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Sources of Fiction
Where and How to Find Material

The standard sermon is predictably delivered in this all important first chapter - write from experience, about what you know. Ordinarily, advice to discard literary aspirations and instead become a National Geographic Explorer. But Professor Novakovich qualifies the axiom, and instills inspiration. First, one's experience need not be grand. Second, what you do not know is where your imagination resides.

    "Fiction is a lot like lying. You start from something real, but..."  - Josip Novakovich




Exercise #9: A minor figure who plays an important role in an historic event, describing what "really happened" as experienced by that person. History is a reconstruction; fact and fiction are not separable. (1-2 pages)

   
 
   Isaac's conversion still weighed heavily upon him. The chill, damp winter air did not help. He strode with purpose through the narrow maze of dirty cobblestone streets, but his outward confidence was merely the echoed gait of his two armed escorts. Guilt and fear propelled him.
   The directions he received from the wainswright at the harbor were clear enough. And he was fortunate to know Genoa well from his frequent visits. But he wasn't here this time on business.
   It was ironic. He had acquiesced to the conversion in no small part in order to save his business, and the livelihood of his family. But in doing so, he had discarded his father's name, without whom the business would not be prospering. He had also renounced his traditions and all his people's ancestors.
   It was only a month ago, but he felt with worry that he would never acquire the habit of his new name - Luis de Torres.
   Such drastic measures were the counsel of Don Abraham Seneor, who occupied a prominent position at the royal court. Granada had fallen, and the Moors were finally driven from Andalusia. By spring, the King and Queen would complete the unification of Spain by decreeing the expulsion of all remaining Jews. And so, to keep his properties, to enable his son to grow to manhood, to remain in the country he loved, he converted.
   Most of his people could forsee this also, and were already contemplating their options. Isaac knew however that both France and Portugal, and certainly the provinces of Tunis across the strait, would greet Spain's hordes of displaced Jews with an ill fate. He had cast himself and his family from the chosen Sons of David for the sake of life in Spain, but he was determined not to forsake his fellow countrymen of stronger faith. Isaac reasoned that their future was dependent on Genoa. Even if Italy proved to be less hospitable than he expected, only the port of Genoa had enough ships necessary to transport all of Spain's Jews to shores afar. The time for his people's return to Judea was surely not at hand, but times were desperate for any other destination.
   It was ironic that his business was the factor in his decision to convert, and that his business ties here in the city of Genoa would save the countless lives of all his people who would not renounce their faith and capitulate to the new zealotry of the royal court. Isaac sought redemption from the irony, and relief from the burdens of his heavy heart.
   He stepped up to the landing before a stout door. Looking again at the herald painted on the door to be certain, he knocked. Momentarily, it opened wide to reveal a man whose posture was of one in his prime but whose weathered face and heavily lidded eyes marked a man still struggling to find his destiny.
   "Christoforo Colombo? My name is Luis de Torres. I arrived this morning from Seville. My people in Spain are in need of the service of honorable sea captains. I have a few propositions for you. May I come in?" (JH, 09/26/99)
 
  Revisions        More Exercises  
     
Self Critique: Not a good start. First, I'd say I violated the so-called first rule of writing fiction. Second, it sounds terribly stiff and formal. This workshop is going to be a greater challenge than I first thought. In fairness though, I feel historical fiction is particularly difficult because of the need for consistency with known facts. A quick web-search for "Pinta passenger manifest" found my minor historical figure - Luis de Torres, listed as "interpreter and converted Jew". I suspect good historical fiction starts with much more extensive research. On the other hand, I recently viewed a very troubling ABC 20/20 exposé on TV about state-approved school textbooks which, among many blatant errors, proclaimed that Columbus discovered the New World in 1499. So should I care? Yes.
   
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