research visit for
the filming of his upcoming movie, ``All the Pretty Horses.''
His publicist's office would confirm only that Damon is visiting Texas,
preparing for his movie.
Employees and patrons at Fuentes Cafe Downtown recognized Damon and
Henry Thomas, who played Elliot in the 1980s movie hit ``E.T.,'' having
dinner Wednesday at the downtown establishment.
A waiter at Fuentes, who asked to be identified only as Nathan, was the
first to recognize the celebrities. He said he couldn't believe none of
the other employees realized who was in their midst.
Nathan didn't talk with Damon or Thomas. He said he didn't want to
bother them.
``People who are in the spotlight probably don't want every single
person coming up to them,'' he said. ``I was trying not to go `Hey,
Elliot, what's happening?'''
Nathan did tell his boss - Fuentes owner John Fuentes - about the
celebrity diners, and Fuentes approached the two actors. Damon and
Thomas then visited with the restaurant staff and posed for pictures
with them. Fuentes gave them two restaurant T-shirts.
``I talked to them, and they were looking at different sites for a
movie in West Texas,'' Fuentes said. ``We highly recommended Concho
Street.''
Damon has appeared in ``Saving Private Ryan,'' ``The Rainmaker'' and
``Good Will Hunting,'' for which he and Ben Affleck won an Oscar for
best original screenplay.
Damon will star in ``All the Pretty Horses,'' which is based on Cormac
McCarthy's novel. Billy Bob Thornton will direct the film.
The Texas Film Commission visited San Angelo over the summer as it
scouted locations for the film.
San Angelo would seem to be a natural fit for the movie, as the story
in the book opens on Chadbourne Street in 1948. But, according to the
film commission, it appears that the filmmakers have settled on San
Antonio and Santa Fe.
Marion Szurek, vice president of the Convention and Visitors Bureau,
said she wasn't aware Damon was coming to town and didn't see him while
he was here.
Szurek doesn't expect filming plans to change and include San Angelo,
but ``nothing's done until the fat lady sings,'' she said.
(Note: apparently San Angelo was not selected for the shooting of
"Horses". But it's amazing how far Matt goes to prepare himself
for a film.)
3/13/99 Things have been quiet again. Following is a batch of items from Felicity and others:
There's a big film festival in Austin from this weekend. As a guide,
this was in an Austin paper:
SXSW (South By South West, the film festival)
co-director Louis Black has taken a page from the playbook of
promoter
French Smith, who used to drum up interest in his annual T-Bird
Riverfest by
denying music's biggest names as his "special guests." (One year the
rumors
were Robert Plant, Bob Dylan and Elvis Costello. When Smith denied
them, he
was right: the "special guests" turned out to be the Antone's house
band). At
any rate, Black denies that Matt Damon will be at SXSW this year, but I
see
Beantown blondie making the scene, at least in a partying capacity.
Damon is
just down the road in San Antonio filming "All the Pretty Horses," so
look for
him to hook up with pal Casey Affleck (Ben's bro), who'll be here for
Friday's
"Desert Blue" premiere and "Pretty Horses" director Billy Bob Thornton,
who's
down for a panel Saturday. By the way, Louis denies that Ben Affleck
will be
in town.
So, Matt may make an appearance at either the above or the premiere of
Ron
Howard's Ed TV next Tuesday.
In other news, Planet Ice has had a name change to ... Titan A.E. - apparently standing for Titan After Earth.
As expected, nothing has happened on any of the Matt/Ben scripts. This
is from Thursday's Marilyn Beck and Stacy Jenel Smith column:
MEANWHILE: Miramax is still trying to get Matt Damon and Ben Affleck to
take advantage of the first-look deal the studio struck with them when
they were flush from last year's Oscar triumph for writing "Good Will
Hunting." But as it's turned out, says Weinstein, "They've been too busy
-- they each go from making one movie to another." Which is what they're
doing now, with Matt in San Antonio to make "All the Pretty Horses," and
Affleck in Vancouver, Canada, starting "Reindeer Games." But relief
could be on the way. "Ben will have some free time," says Weinstein,
"and the plan is for him to come to Matt's set, where the two of them
could start writing the romantic comedy 'Like a Rock."'
Off Ted Casablanca's column on e-online:
The Eyes Have It
Matt Damon, in San Antonio, Texas, near the set of All the Pretty
Horses. The dude was going home to his exclusive rented condo when he
was stopped by a local resident and peppered with horsey questions about
what it's like to be famous. Matt was kind (as I hear he is to few other
non-horsey types).
3/8/99 Apparently there was a sketch on Saturday's Mad TV show where the film "Saving Private Ryan" was the target of some satire, and Andrew Bowen did a Matt Damon impression. Probably just as well that I didn't see it, but if you did and want to share what you saw, email me.
3/7/99
3/5/99
Rounders is 8th on the video rental chart.
3/4/99
A very excited Valerie (who lives in New Mexico)
wrote on Planetdamon (can't you just
hear her shouts of joy? :-)
Production crews are being sought immediately and a casting calls will take place on March 12 & 13 at the Plaza Hotel in Las Vegas, NM. Open casting will take place on March 20 and 27 in Albuquerque.
I am there!!!!!
John's Grisham's THE RAINMAKER laserdisc directed by Francis Ford Coppola Mr. Coppola's best and sharpest film - Janet Maslin, New York Times The most enjoyable of Grisham's movies - Mike Clark, USA TODAY Starring Matt Damon, Jon Voight, Danny DeVito, and Claire Danes Brand New and Factory Sealed Dolby Digital 5.1 AC-3 - experience TRUE 5.1 channel surround 137 minutes, Color, Rated PG-13 2.35:1 Widescreen Aspect Ratio 2 disc CLV format $39.98 Retail Price!3/3/99 Mr. Showbiz rates Good Will Hunting as the 4th all-time best "shrink" movie. The article is lead with that familiar poster photo of Matt and Robin.
Don't remember where I saw this, but somewhere in Cyberspace it was reported that last week Rounders was either 7th or 8th on the top DVD list. I don't beleive it made the top 10 video rental list, however.
3/2/99 The March 1 syndicated column by Stacy Jenel Smith and Marilyn Beck reported that "Pretty Horses" is budgeted at $40 million.
Val wrote on planetdamon:
Another tidbit from Felicity (who by the way is also responsible for
finding the new Ripley photoc):
Ben Affleck's been announced as a presenter at the Oscars (on the
Oscars website). Matt wasn't mentioned.
(My speculations: Matt seemes to have taken a backseat to Ben in
publicity these days, possibly to give his best friend a chance to
shine on his own. My guess is that Ben will be paired with Paltrow
as presenters.)
2/27/99
Off Daily Variety:
Cruz to take 'Horses' lead
Thesp cast as Damon's love interest
Penelope Cruz has been cast to star opposite Matt Damon in
Miramax/Columbia's "All the Pretty Horses," to be directed by
Billy Bob Thornton and based on a novel by Cormac McCarthy. In the
film, to shoot shortly in Texas, Cruz plays a Mexican girl from an
upper-class family that discourages her romance with Damon's character.
Cruz's casting in "Horses" confirms her as Spain's hottest
international actress. Having co-starred in Stephen Frears' Berlin
Competition player "The Hi-Lo Country," she has inked to star later
this year in Fox Searchlight's "Woman on Top," to be directed by
Fina Torres.
(Here's how Mr. Showbiz put it: "Cruz will
play the upper-crust Mexican beauty whose family attempts to discourage
her romantic involvement with Damon's hunky farmboy drifer.")
(Thanks to Felicity and Lisa for these items. Word is that Cruz is
a real beauty - can you stand it?)
Here's a nice quote of Matt: In an interview in the December Juice Magazine of Australia (Thanks, Felicity) -